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2021 ◽  
Vol 157 ◽  
pp. 106787
Author(s):  
Barrett M. Welch ◽  
Alexander P. Keil ◽  
Paige A. Bommarito ◽  
Thomas Joost van t' Erve ◽  
Leesa J. Deterding ◽  
...  

2021 ◽  
Vol 2129 (1) ◽  
pp. 012004
Author(s):  
Siti Nur Idayu Harun ◽  
Siti Amira Othman

Abstract This research paper emphasizes the characterization of irradiated wood plastic composites for consumer product. Throughout this research, it is precisely conducted to observe the mechanical and physical properties of WPCs and their ability to fit in the market globally. The study also carried out to promote WPCs product that came naturally from renewable sources. WPCs in this research can be defined as mixture of wood that can be replaced with pineapple fiber in a polymer matrix. Composite that used in this research mainly consists of 40% polyethylene (PE), 50 % pineapple fiber and the rest is coupling agent that enhance the WPCs mixture. After undergoes several processes such making the raw sample of WPCs mixture, the WPCs were then irradiated under required dose levels of 0.5, 1, 1.5, 2, 2.5 kGy with the aid of the Gamma Cell Irradiator. Soon after, the irradiated WPCs then undergoes characterization process using Fourier Transform Infrared Spectroscopy (FTIR) and Scanning Electron Microscopy-Energy Dispersive X-Ray Spectroscopy (SEM-EDX). Diagnosis on the morphology of WPCs found that there was significant difference between the radiated and irradiated surfaces.


2021 ◽  
Vol 2066 (1) ◽  
pp. 012004
Author(s):  
Yong Kuai ◽  
Haiyan Wang ◽  
Yanfeng Wang ◽  
Yingcheng Xu

Abstract In view of the shortcomings of FCM algorithm, the membership degree and the cluster category number are improved to perfect the FCM algorithm. The performance of the improved algorithm is verified by a case of consumer product quality as a data source, and the results show that with the improved algorithm, both clustering accuracy rate and F value are improved.


Author(s):  
Yasheng She

Abstract As a cultural construct, the idol is a consumer product created to “heal” in the age of exhaustion. Layering a “guardian” aspect onto Laura Mulvey’s “male gaze,” this paper contextualizes the commodification and consumption of innocence. This paper brings the documentary, Tokyo Idols (2017), and the animated film, Perfect Blue (1997), into a conversation to theorize how femininity is constructed and commodified in Japan’s pop idol industry. The idol culture consumes innocence only to create more trauma for women by stressing the arbitrary importance of innocence and sacrificing female agency in the process.


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