scholarly journals The (Immediate) Post-World War II Period

2020 ◽  
pp. 168-189
Author(s):  
Antonello Tancredi
Keyword(s):  
World War Ii ◽  
International Law ◽  
Interwar Period ◽  
World War ◽  
Post World War Ii ◽  
Theoretical Approaches ◽  
The Social ◽  
International Legal Order ◽  
The Relationship ◽  
Domestic Law

This chapter addresses the development, after World War II, of two different currents of thought inherited by the Italian international law doctrine from the interwar period: dogmatism and structuralism. The analysis of some fundamental writings concerning topics such as the foundation and the social structure of the international legal order tries to offer a reading lens on some of the most important scientific trends (especially ‘realism’ and ‘neo-normativism’) of the post-World War II period and on the scholars that animated such approaches. Thanks to the identification of some structuring ideas, it will then be possible to briefly examine other issues concerning, for instance, the relationship between international and domestic law after the 1948 Republican Constitution, sovereignty, etc. The evolution of the methodology of international law will have a relevant part in the analysis of theoretical approaches developed by Italian scholars in this period.

scholarly journals Surrealist Sources of Eastern European Animation Film

2013 ◽  
Vol 1 (1) ◽  
pp. 28-43
Author(s):  
Ülo Pikkov
Keyword(s):  
World War Ii ◽  
Eastern Europe ◽  
Interwar Period ◽  
Soviet Period ◽  
Eastern European ◽  
World War ◽  
Post World War Ii ◽  
Socialist Realist ◽  
Characteristic Features ◽  
The Relationship

Abstract This article investigates the relationship between surrealism and animation film, attempting to establish the characteristic features of surrealist animation film and to determine an approach for identifying them. Drawing on the interviews conducted during the research, I will also strive to chart the terrain of contemporary surrealist animation film and its authors, most of who work in Eastern Europe. My principal aim is to establish why surrealism enjoyed such relevance and vitality in post-World War II Eastern Europe. I will conclude that the popularity of surrealist animation film in Eastern Europe can be seen as a continuation of a tradition (Prague was an important centre of surrealism during the interwar period), as well as an act of protest against the socialist realist paradigm of the Soviet period.

scholarly journals The high unemployment rate in Britain during the interwar period

2021 ◽  
Vol 123 ◽  
pp. 01027
Author(s):  
Yifei Liu
Keyword(s):  
Economic Policy ◽  
World War Ii ◽  
World War I ◽  
Interwar Period ◽  
Unemployment Rate ◽  
World War ◽  
High Unemployment ◽  
High Unemployment Rate ◽  
The Relationship ◽  
Unemployment Problem

World War I (WWI) causes irreversible consequences on the British economy, and Britain has experienced the most severe economic crisis in the 1920s. This paper aims to explain the causes of unemployment in Britain in the years between the wars and why that problem persisted for much of that period. This paper will describe the causes of unemployment by analyzing how World War I affected the British exports market. Then this essay will move on by exploring how the economic policy of Britain after World War II(WWII) damages the exports market and creates high unemployment. In addition, this paper will also discuss the relationship between the change in the labour market in World War I and the unemployment problem. Finally, this paper will illustrate why the unemployment problem persists by exploring regional and industrial unemployment issues.

Money and the Ghetto, Money in the Ghetto

2019 ◽  
Vol 46 (3) ◽  
pp. 494-499
Author(s):  
Destin Jenkins
Keyword(s):  
Political Economy ◽  
World War Ii ◽  
The Political ◽  
World War ◽  
Post World War Ii ◽  
Racial Capitalism ◽  
History Of ◽  
Forms Of Violence ◽  
The Relationship ◽  
The City

This essay revisits Making the Second Ghetto to consider what Arnold Hirsch argued about the relationship between race, money, and the ghetto. It explores how Hirsch’s analysis of this relationship was at once consistent with those penned by other urban historians and distinct from those interested in the political economy of the ghetto. Although moneymaking was hardly the main focus, Hirsch’s engagement with “Vampire” rental agencies and panic peddlers laid the groundwork for an analysis that treats the post–World War II metropolis as a crucial node in the history of racial capitalism. Finally, this essay offers a way to connect local forms of violence to the kinds of constraints imposed by financiers far removed from the city itself.

scholarly journals China in the Post-World War II International Legal System

2015 ◽  
Vol 01 (02) ◽  
pp. 205-222
Author(s):  
Sheng Hongsheng
Keyword(s):  
World War Ii ◽  
International Law ◽  
Legal System ◽  
World War ◽  
System A ◽  
Evolving System ◽  
International Legal Order ◽  
Rise Of China ◽  
International Legal System ◽  
The Rise Of China

Dramatic changes have taken place in the international legal system since the end of World War II, such as the expanding arenas for application of international law, the emergence of a series of new legal institutions, and the parallel extension of both rights and obligations of states. In recent years, new developments have been arising in the international legal system, manifested by three important sets of transition, that is, from a "sovereign priority" to a "human rights priority"; from "consent-orientation" to "coercion-orientation"; and from "integrity" to "fragmentation." The rise of China and the evolution of international law are closely related: while China's ascent has been achieved within the parameters of the international legal system, a more prosperous and stronger China will certainly influence the future trajectory of the evolving system. China should and can be a positive force in constructing a contemporary international legal order through promoting domestic justice and international rule of law. In this process, China needs to take a more proactive role and evolve from being a recipient to a rule-maker, in order to modify the outdated principles and rules in international law.

Carl Schmitt’s Critique of Kant

2012 ◽  
Vol 40 (6) ◽  
pp. 688-713 ◽  
Author(s):  
Seyla Benhabib
Keyword(s):  
World War I ◽  
International Law ◽  
International Norms ◽  
Legal Order ◽  
World War ◽  
Top Down ◽  
The Earth ◽  
International Legal Order ◽  
The Relationship

Carl Schmitt’s critique of liberalism has gained increasing influence in the last few decades. This article focuses on Schmitt’s analysis of international law in The Nomos of the Earth, in order to uncover the reasons for his appeal as a critic not only of liberalism but of American hegemonic aspirations as well. Schmitt saw the international legal order that developed after World War I, and particularly the “criminalization of aggressive war,” as a smokescreen to hide U.S. aspirations to world dominance. By focusing on Schmitt’s critique of Kant’s concept of the “unjust enemy,” the article shows the limits of Schmitt’s views and concludes that Schmitt, as well as left critics of U.S. hegemony, misconstrue the relation between international law and democratic sovereignty as a model of top–down domination. As conflictual as the relationship between international norms and democratic sovereignty can be at times, this needs to be interpreted as one of mediation and not domination.

scholarly journals Regime Change and the Attempted Rehabilitation of Self: Ferenc Fodor and the Production of Communist Geography, 1948-1962

2016 ◽  
Vol 8 ◽  
pp. 147-164
Author(s):  
Steven Jobbitt
Keyword(s):  
World War Ii ◽  
Interwar Period ◽  
Knowledge Production ◽  
Future Research ◽  
World War ◽  
Intellectual Elite ◽  
Under Construction ◽  
Scholarly Production ◽  
The Relationship ◽  
State Socialist

The communist takeover in Hungary after World War II presented obvious challenges, hardships, and even dangers for the conservative-nationalist scholars who were part of the intellectual elite of the interwar period. Marginalized within the new socio-political order that emerged after the communist consolidation of power in 1948-49, conservative-nationalist intellectuals who were not completely silenced by the communists either retreated from public life entirely, or else found themselves having to struggle to remain relevant within the state-socialist system then under construction. Though limited in what they could publish, and relegated to minor and often precarious positions within the scholarly community, former conservative-nationalist scholars were nevertheless granted limited spaces within which they could produce relevant and even important scholarship, and in so doing could also “reinvent” themselves—if in many cases only partially and perhaps opportunistically—as public intellectuals. Focusing on the life and work of Ferenc Fodor between 1948 and his death in 1962, this article explores the concrete ways that a once-prominent geographer of the interwar period continued to contribute to geographical knowledge production under communism, and how he used this scholarly work as leverage in his attempts to partially rehabilitate himself in the early communist period. Contributing to a growing body of critical work on Hungarian geography under communism (see articles by Márton Czirfusz and Róbert Győri in this issue, for example), this study helps to lay the groundwork for future research on the relationship between the politics of scholarly production and the spatial re-imagining of postwar Hungary.

scholarly journals Social Condition Reflected in Samuel Beckett’s Waiting for Godot

2021 ◽  
pp. 285-295
Author(s):  
Fita Chyntia ◽  
Multhahada Ramadhani Siregar ◽  
Roni Hikmah Ramadhan
Keyword(s):  
World War Ii ◽  
Social Condition ◽  
The State ◽  
World War ◽  
Post World War Ii ◽  
What Is Said ◽  
The Social ◽  
Waiting For Godot ◽  
Post War ◽  
Character Types

This paper discusses the absurd character types that exist in Samuel Beckett’s play, Waiting for Godot. Vladimir, Estragon, Pozzo and Lucky are the four contradictory yet dependent characters in the play. The absurd characters reflect the social condition of the time, post – World War II. The characters are pictured waiting for the completion of the war in the hope that it will come. Their fate can be changed instantly, the same as the state of war. Besides discussing the characters in the drama, this paper also discusses the characteristics of the language used by the characters. The language used is unreasonable, not in accordance with what is said or how they act; it is called “verbal nonsense”. The interpretations of the dialogue among the characters in the play will give a better picture of each character and how they can be related to societal conditions. Keywords: Theater of Absurd, Character Types, Post-War, Social Condition

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