California Dreams and Gangster Schemes: The Standley Commission, the Guarantee Finance Company, and the Social System of Organized Crime in post-World War II Southern California

Author(s):  
Jeffrey Scott McIllwain ◽  
Clinton Leisz
Author(s):  
Antonello Tancredi

This chapter addresses the development, after World War II, of two different currents of thought inherited by the Italian international law doctrine from the interwar period: dogmatism and structuralism. The analysis of some fundamental writings concerning topics such as the foundation and the social structure of the international legal order tries to offer a reading lens on some of the most important scientific trends (especially ‘realism’ and ‘neo-normativism’) of the post-World War II period and on the scholars that animated such approaches. Thanks to the identification of some structuring ideas, it will then be possible to briefly examine other issues concerning, for instance, the relationship between international and domestic law after the 1948 Republican Constitution, sovereignty, etc. The evolution of the methodology of international law will have a relevant part in the analysis of theoretical approaches developed by Italian scholars in this period.


2021 ◽  
pp. 285-295
Author(s):  
Fita Chyntia ◽  
Multhahada Ramadhani Siregar ◽  
Roni Hikmah Ramadhan

This paper discusses the absurd character types that exist in Samuel Beckett’s play, Waiting for Godot. Vladimir, Estragon, Pozzo and Lucky are the four contradictory yet dependent characters in the play. The absurd characters reflect the social condition of the time, post – World War II. The characters are pictured waiting for the completion of the war in the hope that it will come. Their fate can be changed instantly, the same as the state of war. Besides discussing the characters in the drama, this paper also discusses the characteristics of the language used by the characters. The language used is unreasonable, not in accordance with what is said or how they act; it is called “verbal nonsense”. The interpretations of the dialogue among the characters in the play will give a better picture of each character and how they can be related to societal conditions. Keywords: Theater of Absurd, Character Types, Post-War, Social Condition


Author(s):  
Jeffrey S. Librett

I examine the relation between anxiety and the COVID-19 pandemic.  For context, I begin by sketching the rise of anxiety as a theme from the 19th century to the post-World War II era, as a mood of the individual in a world without absolutes.  Then, I characterize the current moment as the age of the anxiety of the global contagion.  Next, I examine the most general effects of the COVID-19 pandemic on the individual ego, as simultaneous radical separation from and connection with others.  I proceed to juxtapose this situation with Freud’s anxiety theory, which likewise involves simultaneous separation and connection.  The social ego today thus appears, from a Freudian perspective, as in an exacerbated anxiety-state.  I claim that this exacerbation helps us understand more clearly Freud’s anxiety theory, and vice versa.  I then consider where this anxiety takes place, and so I examine the Freudian “site” of anxiety—the ego. This examination clarifies two aspects of Freud’s ego-theory: both the sense in which the Freudian ego is (post)modern, and the sense in which Freud’s linkage of anxiety with the ego is not occasional, but constitutive.  That is, the ego is the site of anxiety, in that anxiety characterizes the ego as such, because the ego is a (post) modern liminal structure.  I suggest in conclusion that the affirmation and acceptance of anxiety as a fundamental experience of the ego, and of the psyche more generally, constitutes an ethical imperative for psychoanalysis in general, and especially in the contemporary age of the global contagion.


2005 ◽  
Vol 46 (1) ◽  
pp. 103-125 ◽  
Author(s):  
HAL BRANDS

After World War II, African ex-servicemen in Kenya sought to maintain the socioeconomic gains they had accrued through service in the King's African Rifles (KAR). Looking for middle-class employment and social privileges, they challenged existing relationships within the colonial state. For the most part, veterans did not participate in national politics, believing that their goals could be achieved within the confines of colonial society. The postwar actions of KAR veterans are best explained by an examination of their initial perceptions of colonial military service. Indeed, the social and economic connotations of KAR service, combined with the massive wartime expansion of Kenyan defense forces, created a new class of Africans with distinctive characteristics and interests. These socioeconomic perceptions proved powerful after the war, often informing ex-askari action.


Author(s):  
Kevin Winkler

Bob Fosse’s work continues to be the most recognizable of the great choreographers of Broadway’s post–World War II golden age. This book offers deep analysis of Fosse’s development as a choreographer, including the various dance influences he absorbed as a young performer. It examines key Fosse dances and contextualizes them across his career. It looks at how he influenced changes in the musical theater, particularly as a director, and how early mentors George Abbott and Jerome Robbins shaped his theatrical outlook. It compares his work to that of peers like Robbins, Gower Champion, Michael Bennett, and others. The book also examines his choreography for film and looks at how his film experiences influenced his stage work. It also considers the impact of his three marriages—all to dancers—on his career. Finally, the book investigates how Fosse’s evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.


Leadership ◽  
2020 ◽  
pp. 174271502096653
Author(s):  
Bert A Spector

Across the post-World War II western liberal order, antidemocratic leaders have ascended to power through the ballot box and then engaged in an assault on prodemocratic norms. Commentators have worried that counter-normative behaviors will bring into existence a “new normal,” constructing an antidemocratic regimen in which future leaders will be freed to operate beyond either long-standing or newly created democratic expectations. In this article, I explore the matter of how and when incumbent leaders establish norms for future leaders. Normative leadership is typically presented as the capacity of leaders to set norms for the social units they are heading. Less examined but vital to the understanding of how leadership is enacted is the question of how prevailing norms create opportunities and limitations on the exercise of leadership. Leaders set norms not only just for their followers but also for future leaders. With particular attention to the norm breaking of Donald Trump in the United States, I examine a pattern of norm setting, norm breaking, and norm resetting that has unfolded at the presidential level. Whatever norms Trump, or any authoritarian leaders, may break during their incumbency, the setting of new norms will rely on a network of actors: not only just future leaders but also representatives of institutions (the courts, military, press, congress, etc.) as well as voters.


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