Pelanggaran Hak Cipta Musik Berbentuk Cover Song di Media Sosial

The purpose of this study: 1) To find out copyright violations in the field of music in the form of a cover song by recording through social media connected with Law Number 28 of 2014 concerning Copyright. 2) To find out the factors that influence copyright violations in the music field in the form of cover songs by recording through social media. The writing of this thesis uses a statute approach, by reviewing amendments to Law Number 28 of 2014 concerning Copyright and its implications for copyright and its implementation by state institutions and the Republic of Indonesia Law No. 19 of 2016 concerning Amendment of Law Number 11 Year 2008 Regarding Information and Electronic Transactions. Results of research conducted by the author: When someone does a cover song through social media without permission from the creator, both for the purpose not for commercial or commercial purposes, it is an infringement of copyright. Factors that influence the occurrence of violations of copyright in Indonesia include: 1) Weak law enforcement against violators. 2) Works on the internet can easily be duplicated and disseminated globally in a short period of time and in large quantities. 3) There is no limit on the place of the offender because a domain name or website can be accessed by anyone globally. 4) Procedures for events between countries in dealing with violations of copyright on the internet, such as to determine who the perpetrators are and when they occur and determine the jurisdiction of violations still vary.

Pelanggaran Hak Cipta Musik Berbentuk Cover Song di Media Sosial

The purpose of this study: 1) To find out copyright violations in the field of music in the form of a cover song by recording through social media connected with Law Number 28 of 2014 concerning Copyright. 2) To find out the factors that influence copyright violations in the music field in the form of cover songs by recording through social media. The writing of this thesis uses a statute approach, by reviewing amendments to Law Number 28 of 2014 concerning Copyright and its implications for copyright and its implementation by state institutions and the Republic of Indonesia Law No. 19 of 2016 concerning Amendment of Law Number 11 Year 2008 Regarding Information and Electronic Transactions. Results of research conducted by the author: When someone does a cover song through social media without permission from the creator, both for the purpose not for commercial or commercial purposes, it is an infringement of copyright. Factors that influence the occurrence of violations of copyright in Indonesia include: 1) Weak law enforcement against violators. 2) Works on the internet can easily be duplicated and disseminated globally in a short period of time and in large quantities. 3) There is no limit on the place of the offender because a domain name or website can be accessed by anyone globally. 4) Procedures for events between countries in dealing with violations of copyright on the internet, such as to determine who the perpetrators are and when they occur and determine the jurisdiction of violations still vary.

Making Sweet Music Together: The Affordances of Networked Media for Building Performance Capital by YouTube Musicians

Following Miller, who looked at offline performance capital for musicians and discovered important gender and genre impacts, we examined the role of gender and genre in the development of performance capital for YouTube top cover song artists. This case study suggests that online performance capital on YouTube is slightly different than offline performance capital, and benefits from the affordances of networked media, and specifically YouTube. While there is some gender-based homophily in channel linking behaviors, there are also connections between weakly tied individuals with respect to video category, meaning that musicians are linking to others outside of the music community and vice versa. While music video channels tend to link to other music video channels, and non-music channels tend to link to other non-music channels, the most popular videos tend to post from multiple categories including both music and non-music. Findings suggest that being a long-time poster and having a rich and diverse network are likely elements of building performance capital for YouTube musicians.

PELANGGARAN HAK EKONOMI TERHADAP PEMANFAATAN LAGU YANG TERDAFTAR OLEH KONTEN KREATOR YOUTUBE

Creating YouTube content using a song that has a copyright and is covered and then uploaded on a YouTube page, is basically a common thing for most people, but from the side of songwriters, their rights are often violated because of the widespread use of works without permission which causes the creators to not get economic rights for the use of these creations. Many popular songs are made cover songs to be uploaded on the youtube page not only to gain popularity but also make cover song content to get profit / payment from youtube. The use of copyrighted songs should first ask the author for permission, but in practice there are still many YouTube content that violates intellectual property rights. The research method used for writing legal scientific papers is a normative research method using a statute approach in analyzing the issues discussed in this study. The use of a song created for YouTube content in the form of song covers requires permission from the songwriter and this is very much supported by YouTube in terms of intellectual property rights because copyright owners have exclusive rights in the form of economic rights over their creations which are a form of appreciation for a work. If someone covers a song without permission from the songwriter, the content can be reported to YouTube to take action against whether it will be blocked or monetized due to the benefits obtained from content. In addition to the resolution of copyright disputes made by YouTube, there are also legal remedies for the creators by filing a lawsuit with the commercial court or by taking non-litigation.Keywords: Content Creator, Copyright, Economic Rights. AbstrakMembuat suatu konten youtube dengan menggunakan lagu yang mempunyai hak cipta dan dicover kemudian diupload di halaman youtube, pada dasarnya adalah hal biasa bagi kebanyakan orang, akan tetapi dari sisi pencipta lagu sering dilanggar haknya karena maraknya penggunaan ciptaan tanpa izin yang menimbulkan pencipta tidak mendapatkan hak ekonomi atas penggunaan ciptaannya tersebut. Banyak lagu yang populer dibuatkan cover lagu untuk diupload di halaman youtube tidak hanya sekedar untuk mendapatkan popularitas akan tetapi membuat suatu konten cover lagu untuk mendapatkan keuntungan/bayaran dari youtube. Pemanfaatan lagu yang mempunyai hak cipta seharusnya meminta izin terlebih dahulu kepada pencipta akan tetapi pada prakteknya masih banyak ditemui konten-konten youtube yang melanggar hak kekayaan intelektual. Metode penelitian yang digunakan untuk penulisan karya ilmiah hukum ini adalah metode penelitian normatif dengan menggunakan pendekatan perundang-undangan dalam melakukan analisis terhadap isu-isu yang dibahas pada penelitian ini. Pemanfaatan lagu ciptaan untuk konten youtube berupa cover lagu memerlukan izin dari pencipta lagu dan hal tersebut sangat didukung oleh youtube terkait dengan aspek hak kekayaan intelektual karena pemilik hak cipta mempunyai hak eksklusif berupa hak ekonomi atas ciptaannya yang merupakan bentuk apresiasi terhadap suatu karya. Apabila seseorang melakukan cover lagu tanpa izin dari pencipta lagu maka konten tersebut dapat dilaporkan ke youtube agar ditindak apakah akan diblokir atau dimonetisasi terkait dengan keuntungan yang didapat atas suatu konten. Disamping penyelesaian sengketa hak cipta yang dibuat youtube, juga terdapat upaya hukum bagi pencipta dengan mengajukan gugatan kepada pengadilan niaga atau bisa menempuh jalur non litigasi.Kata Kunci : Hak Cipta, Hak Ekonomi, Konten Kreator