Video Clip Growth: A General Algorithm for Multi-view Video Summarization

Author(s):  
Gang Pan ◽  
Xingming Qu ◽  
Liangfu Lv ◽  
Shuai Guo ◽  
Di Sun
Author(s):  
Yu Zhang ◽  
Ju Liu ◽  
Xiaoxi Liu ◽  
Xuesong Gao

In this manuscript, the authors present a keyshots-based supervised video summarization method, where feature fusion and LSTM networks are used for summarization. The framework can be divided into three folds: 1) The authors formulate video summarization as a sequence to sequence problem, which should predict the importance score of video content based on video feature sequence. 2) By simultaneously considering visual features and textual features, the authors present the deep fusion multimodal features and summarize videos based on recurrent encoder-decoder architecture with bi-directional LSTM. 3) Most importantly, in order to train the supervised video summarization framework, the authors adopt the number of users who decided to select current video clip in their final video summary as the importance scores and ground truth. Comparisons are performed with the state-of-the-art methods and different variants of FLSum and T-FLSum. The results of F-score and rank correlation coefficients on TVSum and SumMe shows the outstanding performance of the method proposed in this manuscript.


Koneksi ◽  
2020 ◽  
Vol 4 (2) ◽  
pp. 338
Author(s):  
Faiz Zulia Maharany ◽  
Ahmad Junaidi

'Nightmare' is the title of a video clip belonging to a singer and singer called Halsey, in which the video clip is explained about the figure of women who struggle against patriarchal culture which has been a barrier wall for women to get their rights, welfare and the equality needed they get. This research uses descriptive qualitative research methods. Data collection techniques are done through documentation, observation and study of literature. Then, analyzed using Charles Sanders Peirce's semiotics technique. The results of this study show the fact that signs, symbols or messages representing feminism in the video, 'Nightmare' clips are presented through scenes that present women's actions in opposing domination over men and sarcastic sentences contained in the lyrics of the song to discuss with patriarchy. Youtube as one of the social media platforms where the 'Nightmare' video clip is uploaded is very effective for mass communication and for conveying the message contained in the video clip to the viewing public.‘Nightmare’ adalah judul video klip milik musisi sekaligus penyanyi yang bernama Halsey, dimana pada Video klipnya tersebut menceritakan tentang figur perempuan-perempuan yang berusaha melawan budaya patriarki yang selama ini telah menjadi dinding penghalang bagi perempuan untuk mendapatkan hak-haknya, keadilan dan kesetaraan yang seharusnya mereka dapatkan. Penelitian ini menggunakan metode penelitian kualitatif deskriptif. Teknik pengumpulan data dilakukan melalui dokumentasi, observasi dan studi kepustakaan. Kemudian, dianalisis menggunakan teknik semiotika milik Charles Sanders Peirce. Hasil penelitian ini menunjukan bahwa terdapat tanda-tanda, simbol atau pesan yang merepresentasikan feminisme di dalam video klip ‘Nightmare’ yang dihadirkan melalui adegan-adegan yang menyajikan aksi perempuan dalam menolak dominasi atas laki-laki dan kalimat-kalimat sarkas yang terkandung dalam lirik lagunya untuk ditujukan kepada patriarki. Youtube sebagai salah satu platform media sosial dimana video klip ‘Nightmare’ diunggah sangat efektif untuk melakukan komunikasi massa dan untuk menyampaikan pesan yang terkandung di dalam video klip tersebut kepada masyarakat yang menonton.


2019 ◽  
pp. 124-132
Author(s):  
María José Barros Cruz
Keyword(s):  

En el artículo se realiza un análisis de canción “Shock” de la rapera y activista chilena Ana Tijoux, compuesta en el marco de las movilizaciones estudiantiles del año 2011 en Chile. Proponemos entender este trabajo musical como parte de un movimiento social que salió a las calles para decir su indignación frente al sistema educacional de corte neoliberal impuesto durante la dictadura de Pinochet y prolongado durante la transición democrática. Atenta tanto a las voces de la calle como a los saberes letrados, en esta canción Tijoux realiza una fuerte crítica a la clase política del Chile (post)dictatorial, reivindicando la alianza entre los cuerpos y la ocupación del espacio público (Butler 2017) por parte de los estudiantes y ciudadanos movilizados. Para ello elabora a una retórica de lo colectivo manifiesta en la letra y el video clip y recurre a un género musical masivo y popular como el rap.


1998 ◽  
Author(s):  
Daniel DeMenthon ◽  
Vikrant Kobla ◽  
David Doermann

2016 ◽  
Vol 1 (2) ◽  
pp. 14-18
Author(s):  
Srishty Suman ◽  
Utkarsh Rastogi ◽  
Rajat Tiwari

Image stitching is the process of combining two or more images of the same scene as a single larger image. Image stitching is needed in many applications like video stabilization, video summarization, video compression, panorama creation. The effectiveness of image stitching depends on the overlap removal, matching of the intensity of images, the techniques used for blending the image. In this paper, the various techniques devised earlier for the image stitching and their applications in the relative places has been reviewed.


Entropy ◽  
2020 ◽  
Vol 22 (10) ◽  
pp. 1079
Author(s):  
Vladimir Kazakov ◽  
Mauro A. Enciso ◽  
Francisco Mendoza

Based on the application of the conditional mean rule, a sampling-recovery algorithm is studied for a Gaussian two-dimensional process. The components of such a process are the input and output processes of an arbitrary linear system, which are characterized by their statistical relationships. Realizations are sampled in both processes, and the number and location of samples in the general case are arbitrary for each component. As a result, general expressions are found that determine the optimal structure of the recovery devices, as well as evaluate the quality of recovery of each component of the two-dimensional process. The main feature of the obtained algorithm is that the realizations of both components or one of them is recovered based on two sets of samples related to the input and output processes. This means that the recovery involves not only its own samples of the restored realization, but also the samples of the realization of another component, statistically related to the first one. This type of general algorithm is characterized by a significantly improved recovery quality, as evidenced by the results of six non-trivial examples with different versions of the algorithms. The research method used and the proposed general algorithm for the reconstruction of multidimensional Gaussian processes have not been discussed in the literature.


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