Tracing the lines

This article presents the results of the recent Historic Environment Scotland-funded project Tracing the Lines: Uncovering Grooved Ware Trajectories in Neolithic Scotland addressing the timing and nature of the adoption, development and ultimate demise of Grooved Ware in Scotland beyond Orkney. Following analysis within a Bayesian framework of over a hundred Grooved Ware-associated radiocarbon dates from Scotland beyond Orkney, evidence is presented that Grooved Ware pottery very closely related to Orcadian prototypes began spreading rapidly between key locales across Scotland towards the end of the 4th millennium BC. This was followed by a process of stylistic drift with regional variations. The so-called Durrington Walls sub-style was introduced some 200 years after the earliest Grooved Ware and is an exception to this pattern of gradual change. Our modelling suggests that the latest Scottish Grooved Ware has a currency that overlaps with the earliest Beakers by between 1 and 145 years and probably between 1 and 60 years. View supplementary material here: Supplementary material | References | Table S1 | Illus S40 Extracted Element

Contingencies of Context

This chapter considers the presence of anticolonial political thought in and as international law, and in particular the legacies of the Algerian Revolution for the Additional Protocols to the Geneva Conventions. The Additional Protocols extended to wars of national liberation the status of international armed conflicts, a move often explained as a straightforward product of context: an effort to expand the reach of humanitarian law to conflicts like those in Algeria and Vietnam. Returning to the legal arguments of the Algerian revolutionaries, however, reveals more complex arguments about what made the conflict international. Rather than straightforwardly nationalist, those arguments entailed robust conceptions of sovereignty, aggression, and the nature of decolonisation as a legal project. Tracing those arguments through the deliberations over the Additional Protocols, the chapter shows how, rather than simply reflecting its context, law operates as a site of historical meaning-making to adjudicate the past’s significance.

Acting liturgically

This review article offers an engagement with Nicholas Wolterstorff’s recent publication, Acting liturgically: Philosophical reflections on religious practice. It begins by contextualising the project, tracing Wolterstorff’s lifelong interest in liturgy, as documented in his memoir, In this world of wonders. This is followed by a careful exposition of each of the book’s four sections (with the headings “Liturgy, Enactments and Scripts,” “Liturgy and Scripture,” “God in the Liturgy” and “Liturgy, Love and Justice”). The article concludes with a few critical observations about the book in which it is shown why this is indeed a significant text which makes an important contribution to the (philosophical) study of liturgy.

Achieving the Vision of the ASEAN Economic Community-2025: The Role of ASEAN Business Advisory Council

The paper analyses the role of ASEAN Business Advisory Council (ABAC) in stimulating transnational commercial exchanges in Southeast Asia as part of the establishment of the ASEAN Economic Community-2025. In like with this analytical focus, the authors start from revealing the specificity of the ASEAN Economic Community as a multilateral project tracing it from AEC-2015 to AEC-2025. The article argues that the role of the ABAC remains and will be defined by the overall evolution of ASEAN’s modality of cooperation reflecting its potential and limitations.

The Fornax3D project: Tracing the assembly history of the cluster from the kinematic and line-strength maps

The 31 brightest galaxies (mB ≤ 15 mag) inside the virial radius of the Fornax cluster were observed from the centres to the outskirts with the Multi Unit Spectroscopic Explorer on the Very Large Telescope. These observations provide detailed high-resolution maps of the line-of-sight kinematics, line strengths of the stars, ionised gas reaching 2–3 Re for 21 early-type galaxies, and 1–2 Re for 10 late-type galaxies. The majority of the galaxies are regular rotators, with eight hosting a kinematically distinct core. Only two galaxies are slow rotators. The mean age, total metallicity, and [Mg/Fe] abundance ratio in the bright central region inside 0.5 Re and in the galaxy outskirts are presented. Extended emission-line gas is detected in 13 galaxies, most of them are late-type objects with wide-spread star formation. The measured structural properties are analysed in relation to the galaxies’ position in the projected phase space of the cluster. This shows that the Fornax cluster appears to consist of three main groups of galaxies inside the virial radius: the old core; a clump of galaxies, which is aligned with the local large-scale structure and was accreted soon after the formation of the core; and a group of galaxies that fell in more recently.

A sound track to ecological crisis: tracing guitars all the way back to the tree

Analyses of music and environment are proliferating, yet new conceptions are needed to make sense of growing ecological crisis in the Anthropocene. From an empirical project tracing guitars all the way back to the tree, I argue for deeper conceptual and empirical integration of music into the material and visceral processes that constitute ecological crisis itself. Musicians are not only inspired by environmental concerns for compositional or activist purposes. They are entangled in environmental crisis through material and embodied relations with ecosystems, especially via the musical instruments we depend upon. I foreground three ‘more-than-musical’ themes to make sense of unfurling forces: materiality, corporeality and volatility. Musical instruments are gateway objects that invite contemplation of material and corporal relations. Such relations bind together musicians and non-human others. Material and corporeal relations with increasingly threatened upstream forests, and endangered tree species, are being confronted and reconfigured. In the context of ecological crisis, guitars do much more than make pleasing acoustic sounds. Via guitars we co-generate, with non-human others, a sound track of crisis both melancholy and hopeful.

Common Sense: New York City Working Women and the Struggle for Woman Suffrage

By telling the story of working women’s involvement in the campaign for woman suffrage in the U.S., this chapter shatters the conventional notion that the women’s suffrage movement was merely a middle-class project. Tracing how the “Common Sense of working women” was cast in opposition to the “sentimentality of Senators,” this chapter offers a fresh interpretation of suffrage history.

Jack Lindsay's Alienation

Posterity has not been kind to the Australian-born polymath Jack Lindsay (1900–1990), a self-confessed ‘odd man out’ who published over one hundred and seventy books across a range of genres. This article asks what Lindsay wrote, why it has been forgotten and why we should care. It restores to view Lindsay's politico-cultural trajectory from his conversion to Marxism in 1936. It argues that Lindsay's searching and sceptical Marxism was a source of his prolific creativity and that he evolved a distinct and sometimes eccentric Marxist theoretical framework – a system with the concept of alienation at its core – within which his individual works are most legible. It argues that Lindsay's theoretical Marxism is not reducible to that of ‘British Communism’ or the ‘Old Left’, but exceeded and was mostly in tension with the Marxism of his party and its Soviet models, despite his political affiliation. It explains that Lindsay's oeuvre sank gradually from mainstream cultural visibility through the Cold War and that his conflicted but ongoing CP and Soviet-facing alignment alienated him from an emerging New Left with which he actually shared much theoretical ground. Estranged from his own party and largely dismissed by the New Left, his project disappeared through the cracks that opened during the traumatic realignments of the British Left in the post-1956 decade and remains largely absent from accounts of Marxist thought in Britain today. But though in many ways flawed, Lindsay's central project – tracing the processes of alienation through social formations, sifting human history for moments of resistance to that alienation, and attempting to prefigure a society in which values of creative production and communication are generalized across society as a whole – speaks loudly to ever-sharpening problems and deserves revisiting now.