4 Post–World War II Anthropology and the Social Life of Race and Racism

2020 ◽  
pp. 119-132
Author(s):  
Antonello Tancredi

This chapter addresses the development, after World War II, of two different currents of thought inherited by the Italian international law doctrine from the interwar period: dogmatism and structuralism. The analysis of some fundamental writings concerning topics such as the foundation and the social structure of the international legal order tries to offer a reading lens on some of the most important scientific trends (especially ‘realism’ and ‘neo-normativism’) of the post-World War II period and on the scholars that animated such approaches. Thanks to the identification of some structuring ideas, it will then be possible to briefly examine other issues concerning, for instance, the relationship between international and domestic law after the 1948 Republican Constitution, sovereignty, etc. The evolution of the methodology of international law will have a relevant part in the analysis of theoretical approaches developed by Italian scholars in this period.


2021 ◽  
pp. 285-295
Author(s):  
Fita Chyntia ◽  
Multhahada Ramadhani Siregar ◽  
Roni Hikmah Ramadhan

This paper discusses the absurd character types that exist in Samuel Beckett’s play, Waiting for Godot. Vladimir, Estragon, Pozzo and Lucky are the four contradictory yet dependent characters in the play. The absurd characters reflect the social condition of the time, post – World War II. The characters are pictured waiting for the completion of the war in the hope that it will come. Their fate can be changed instantly, the same as the state of war. Besides discussing the characters in the drama, this paper also discusses the characteristics of the language used by the characters. The language used is unreasonable, not in accordance with what is said or how they act; it is called “verbal nonsense”. The interpretations of the dialogue among the characters in the play will give a better picture of each character and how they can be related to societal conditions. Keywords: Theater of Absurd, Character Types, Post-War, Social Condition


Author(s):  
Jeffrey S. Librett

I examine the relation between anxiety and the COVID-19 pandemic.  For context, I begin by sketching the rise of anxiety as a theme from the 19th century to the post-World War II era, as a mood of the individual in a world without absolutes.  Then, I characterize the current moment as the age of the anxiety of the global contagion.  Next, I examine the most general effects of the COVID-19 pandemic on the individual ego, as simultaneous radical separation from and connection with others.  I proceed to juxtapose this situation with Freud’s anxiety theory, which likewise involves simultaneous separation and connection.  The social ego today thus appears, from a Freudian perspective, as in an exacerbated anxiety-state.  I claim that this exacerbation helps us understand more clearly Freud’s anxiety theory, and vice versa.  I then consider where this anxiety takes place, and so I examine the Freudian “site” of anxiety—the ego. This examination clarifies two aspects of Freud’s ego-theory: both the sense in which the Freudian ego is (post)modern, and the sense in which Freud’s linkage of anxiety with the ego is not occasional, but constitutive.  That is, the ego is the site of anxiety, in that anxiety characterizes the ego as such, because the ego is a (post) modern liminal structure.  I suggest in conclusion that the affirmation and acceptance of anxiety as a fundamental experience of the ego, and of the psyche more generally, constitutes an ethical imperative for psychoanalysis in general, and especially in the contemporary age of the global contagion.


2021 ◽  
Vol 69 (1) ◽  
pp. 19-43
Author(s):  
Paula Petričević

Abstract The author explores the socialist emancipation of women in Montenegro during World War II and its aftermath, using the example of the 8 March celebrations. The social life of this ‘holiday of the struggle of all the women in the world’ speaks powerfully of the strength and fortitude involved in the mobilization of women during the war and during the postwar building of socialist Yugoslavia, as well as the sudden modernization and unprecedented political subjectivation of women. The emancipatory potential of these processes turned out to be limited in the later period of stabilization of Yugoslav state socialism and largely forgotten in the postsocialist period. The author argues that the political subjectivation of women needs to be thought anew, as a process that does not take place in a vacuum or outside of a certain ideological matrix, whether socialist or liberal.


2019 ◽  
pp. 107-125
Author(s):  
Elissa Bemporad

Chapter 5 maps out the social life of the myth (and reality) centered on the absence of pogroms. It captures the use of the term in calls to reject Jewish political agency and resist Stalin’s policies. While the state stigmatized this form of violence, pogroms did occur on rare occasions. They were an exception to the rule until World War II, which drastically changed the habits and discourses of violence: pogroms reappeared in the context of collaboration with German forces. The return of the unthinkable was triggered by the idiosyncratic contingencies of war: in 1945 a pogrom broke out in Kiev. The myth of Soviet Jewry was temporarily shattered. During the postwar years the state reasserted its monopoly over violence. And while it promoted antisemitism and ignored the complaints of Jews bewildered by the change, it never crossed the line of tolerating eruptions of spontaneous violence against them.


2005 ◽  
Vol 46 (1) ◽  
pp. 103-125 ◽  
Author(s):  
HAL BRANDS

After World War II, African ex-servicemen in Kenya sought to maintain the socioeconomic gains they had accrued through service in the King's African Rifles (KAR). Looking for middle-class employment and social privileges, they challenged existing relationships within the colonial state. For the most part, veterans did not participate in national politics, believing that their goals could be achieved within the confines of colonial society. The postwar actions of KAR veterans are best explained by an examination of their initial perceptions of colonial military service. Indeed, the social and economic connotations of KAR service, combined with the massive wartime expansion of Kenyan defense forces, created a new class of Africans with distinctive characteristics and interests. These socioeconomic perceptions proved powerful after the war, often informing ex-askari action.


Author(s):  
Kevin Winkler

Bob Fosse’s work continues to be the most recognizable of the great choreographers of Broadway’s post–World War II golden age. This book offers deep analysis of Fosse’s development as a choreographer, including the various dance influences he absorbed as a young performer. It examines key Fosse dances and contextualizes them across his career. It looks at how he influenced changes in the musical theater, particularly as a director, and how early mentors George Abbott and Jerome Robbins shaped his theatrical outlook. It compares his work to that of peers like Robbins, Gower Champion, Michael Bennett, and others. The book also examines his choreography for film and looks at how his film experiences influenced his stage work. It also considers the impact of his three marriages—all to dancers—on his career. Finally, the book investigates how Fosse’s evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.


Sign in / Sign up

Export Citation Format

Share Document