Manoeuvring Strategically with Rhetorical Questions

Author(s):  
A. Francisca Snoeck Henkemans
Keyword(s):  
2020 ◽  
Author(s):  
Katharina Zahner ◽  
Manluolan Xu ◽  
Yiya Chen ◽  
Nicole Dehé ◽  
Bettina Braun

2016 ◽  
Vol 4 (1) ◽  
pp. 44-68
Author(s):  
Gabriella Safran

Jewish speech was heard in Russian revolutionary contexts as characterized by emphatic tones, rhetorical questions, an argumentative stance, and sarcasm, all performative elements of Jewish English (je) as well. I examine depictions of Jewish Russian (jr) in the world of the non-Jewish Socialist Revolutionary (sr) leader Victor Chernov. This article first introduces Chernov, then analyzes his depictions of jr, and finally looks at transcripts of speeches by sr leaders for evidence of Jewish speech style. I use speech length, bold-face, exclamation points, and question marks as proxies for the heightened emotion and argumentative stance associated with jr. My analysis indicates no significant difference between the speech of Jewish and non-Jewish sr leaders as a whole, but shows that Chernov’s own speech contains a significantly higher than average use of these elements. This result complicates the notion of ethnolect and suggests that individuals’ evaluations of other people’s language should be examined in light of their biographies.


Author(s):  
V. Kolkutina

<div><em>Dmitry Dontsov’s communicative strategy is explored in the article, taking into account the national and philosophical ideas inherent to his thinking. Grounding on the material of the literary-critical essays of the publicist, it turns out that Dontsov’s communicative strategy according to the content is ethosophysical and holistic. It’s a national-existential phenomenon in the history of Ukrainian literary studies of the twentieth century. The communicative processes reflected in the essays «Crisis of our literature», «Our literary ghetto» are formed in a single communicative paradigm and include: the event, communicative situation, intonational tone, axiological author’s commentary and a special national-centric and hermeneutical way of representation of the situation.</em></div><p><em>The nationalist interpretation of the thinker is essentially national-philosophical (national), but at the same time it is literary with typical for this kind of experience, with the predominance of coherently-semantic level of cognition and evaluation over the formal-aesthetic. As a result of cognition happends the transcoding of an idea from the language of art into the language of philosophy in the search of the national-philosophical equivalent of a literary phenomenon. In most cases, this is based on two intentions: the search for protection and assertion of one’s own national identity, and the cultural and political realization of the national idea. At the same time, the aesthetic level of a literary phenomenon is evaluated. </em></p><p><em>The following characteristics of the literary-critical text are highlighted and substantiated: the text as a receptive expression that can be interpreted freely, conceptually transforms information, constructing new meanings through interesting dialogical models, rhetorical questions, pre-planned line of speech behavior, public speaking behavior, which is necessarily intended to avoid any one-sided narrative or ambiguity of perception, openness and comprehension.</em></p><p><strong><em>Key words:</em></strong> <em>communicative strategy, text, literary-critical discourse, communicative processes, national philosophy, hermeneutics.</em></p><p><strong> </strong></p>


2020 ◽  
pp. 20-32
Author(s):  
M.I. Shutan

The article presents a typology of Tyutchev’s two-part poems, created on the basis of revealing the nature of semantic relations between their compositional elements. These are poems: 1) ith a philosophical or moral-psychological generalization in the second part, which does not just reform the content that is already clear to the reader, but reveals its meaning in the language of concepts and images (the implicit form and various variants of the explicit form: a common motif that binds the parts together; a dialogue; a chain of rhetorical questions; a persona’s consciousness, contemplating and ranking a lyrical character as the artistic center of the lyrical structure); 2) with the psychological gesture in the second part that conveys the desire of certain actions, able to change something in reality or in the inner world of the lyrical “I”; 3) with parallelism of human and nature, implemented mostly through the expanded comparison without, as a rule, a complete analogy (situation: the lyrical hero contemplates a particular material object – and an association with the world of the human soul comes to their mind); 4) with the contrast of objects of nature, its states, human and nature, life and death. In connection with the last point, it is specifically emphasized that one should not confuse the logic of contrast with contrast as a compositional technique. In the light of the analytical and interpretative operations, the following conclusion is made: all the types of relations between the two compositional elements, noted in the article, are represented by both symmetrical and asymmetric structures corresponding to different strophic forms, which allows us to speak about the flexibility of the poet’s artistic thinking, which finds different structural models for expressing the philosophical and moral-psychological content.


Author(s):  
Nayab Waqas Khan ◽  
Mehak Muneer ◽  
Huma Iqbal

This research explores Pakistani newspapers Editorials’ lexical, morphological, and social aspects of the coronavirus Pandemic in Pakistan under the light of the Critical Discourse Analysis angle. The focal idea is to discover the etymological decision and rhetorical questions utilized in a revealing pandemic, and how did the columnists shape readers' minds and thoughts through their words. The CDA has been used as a theoretical framework for analyzing the data. Information for this examination includes 15 Editorial randomly gathered from 100 newspapers in Pakistan. Results demonstrated the exploitation of terminologies has been shown inconvenience, fear of contagious disease, death, fear of touching, and outbreak among people. The bogus information was additionally found in newspapers. Contradiction among newspapers was found while presenting data. This social change brings ultimately a linguistic change in the world. The English language is the language of overcoming gaps among nations, but this time it had correspondingly ushered in a new vocabulary to the general populace. For instance, new vocabulary, acronyms, synonyms, compounding, etc. Social change is parallel to linguistic change, and it is a paramount theme of lexicography. The local newspapers advocated a massive outbreak of the coronavirus and expected a second wave of this pandemic that was frustrating for the educational sector on top. The newspaper editors manipulate thoughts through forceful lexis usage to influence the thought, and opinions of Pakistani people.


ExELL ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 68-82
Author(s):  
Džemal Špago

AbstractRhetorical questions (RQs), as a cross-breed of questions and statements, represent an effective tool in putting forward the Speaker’s ideas, as well as influencing the ideas and opinions of other people. Because of their communicative effectiveness and multifunctionality, they are frequently used in different contexts and for different purposes, and, as such, they represent an interesting topic for further research. The aim of this paper is threefold: (i) to explore the nature of the implied answer to RQs, (ii) to offer a classification of RQs based on the Speaker’s communication style, and (iii) to examine whether (or to what extent) the Speaker-Addressee relationship (peer-to-peer, superior-to-inferior, inferior-to-superior) influences the selection and frequency of use of different types of RQs. Using Stalnaker’s (2002) model of Common Ground and Caponigro and Sprouse’s (2007) concepts of Speaker’s and Addressee’s Beliefs, the author redefines the nature of the answers implied by RQs, claiming that they are imposed on the Addressee rather than mutually recognized as obvious. Based on the model of communication styles as defined by Yuan et al. (2018), RQs are classified into aggressive, friendly and sarcastic/ironical questions with imposed answers. The analysis of the corpus, which consisted of 275 RQs taken from ten American movie scripts, showed that friendly RQs are more common than the other two types, and that, in instances where one of the interlocutors is in a superior position, superior-to-inferior RQs are by far more common than vice versa. The finding that RQs asked by inferiors make up less than a third of RQs occurring between interlocutors with different social standing is in line with the view that answers to RQs are imposed on Addressees.


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