This chapter follows the two stories discussed in Chapter 5 into the 20th century, considering how they were represented in plays and films. Three main factors reshaped how the stories appeared on Marathi stage and screen: the narratological demands within and across media formats, equality language that had taken hold in 19th-century Marathi discourse, and the changing landscape of caste politics in the 20th century, especially the rise of non-brahman movements. Playwrights and film producers were inspired by late 19th-century biographers who had become fascinated with the social ethical dimension of stories about Eknāth. In this context, the double vision story’s transgressive commensality became especially popular in plays and films, as producers often sought to resolve the bhakti-caste question by depicting Eknāth as a social reformer.