Atlantis, an Autoanthropology

Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew André Breton, Salvador Dalí, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Lévi-Strauss, and many more of the twentieth century’s major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person.” Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.

Atlantis, an Autoanthropology

Over the course of his long career, Nathaniel Tarn has been a poet, anthropologist, and book editor, while his travels have taken him into every continent. Born in France, raised in England, and earning a Ph.D. from the University of Chicago, he knew André Breton, Salvador Dalí, Marcel Duchamp, Margot Fonteyn, Charles Olson, Claude Lévi-Strauss, and many more of the twentieth century’s major artists and intellectuals. In Atlantis, an Autoanthropology he writes that he has "never (yet) been able to experience the sensation of being only one person.” Throughout this literary memoir and autoethnography, Tarn captures this multiplicity and reaches for the uncertainties of a life lived in a dizzying array of times, cultures, and environments. Drawing on his practice as an anthropologist, he takes himself as a subject of study, examining the shape of a life devoted to the study of the whole of human culture. Atlantis, an Autoanthropology prompts us to consider our own multiple selves and the mysteries contained within.

Reunion with Self in Terry McMillan’s I Almost Forgot About You

The novel I Almost Forgot About You by Terry McMillan, which deals with the problem of finding your own identity by studying the components of personality and the context in the formation of identity, is examined. African American feminist literature consists of common themes like sense of being different, managing multiple selves and quest for identity. Terry McMillans works represent African American female characters struggle for self-realization that help them in better understanding of the present and planning for the future by reestablishing their identity. The predicament of Georgia, protagonist of the novel, is that she has lost selfhood after subsequent divorces. In due course of time, her role in the family becomes diminished; also she loses interest in the professional life. Her aimlessness and strong desire to restore self leads her to search for male companion among her old boyfriends. She believes that self-satisfaction is possible with exploration of self for that she decides to go on a train trip and tries to focus on nurturing the hobby of woodwork. It helps her in regaining her internal and external self. Thus, the leitmotif of the novel is the search for your own identity as an attempt of inquiry for the destined future.

What is the I that I am? An Enquiry into the Self

<p>This dissertation is an elucidation of the nature of the self. It consists of two major parts. The first part is an investigation of the necessary and sufficient conditions of the self, appealing to four theses: the Conceivability Thesis, the Equilibrium Thesis, Panpsychism and the Multiple Selves Doctrine and the Locus Thesis. Proponents of these views are examined in detail, including Descartes, Avicenna, Strawson, Parfit and Dennett. The conditions of selfhood are established through an examination of the individual’s perception and how they arrange their perceptions. The second part of the dissertation discusses the influences of the outside or others’ perception of a self, and how this can influence an individual’s own impression of the self. This is considered using as examples the psychological disorders of autism and schizophrenia. The primary aim of this dissertation is to establish criteria for the presence of the self in the individual and to examine some of the ways in which the self can be expressed. Furthermore, this dissertation begins to clarify the importance of the contribution the self makes towards a person’s successful functioning within his/her selected community.</p>

What is the I that I am? An Enquiry into the Self

<p>This dissertation is an elucidation of the nature of the self. It consists of two major parts. The first part is an investigation of the necessary and sufficient conditions of the self, appealing to four theses: the Conceivability Thesis, the Equilibrium Thesis, Panpsychism and the Multiple Selves Doctrine and the Locus Thesis. Proponents of these views are examined in detail, including Descartes, Avicenna, Strawson, Parfit and Dennett. The conditions of selfhood are established through an examination of the individual’s perception and how they arrange their perceptions. The second part of the dissertation discusses the influences of the outside or others’ perception of a self, and how this can influence an individual’s own impression of the self. This is considered using as examples the psychological disorders of autism and schizophrenia. The primary aim of this dissertation is to establish criteria for the presence of the self in the individual and to examine some of the ways in which the self can be expressed. Furthermore, this dissertation begins to clarify the importance of the contribution the self makes towards a person’s successful functioning within his/her selected community.</p>

“Behind the Façade: Motivations for Cosmetic Usage by Women”

Given the wealth of literature on appearance manipulation generally, it is, perhaps, surprising that cosmetic usage receives so little empirical attention, and perhaps reflects a patriarchal approach to “appropriate” research areas. Incorporating a postfeminist approach, the current study aims to address, in part, this lacuna by providing a contemporary synopsis of the various and diverse motivations for cosmetic usage. Online, written responses to a semi-structured questionnaire were collected. In response to six broad questions, for example, “Why do you currently use cosmetics?”, respondents were encouraged to write, in as much detail as they liked, on their motivations for using cosmetics. Thematic analysis, using deductive and inductive approaches, revealed four main themes: “Multiple selves”—Conformity, Impression Management, and Judgment; Enhancement and Confidence; Fun, Creativity and Well-being; and Signification and Identity. Whilst some of these themes had been anticipated and, indeed, sign-posted in prior literature, the weight of interest in particular areas was unexpected (e.g., in terms of Fun, Creativity, and Well-being), whilst other areas did not receive the expected attention (e.g., in mate attraction). Additionally, and worthy of future research, entirely new areas also emerged (e.g., cosmetics for fun and creativity).

The times and spaces of transplantation: queercrip histories as futurities

With a focus on Larissa Lai’s The Tiger Flu, this article explores how transplantation is part of the ongoing transformation of being in a body that is of the world. That is, it examines how we may require other ways of thinking bodies as constituted by histories, spaces and times that may be ignored in the biomedical arena. The Tiger Flu, I argue, calls for an intra- and inter-connected way of thinking how we treat bodies, and thereby ways of working with bodies affected by environmental disasters (both acute and ongoing capitalist and colonial projects), multiple selves and time as more than linear. I turn to queercrip as a way of defying a curative imaginary that dominates transplantation and in so doing examine the colonial, capitalist violence of present day living. I move through Eve Hayward’s and Karen Barad’s work to examine how the cut of transplantation is a transformation, as integral to the ongoing experience of having a body in the world and yet potentially unique in its force of bringing inter- and intra-relatedness to the fore of one’s existence. Rather than sick or cured, I argue that transplantation is a transformation that captures our bodily changes, how the environment constitutes the self, how parts may feel integral to the self or easily disposed of, how viscera may tie us to others, and how the future may only be forged through a re-turn to the past (of the donor and a pre-transplant self). Transplantation is not about loss of self or gaining of an other, but rather about rendering apparent our multispecies, multiworld ties, and thus how we are bound by the histories we forge and the futures we re-member.