Public administration strategy of healthcare system for seniors

The goal of the study is to restructure society’s attitude toward the needs of the elderly. The article addresses the methodology of state social policy and possible innovations in funding and economic methods for public administration in the healthcare system for seniors. The novelty of the work is ensured by the concept of managed older age and a start-up proposal to create the State Direct Investment Fund “Senior Generation” functioning as an entity responsible for the development of the organizational foundations for gerontology and geriatrics services. The practical significance of the study lies in the optimization of the modern management model of care for the older generation and a philosophical study of age as a potential in management in both individual and societal regards. This strategy can serve as a basis for public administration of the healthcare system for the elderly accounting for the diversity of seniors as a social stratum.

Doxographical, Philosophical, and Historical Forms of the History of Philosophy

This chapter examines the doxographical, philosophical, and historical forms of the history of philosophy. The aim of doxography is to reconstruct and present philosophical views or positions that have been proposed in the past and to do so in a way that makes clear the interest they may retain for contemporary philosophical discussions. However, the inadequacy of ancient doxographical writers seems so great that the term ‘doxography’ itself has acquired a pejorative connotation. The criticism is twofold: first, one has the feeling that the ancient doxographers did not have historical awareness or a sensitivity to history; second, one tends to associate doxography with a kind of philosophical failure. People then abandoned the assumption that the positions of the past retain their philosophical importance in the contemporary context. In its place, they began to suppose that the views of the past were only of interest as stages, even if necessary ones, of the evolution of thought. This sort of history represents the philosophical study of the history of philosophy. It is precisely this philosophical position which, towards the middle of the nineteenth century, provokes a reaction. But this reaction takes two very different forms. On the one hand, it gives rise to the historical study of the history of philosophy and, on the other, to a modern form of doxography.

The power of local foods in the Kebo-Keboan traditional ceremony of Alasmalang, Banyuwangi, Indonesia: a philosophical study and cultural promotion

Food is an effective way for rural communities to introduce their culture. Therefore, they make various mobilization efforts to popularize their traditional foods. It comes as no surprise that the traditional ceremonies are held as a means of branding to promote these localities. This study was aimed to describe the local traditional foods presented at the Kebo-keboan traditional ceremony in Alasmalang, Banyuwangi district, Indonesia as a reflection of the culture within the Alasmalang community. The analysis focused on the philosophy of traditional foods to unravel the culture within the Alasmalang community. The data were collected through in-depth interviews to receive profound information. The data analysis was done using interactive methods. There were six variations of local foods found in the Kebo-keboan traditional ceremony, namely Pecel Pitik, Tumpeng Putih, Tumpeng Kuning, Jenang Abang, Jenang Suro, and boiled produce. All the local foods are made from local ingredients with local cultural beliefs lying within them. These foods reflect the religious, social, and environmental-loving culture of the Alasmalang community as well as a means of promoting local culture. The findings can serve as initiatives for cultural promotion elsewhere as well as an expansion in cultural studies

The ontology of musical objects in contemporary instrumental composition

<p>The musical object occupies a strange place in music criticism. The new musicology schools influenced by post-structuralist continental thought have shied away from the object’s autonomous existence, exemplified by Christopher Small’s view of music as a cultural activity: “musicking.” Other theorists, such as Dennis Smalley, have created taxonomies of musical sound. Smalley’s spectromorphology defines sonic typologies that he claims to be based on an experiential understanding of sound, while simultaneously undertaking the technical project of a systematic cataloguing of sounds. Both views inhabit quite opposite positions in relation to the sound object – either a total rejection of its reality or a positivistic attempt at a catalogue of sound types. Both of these approaches suffer from distancing the sonic object through their respective discourse: by reducing the importance of the object for the sake of viewing music as a network of cultural relations, or by reducing it to an idealized and rationalized object, seeing it as just the product of a bundle of auditory qualities unified by perception. These views introduce a distance from auditory experience, which is at its core an object-oriented experience. In other words, neither meets the musical object on its own level, and because of this, they deny or caricature the musical object’s ontology. Graham Harman’s philosophical study of Object-oriented Ontology is a radicalization of Heideggerian phenomenology. Through a new reading of Heidegger’s tool-analysis, Harman argues that objects – whether real, living, non-living, ideal or abstract – are the primary location of ontological investigation, and that objects exist both discretely and as a part of a wider network of possible relationships. By viewing the object this way, and by recognizing the multifaceted and multidimensional features of the musical object, we may be able to account for features of music that the trends above are unable to recognize or assess, such as the twentieth century aesthetic practices of György Ligeti, Salvatore Sciarrino, and the Spectral school of composition. It is possible to read these composer’s aesthetics as object-oriented because they are so strongly focused on examining sonic objects themselves –whether it is a physical event or modeling a natural process – instead of examining objects only through their affective potential towards human beings. This practice suggests that these qualities and processes are themselves areas for possible contemplation. Historically, this move away from an emphasis on the human-world binary goes against the nineteenth century aesthetic of Romanticism, which relies on an object’s affective potential. Also, an object-oriented position rejects formalism, because of its reduction of music to an intellectual activity. An object-oriented approach to music traverses the line between these two positions, acknowledging the subtle and shifting relationships between the affective and the analytic or, to locate this within Harman’s approach, between the sensual and real. The thesis will explore the implications of an object oriented approach to music, trace the history of its development in relation to music – chiefly that of the twentieth and twenty-first centuries – as well as make object oriented analyses of selected works, including my own compositions.</p>

The ontology of musical objects in contemporary instrumental composition

<p>The musical object occupies a strange place in music criticism. The new musicology schools influenced by post-structuralist continental thought have shied away from the object’s autonomous existence, exemplified by Christopher Small’s view of music as a cultural activity: “musicking.” Other theorists, such as Dennis Smalley, have created taxonomies of musical sound. Smalley’s spectromorphology defines sonic typologies that he claims to be based on an experiential understanding of sound, while simultaneously undertaking the technical project of a systematic cataloguing of sounds. Both views inhabit quite opposite positions in relation to the sound object – either a total rejection of its reality or a positivistic attempt at a catalogue of sound types. Both of these approaches suffer from distancing the sonic object through their respective discourse: by reducing the importance of the object for the sake of viewing music as a network of cultural relations, or by reducing it to an idealized and rationalized object, seeing it as just the product of a bundle of auditory qualities unified by perception. These views introduce a distance from auditory experience, which is at its core an object-oriented experience. In other words, neither meets the musical object on its own level, and because of this, they deny or caricature the musical object’s ontology. Graham Harman’s philosophical study of Object-oriented Ontology is a radicalization of Heideggerian phenomenology. Through a new reading of Heidegger’s tool-analysis, Harman argues that objects – whether real, living, non-living, ideal or abstract – are the primary location of ontological investigation, and that objects exist both discretely and as a part of a wider network of possible relationships. By viewing the object this way, and by recognizing the multifaceted and multidimensional features of the musical object, we may be able to account for features of music that the trends above are unable to recognize or assess, such as the twentieth century aesthetic practices of György Ligeti, Salvatore Sciarrino, and the Spectral school of composition. It is possible to read these composer’s aesthetics as object-oriented because they are so strongly focused on examining sonic objects themselves –whether it is a physical event or modeling a natural process – instead of examining objects only through their affective potential towards human beings. This practice suggests that these qualities and processes are themselves areas for possible contemplation. Historically, this move away from an emphasis on the human-world binary goes against the nineteenth century aesthetic of Romanticism, which relies on an object’s affective potential. Also, an object-oriented position rejects formalism, because of its reduction of music to an intellectual activity. An object-oriented approach to music traverses the line between these two positions, acknowledging the subtle and shifting relationships between the affective and the analytic or, to locate this within Harman’s approach, between the sensual and real. The thesis will explore the implications of an object oriented approach to music, trace the history of its development in relation to music – chiefly that of the twentieth and twenty-first centuries – as well as make object oriented analyses of selected works, including my own compositions.</p>

FROM BIOPOLITICS TO THE PRECARITY OF COMMODIFIED BODIES, OR THE APOGUE OF PERFORMANCE

The article presents a philosophical study of the social, political, legal, labor, cultural and anthropological status of a person in modern conditions of informatization, economic liberalism, limited employment, post-democracy, visual culture and a pandemic. The growth of the precariat is regarded as a catalyst for the movement of opposite vectors: the activities of the power and the performative actionism of political subjects. As the optimal integrative tactics of a person of late capitalism, his bodily and spiritual self-exploitation is considered.

«Huge, Disgusting, Corpulent, A-Hundred-Throats»: a Philosophical Study of the Fence and Other Monsters (Review of the book Savchuk V.V. Fence as a Balance of Forces. St. Petersburg: Publishing house Academy of Culture Research, 2021. – 249 p.).

The text is a contemplation review of the new book by V.V. Savchuk. Fence as a balance of power. (St. Petersburg: Publishing House “Academy of Culture Research”, 2021. - 249 p.). The book raises a wide range of problems: the world as an extension of the skin, cultural rhythms of the collective body, principles of building trust and openness, mechanisms of psychological isolation and social distancing, current forms of environmental reflection and art practice. The fence turns out to be one of those limiting things, after the invention of which it is not clear how to think of culture without it. An excursion into the author's thought is given, the logic of the narrative being built is commented to reflect on the embarrassing omnipresence and inevitability of the fence. How did culture end up crucified on the fence? When is the fence not a source of comfort, but of excess discipline and increasing anxiety? What is intimidation fraught with? All these questions are outlined and deeply investigated by the author, while the task of this text is to maximize attention both to the book and to the problem. In other words, start a productive dialogue about fences - which, paradoxically, has hardly been noticed in humanistic research.

The Illusion of Separateness, a Philosophical Study of Nursing and Naturopathic Practice: Healing Connections Between People

<p>This thesis describes the journey of a practicing Independent Nurse Practitioner and Naturopath towards the understanding of the illusion of separateness and what this could mean in terms of health and healing generally and specifically through the stories of five clients. The study reveals through these stories how the practice developed over time in relation to this idea. As a result of personal experience, clinical practice and my quest for knowledge I have come to a consideration that what stops or blocks us realizing that we all have an innate potential for self-healing is the illusion of separateness; that is, believing we are beings separate from each other and separate from the rest of nature. The thesis is presented as a narrative and begins with an account of the events in the practitioner's life that lead to the specific study of natural therapies and the development of a cohesive practice using holistic health practices from a nursing perspective. The text essentially describes the process of establishing a private practice combining two disciplines of Nursing and Naturopathy in New Zealand. The study reveals how a nurse and naturopath's practice is based on the premise that it is crucial to recognise that the personal life and professional life of the nurse inform and influence each other and are always part of the process of care in such a practice. Three healing modalities that are central to the practice are described in detail. The description is informed by theory and research from nursing, the social sciences and the natural sciences. The study reveals the practical value of postmodern nurse theorists, Jean Watson and Margaret Newman to this practice. This study also briefly discusses the concepts from quantum theory, evolutionary theory and psychoneuroirnmunology that are used in the practice. The thesis reveals one nurse's journey of practice development using contemplation and reflection that records an important aspect that has already benefited clients and the community where the practice occurs.</p>

The Illusion of Separateness, a Philosophical Study of Nursing and Naturopathic Practice: Healing Connections Between People

<p>This thesis describes the journey of a practicing Independent Nurse Practitioner and Naturopath towards the understanding of the illusion of separateness and what this could mean in terms of health and healing generally and specifically through the stories of five clients. The study reveals through these stories how the practice developed over time in relation to this idea. As a result of personal experience, clinical practice and my quest for knowledge I have come to a consideration that what stops or blocks us realizing that we all have an innate potential for self-healing is the illusion of separateness; that is, believing we are beings separate from each other and separate from the rest of nature. The thesis is presented as a narrative and begins with an account of the events in the practitioner's life that lead to the specific study of natural therapies and the development of a cohesive practice using holistic health practices from a nursing perspective. The text essentially describes the process of establishing a private practice combining two disciplines of Nursing and Naturopathy in New Zealand. The study reveals how a nurse and naturopath's practice is based on the premise that it is crucial to recognise that the personal life and professional life of the nurse inform and influence each other and are always part of the process of care in such a practice. Three healing modalities that are central to the practice are described in detail. The description is informed by theory and research from nursing, the social sciences and the natural sciences. The study reveals the practical value of postmodern nurse theorists, Jean Watson and Margaret Newman to this practice. This study also briefly discusses the concepts from quantum theory, evolutionary theory and psychoneuroirnmunology that are used in the practice. The thesis reveals one nurse's journey of practice development using contemplation and reflection that records an important aspect that has already benefited clients and the community where the practice occurs.</p>

Being and self-development of a personality in social and cultural space

The article is devoted to the philosophical study of personal life as a process of constant formation, development and improvement of the personality during which its qualities, properties and functions related to the physical, social and spiritual aspects have been formed. The emphasis has been made on the differences in the interpretation of the characteristics of personal life and its dynamics in various socially-cultural and historical contexts — from antiquity to the present. Such aspects of personality formation in the space of society and culture as personal self-awareness, freedom and creativity have been analyzed. It has been concluded that personality is a sociocultural construct the development of which is determined by both biological and sociocultural factors.