Archaeologies of Gossip: AIDS in Contemporary Gay Fiction

<p>Queer criticism is now in its third decade and, as critical orthodoxy, running up against its own limitations. What, for example, is a discipline preoccupied with the unspoken, the marginal and the blurring of gender boundaries to do with Edmund White’s unambiguously gay, masculine “red unsheathed fury of the third penis of the afternoon”? The Western AIDS novel is, overwhelmingly, a product of a historically precise, explicitly gay, male experience. This thesis seeks unapologetically to engage with this writing on its own terms, eschewing the queer critical lens as insufficient, and, rather, reading for a specifically gay aesthetic. Grounded in a broader overview of both AIDS novels and existing criticism, this thesis consists of extended close readings of two exemplary AIDS novels: Edmund White’s The Farewell Symphony and Alan Hollinghurst’s The Line of Beauty. Firstly, I articulate the centrality of the gay sexual body to the representation of AIDS in The Farewell Symphony, tracing its representation of the disease through the epidemiological mapping of the virus itself, within the highly specific culture of gay New York in the 1970s. Secondly, I examine the way in which the re-imagination of a selective tradition of gay literary predecessors in The Line of Beauty, specifically Henry James and Oscar Wilde, provides an aesthetic solution to articulating AIDS.</p>

Archaeologies of Gossip: AIDS in Contemporary Gay Fiction

<p>Queer criticism is now in its third decade and, as critical orthodoxy, running up against its own limitations. What, for example, is a discipline preoccupied with the unspoken, the marginal and the blurring of gender boundaries to do with Edmund White’s unambiguously gay, masculine “red unsheathed fury of the third penis of the afternoon”? The Western AIDS novel is, overwhelmingly, a product of a historically precise, explicitly gay, male experience. This thesis seeks unapologetically to engage with this writing on its own terms, eschewing the queer critical lens as insufficient, and, rather, reading for a specifically gay aesthetic. Grounded in a broader overview of both AIDS novels and existing criticism, this thesis consists of extended close readings of two exemplary AIDS novels: Edmund White’s The Farewell Symphony and Alan Hollinghurst’s The Line of Beauty. Firstly, I articulate the centrality of the gay sexual body to the representation of AIDS in The Farewell Symphony, tracing its representation of the disease through the epidemiological mapping of the virus itself, within the highly specific culture of gay New York in the 1970s. Secondly, I examine the way in which the re-imagination of a selective tradition of gay literary predecessors in The Line of Beauty, specifically Henry James and Oscar Wilde, provides an aesthetic solution to articulating AIDS.</p>

Black Men and Black Masculinity

In recent decades, sociological studies of black males and of black masculinity in America unfolded with great rapidity. In the 1960s, sociological studies of black males gained currency. Much of their focus has been on the problematic state of black males in education, employment, family life, peer and social relations, and within criminal justice systems. That tradition moved from employing a social problems lens for researching black men to documenting how their efforts in these and other spheres of life reflect creativity and efficacy as much as malaise and despair. Emerging several decades later in sociology, black masculinity studies began with an emphasis on how black males contended with hegemonic masculinity. This tradition moved to explore how sexual, socioeconomic, and other variations in the black male experience elucidated vulnerability as a common feature of that experience, as well as to more extensive visions of black masculinity. New research questions stand before both traditions that constitute the twenty-first-century agenda.

The Male Experience of Suicide Attempts and Recovery: An Interpretative Phenomenological Analysis

Suicidal behaviour is a complex phenomenon—its aetiology spans biological, psychological, environmental, social and cultural facets. Men’s deaths by suicide outnumber women in every country in the world. This study explored the male experience of suicide attempts and recovery as well as factors which may be protective for men. Men (n = 12) participated in semi-structured face-to-face interviews which were subjected to Interpretative Phenomenological Analysis (IPA). Four master themes were identified: (1) “characteristics of attempt/volitional factors”, (2) “dealing with suicidal thoughts and negative emotions”, (3) “aftermath” and (4) “protective factors”. The theoretical and clinical implications of this study are discussed, including help seeking, emotional expression, the long-term impact of suicide attempt as well as the applied contribution to established theories.

The European committee for the prevention of torture and the gendered experience of imprisonment

The European Committee for the Prevention of Torture and Inhuman or Degrading Treatment or Punishment (CPT) is a supranational prison oversight body tasked with carrying out visits to places of detention across Europe. Prisons fall within the remit of the CPT, and much like prisons themselves, CPT prison visits tend to focus on the male experience of imprisonment. However, the experience of imprisonment is inherently gendered and, as such, the experiences, treatment and needs of cisgender men do not necessarily represent those of cisgender women and transgender people in prison. Therefore, it follows that a different approach is also required when it comes to prison monitoring activities carried out by the CPT. This paper introduces CPT standards and the international legal framework on gender and imprisonment. It reflects on analysis of three years of CPT reporting to explore how the CPT considers the gendered experience of imprisonment. To this end, the paper considers the potential impact of the gender composition of CPT delegations, as well as provides a descriptive content analysis of CPT reports to determine how the CPT accounts for gender-specific treatment and conditions in prison. This paper poses questions and provides suggestions around how gender can be made more central across all human rights monitoring bodies operating in the penal field, both internationally and domestically.

Normal enough? Krafft-Ebing, Freud, and homosexuality

This article analyses the slippery notions of the normal and normality in select works of Richard von Krafft-Ebing (1840–1902) and Sigmund Freud (1856–1939) and argues that homosexuality became a ‘boundary object’ between the normal and the abnormal in their works. Constructing homosexuality as ‘normal enough’ provided these two key thinkers of the fin de siècle with an opportunity to challenge societal and medical norms: Krafft-Ebing did this through mapping perversions; Freud, by challenging perceived norms about sexual development more broadly. The article submits that the scientific logic presented in Krafft-Ebing’s seminal case study compilation Psychopathia Sexualis and Freud’s early theoretical writings and cases, including Three Essays on the Theory of Sexuality (1905), was itself haunted by notions of norms and the normal that were not always easy to resolve, and sometimes involved a certain amount of inspired conjecture on the part of both thinkers in order to develop and validate their differing tripartite models of normality. Krafft-Ebing imagined homosexuality as a variation of the normal by generalizing a gay male experience. He also recorded the obstreperous cases of homosexual women based largely inside the clinic but by and large ignored this evidence. Freud inextricably bound homosexuality to normality (and vice versa) by redefining homosexuals as a group to include individuals with unconscious same-sex desire. Doing so allowed him to conceptualize the fear of homosexuality as crucial in the formation of neurosis and psychosis, and at the same time put him at odds with relevant early identity politics.

Representing young men’s experience of anorexia nervosa: a French-language case study

This article analyses two young adult (YA) novels about young men’s experience of anorexia nervosa (AN), within the dual contexts of medical humanities research into literary depictions of illness, and the broader field of YA literature about AN. While emphasising the importance of diverse literary narratives in order to raise awareness of the prevalence of AN in men and boys, and to contribute to the reduction of stigma, it also considers current research into the potentially harmful triggering effects of AN literature on vulnerable readers. It identifies Anne Percin’s Point de côté (Side Stitch) (2006) and Simon Boulerice’s Jeanne Moreau a le sourire à l’envers (Jeanne Moreau Has An Upside-Down Smile) (2013) as examples of good practice in AN literature, due to their thematic focus on male experience, and because they employ narrative strategies that disrupt reader identification with the anorexic character, and avoid focusing directly on potentially triggering descriptions of anorexic ideas and behaviour. They also contribute to diversifying the portrayal of AN via non-judgmental portrayal of lesbian, gay, bisexual, and transgender (LGBT) themes, a topic absent from equivalent YA novels currently available in English. The article further argues that literature—including fiction—contributes to the overall social and cultural discourse surrounding specific illnesses and is likely to affect patients’ real-world experiences, but that it is a specific kind of discourse in its own right, which demands to be read with the appropriate tools. Its detailed analysis of narrative voice alongside thematic content demonstrates how specific approaches from the field of literary studies may complement empirical research into literature and its place within mental health discourse.

Struggling for professional identity

Despite growing academic interest in the personal experiences of translators and interpreters with a focus on status, identity, role and ethics, and job satisfaction, there have been few academic attempts to inquire into the experiences of respective genders in the profession. Also, outside of T&I studies, most occupational research has examined the experience of women in male-dominated fields. Thus, the current study aims to shed light on the professional experiences and challenges of male interpreters working in a predominantly female profession in Korea. Taking a qualitative approach to interpret the male experience from a temporal, spatial, and cultural context, a narrative inquiry was conducted with male conference interpreters currently working in Korea to closely examine the struggles they experience in the process of their professional identity formation. Data analysis reveals that male interpreters face extreme gender bias and stereotypes at work, and struggle with issues such as emotional remoteness with colleagues, job insecurity, and crisis of identity stemming from an unstable social status for male interpreters.

Good Intentions: Women’s Narratives of Post-Release Anticipatory Desistance in the Context of Historical and Contemporary Disadvantage and Trauma

Desistance theorizing has concentrated on the male experience resulting in relatively less knowledge about how criminalized women negotiate nonoffending, particularly from a qualitative perspective. Drawing on semi-structured interviews with eight formerly incarcerated women in Victoria, Australia, this research explores the anticipation of desistance in the context of experiences preceding and following incarceration. The findings highlight how individual-level intentions to cease offending can be eclipsed by historical and ongoing disadvantage and trauma. In emphasizing the gendered socio-structural barriers affecting women’s desistance efforts, this article contributes to a small, yet important, emerging discourse—a form of critical feminist desistance.