Antinomije zavičajnosti u prozi Jovana Radulovića

Cet article analyse les œuvres de Jovan Radulović faisant partie du cercle thématique lié à son pays natal, qui est la partie la plus étendue et la plus significative de son œuvre littéraire. En traitant ces sujets, les émotions et l’attitude de l’écrivain vont de l’appartenance et de l’identification à l’exclusion et à la distance critique. L’article étudie les aspects historiques, géopolitiques, culturels et poétiques de ces antinomies. L’attitude de l’écrivain envers son pays natal et sa «philosophie du pays natal» sont observées à la lumière des caractéristiques de mentalité de l’homme dinarique présentées par Cvijić et des traits identitaires les plus importants de la littérature serbe.

Aktivnosti Jovana Radulovića u izdavaštvu (BIGZ)

The paper gives an overview of the editorial work of Jovan Radulović in the publishing house BIGZ, in the period from 1983 to 2001. His role in making publishing plans is described,within the editions for which he was in charge, as well as his principles in editing books. A special attention was paid to the last decade of his editorial work, when Serbian culture shared the difficult fate of the people, and in which the great writer showed great organizational and human virtues.

Jovan Radulović, upravnik Biblioteke grada Beograda od 2001. do 2009. godine

The goal of this paper is to shed light on Jovan Radulović’s impact on Serbian culture, apart from his literary work. Radulović was the director of the Belgrade City Library in the period from 2001 to 2009. After years of war, inflation and economic crisis, which affected all aspects of the Library work, Radulović was constantly working on the enrichment of the book funds and significantly contributed to the development of the Library as a cultural institution with long tradition and great importance for the cultural history of both Belgrade and Serbia.

Tri zrnca – Iz mozaika Jovana Radulovića o udesu kulturnog identiteta dalmatinskih Srba

The paper deals with national-oriented works of Jovan Radulović from the end of the 1980s and the beginning of the 1990s, based on his book dedicated to the life of Dalmatian Serbs. The first part of the paper refers to Radulović’s biographical-anthropo- logical essays on three Serbian writers from Dalmatia, as well as to his documentary prose; the analysis of Radulović’s critical views on the actual life of Serbian people in Croatia is based on a series of his interviews and polemics. The following section of the paper deals with the last part of Radulović’s book, enti- tled “The Grains (1984‒1989)”, consisting of about fifteen public speeches and newspaper articles related to the cultural assimilation of the Serbs in Croatia. Special attention is paid to the three grains, i.e. two public speeches and one newspaper article. In the first speech, Radulović documents national and cultural discrimination against Serbs in the communist Croatia, whose position is much worse than in Austria-Hungary at the beginning of the XX century. In the second speech, Radulović optimistically presents a short version of the history of defence of spiritual and national identity of the Serbs in Dalmatia. Finally, the third grain is the article in which Radulović expresses his fears about the fate of the Serbian Autonomous Province of Krayina, whose political status was determined far away from it and from the broken Yugoslavia, and he pleads for the absolute unity of the Serbian people and the leadership of the newly formed autonomous province in Croatia. On the basis of Radulović’s political views, it can be concluded that in spite of the defeat and the mass exodus, Serbs from Croatia should not give up the idea of returning to their homeland.

Srpski pisci i djela u ogledima Jovana Radulovića

The paper deals with Jovan Radulović’s (1951‒2010) essays, dedicated to selected Serbian writers and to some important individuals from the Serbian past, mostly from Dalmatia, Radulović’s homeland. The focus is put on the texts about Stojan Janković (Mitrović), Gerasim Zelić, Simo Matavulj, Sava Bjelanović, Mirko Korolija, Marija Ilić- Agapova, Vladan Desnica, which were mostly written as prefaces for editions of their works or given as speeches on the occasion of certain anniversaries, as well as on the occa- sion of prestigious literary awards ceremonies (“Bora Stanković”, “Petar Kočić”, “Branko Ćopić”, “Golden Sunflower” awards). The analyzed texts reveal deep poetic connections of Radulović’s work with the ones of the writers in question, as well as his ability to, us- ing short forms, such as essays, highlight the essential artistic and poetic characteristics of their works.

Iz imenoslova romana „Braća po materi“ Jovana Radulovića

This paper presents a part of the results of an anthroponomastic analysis based on the novel Braća po materi by Jovan Radulović. The goal of the paper is to analyze Radulović’s approach to anthroponyms (and toponyms) that he included in his novelistic text. The research was primarily focused on the fictional part of the anthroponymic corpus, which particularly reflects Radulović’s at- titude towards the novel characters’ names, as well as his tendency to name-giving. For the purpose of the analysis, available dictionaries of first and family names were used. The analysis of formation patterns and onomatological meanings of some of the examples was based on our own conclusions, but always in accordance with the available literature. Special attention was paid to the aspect of semantic motivation of the selected an- throponyms. The aim of the analysis of such anthroponyms was to explain possible writer’s intentions related to their selection.

Rane pripovijetke Jovana Radulovića: „Ilinštak“ (1978) i „Golubnjača“ (1980)

The paper deals with two earliest collections of short stories by Jovan Radulović; their particularities and common features are analyzed. The collections have great literary value, and they had a huge impact on both Serbian and Yugoslav literary public in the late 1970s until the mid-1980s.

Ritam pripovedanja i karakteristike složene rečenice u zbirci „Sumnjiva sahrana“

The paper highlights the syntactic characteristics of the sentence and (partially) the organization of the text that contribute to the formation of a spe- cific rhythm of narration in Jovan Radulović’s collection of short stories Sumnjiva sahrana. It is shown that dominant procedures are the following: sequencing co- ordinated (often asyndetic) predicative sentences, amplification and cummulation, and repetition of lexemes, syntagms and modified larger parts of the text.

O genezi djela Jovana Radulovića

Der Autor warnt vor dem methodologischen Risiko bei der Un- tersuchung der Entstehung von Kunstwerken im Allgemeinen (die Verbindung von Er- fahrungs- und Imaginationsfelder) Das Werk von Radulović hat sich durch große Genre-, Morphologie-, Stil- und Mediendynamiken entwickelt. Bemerkenswert ist die Bewegung sowohl vom Panorama (das Tableau) zur novellistischer Art der Geschichte als auch zwi- schen narrativen und dramatischen Werken, der Literatur und Drehbüchern für einen Film oder einer Fernsehserie. Sein Opus zeichnet sich durch eine Verflechtung von Genreformen und und narrativ – beschreibenden Techniken (wie Brief, Bewusstseinsstrom, erlebte Rede) und von einer zunehmenden Durchdringung dokumentarischer Texten, urbaner Themen und virtueller (nicht-mimetischen) Weltbilder aus.

Autoportret pisca u intervjuima Jovana Radulovića

In the course of the forty years of his literary work, the writer, novelist and playwright Jovan Radulović gave a large number of interviews – to the most renowned newspapers and magazines of his time, in which he answered questions from journalists and writers ‒ about himself, his biography, literary space and work. These conversations were either poetic or had to do with current affairs, depending on the time and occasion of the interview. At the same time, the occasions were a chronicle of contemporary Serbian literary scene. This paper systematizes the thematic fields of Radulović’s interviews.