O cotidiano do verso (in-verso): revoluções poéticas em Ana Cristina César e Paulo Leminski / The daily life of the verse (in-verse): poetic revolutions in Ana Cristina César and Paulo Leminski

Resumo: Este artigo propõe uma leitura de poemas de Ana Cristina César e Paulo Leminski escritos sob os ecos da ditadura militar da década de 1970. Esses poetas representaram, com seus traços peculiares, a dicção própria da geração mimeógrafo. Neste percurso, considera-se o contexto político-social em que surgiu a poesia marginal e suas feições particulares, além das características próprias do gesto literário de Ana C. e Paulo Leminski. Em tempos de silenciamento, a poesia busca novos caminhos para expressão do eu, reelaborando a linguagem poética e propondo novos vieses de expressão e divulgação artística.Palavras-chave: Ana Cristina Cesar; Paulo Leminski; ditadura militar; literatura marginal; violência.Abstract: This article proposes a reading of poems by Ana Cristina César and Paulo Leminski written under the echoes of the military dictatorship of the 1970s. These poets represented, with their peculiar features, the diction proper to the mimeograph generation. In this way, we consider the political-social context in which marginal poetry and its particular features emerged, in addition to the characteristics of the literary gesture of Ana C. and Paulo Leminski. In times of silence, poetry seeks new ways to express the self, reworking the poetic language and proposing new biases of expression and artistic dissemination.Keywords: Ana Cristina Cesar; Paulo Leminski; military dictatorship; marginal Literature; violence.

Alterliteraturas (Los 100 ojos de la Educacion literaria en la era poscovid)

A panoptic (Foucault) and not synoptic vision of literature, and of literary education in particular, is needed. This is in order to “tear down” the categories or rigid borders that surround the “center” of the canon and so called marginal literature, which is full of prejudices, and from a time in the history of education anchored in stereotypes of national literature or in eurocentrism that decolonial thought is correctly taking apart. It is necessary to visualize diversity by integrating all the richness of expression from the artistic word, from ancestral orality, through classical written culture, and up to ciberculture, which has overcome the classical margins from the oral or written realm, to enter the terrain of multimodality. Of all the concurrent codes with the word that now, beyond theater or cinema, are also expressed literarily through new alphabets. In the same way that dramatic literature is discussed, now the field must be opened to television, anime and many other audiovisual expressions from the digital world. The change is that not only the margins of reading formats have been overcome (Chartier) but also the themes and genres and what was a “marginal” or “marginalized” literature (like LIJ) today moves to the center of the literary-educational universe. This is what is symbolized with the figure of the monster Argos Panoptes and the need of the 100 eyes of literary education, and didactic instruments, which has been symbolized in three parts: sharing the imaginary, creating “compasses” for reading itineraries, and promoting alternative methodologies.

Sobre mulheres subterrâneas e exumação narrativa: uma leitura de Desesterro (2015), de Sheyla Smanioto / On Subterranean Women and Narrative Exhumation: Reading of Sheyla Smanioto’s Desesterro (2015)

Resumo: O presente artigo tem como objetivo propor uma leitura do romance Desesterro (2015), escrito pela autora paulista Sheyla Smanioto, a partir de textos teóricos sobre literatura marginal, identidades marginais e subalternidade. Esta leitura parte da compreensão de que o texto de Smanioto incorpora processos de subjetivação das personagens que não são comumente tratados em textos literários e que vão além da questão da fome, da violência e da miséria em contextos de vulnerabilidade e exclusão social, ainda que passem também por tais questões. Desse modo, a fim de melhor refletir sobre a problemática apresentada, serão mobilizados os trabalhos de Spivak (2010), Dalcastagnè (2012) e Nascimento (2009) para pensar as implicações da subalternidade e identidades marginais, bem como as discussões de bell hooks (2015) e Michel Foucault (2004, 2008) sobre a produção de identidades e os processos de subjetivação e objetificação.Palavras-chave: literatura marginal; modos de subjetivação; literatura brasileira; Sheyla Smanioto.Abstract: This article aims to propose a reading of the novel Desesterro (2015), written by Sheyla Smanioto, born in São Paulo. Supported by theoretical texts about marginal literature, marginal identities and subalternity, the reading starts from the understanding that Smanioto’s text incorporates subjectivation processes. Those processes deal with characters differently from most literary texts, since they go beyond the issue of hunger, violence and misery in contexts of social exclusion, even if such issues are also discussed. Thus, to better reflect on the problem presented, the works of Spivak (2010), Dalcastagnè (2012) and Nascimento (2009) are mobilized to think about the implications of subalternity and marginal identities, as well as the discussions of Michel Foucault (2004, 2008) and bell hooks (2015) about the production of identities and the processes of subjectivation and objectification.Keywords: marginal literature; modes of subjectivation; Brazilian literature; Sheyla Smanioto.

Genre Aspects of Implementation of Surrealist Code in Literature

The article analyzes the genre conditions for the actualization of the surrealist code one of the style codes of literature. Analysis of the conditions for the implementation of such a style code allows to determine the boundaries of style, as well as its transformation in recent times. Of particular interest is the appeal of the authors to the formula genres of both marginal literature and mainstream. This contributes to the manifestation of the surrealist code in literature and other art forms of the 20th and early 21st centuries.