Decolonizing Upper Silesia: Reclaiming and Validating a Hybrid Culture in Scholarly and Literary Discourses

2021 ◽  
pp. 169-193
Author(s):  
Eugenia Sojka
Keyword(s):  
Upper Silesia ◽  
Hybrid Culture

Phosphorus minerals in tonstein; coal seam 405 at Sośnica-Makoszowy coal mine, Upper Silesia, southern Poland

2013 ◽  
Vol 63 (2) ◽  
pp. 271-281 ◽  
Author(s):  
Magdalena Kokowska-Pawłowska ◽  
Jacek Nowak
Keyword(s):  
Trace Elements ◽  
Coal Seam ◽  
Mineral Composition ◽  
Coal Mine ◽  
Chemical Compositions ◽  
Coal Basin ◽  
Upper Silesia ◽  
Southern Poland ◽  
Basin Area

Abstract Kokowska-Pawłowska, M. and Nowak, J. 2013. Phosphorus minerals in tonstein; coal seam 405 at Sośnica- Makoszowy coal mine, Upper Silesia, southern Poland. Acta Geologica Polonica, 63 (2), 271-281. Warszawa. The paper presents results of research on tonstein, which constitutes an interburden in coal seam 405 at the Sośnica- Makoszowy coal mine, Makoszowy field (mining level 600 m), Upper Silesia, southern Poland. The mineral and chemical compositions of the tonstein differ from the typical compositions described earlier for tonsteins from Upper Silesia Coal Basin area. Additionally, minerals present in the tonsteins include kaolinite, quartz, kaolinitised biotite and feldspars. The presence of the phosphatic minerals apatite and goyazite has been recognized. The presence of gorceixite and crandallite is also possible. The contents of CaO (5.66 wt%) and P2O5 (6.2 wt%) are remarkably high. Analysis of selected trace elements demonstrated high contents of Sr (4937 ppm) and Ba (4300 ppm), related to the phosphatic minerals. On the basis of mineral composition the tonstein has been identified as a crystalline tonstein, transitional to a multiplied one.

The Culture Zone in Katowice and its qualities as a public space

2018 ◽  
Vol 59 (1) ◽  
pp. 27-41
Author(s):  
Paweł Pistelok
Keyword(s):  
Public Space ◽  
Empirical Research ◽  
Public Life ◽  
Public Spaces ◽  
Social Functions ◽  
Upper Silesia ◽  
Industrial Heritage ◽  
Basic Rights ◽  
Post Industrial ◽  
Right Of Access

Abstract A city’s public spaces ought to meet a number of requirements to serve their main purpose, that is to foster public life. They need, for instance, to answer people’s needs, fulfil certain social functions, and let people use their basic rights, among them the most important right of access. In Katowice, one of the most prominent examples of the regeneration of public spaces is now the Culture Zone. The aim of this paper is to discuss the development of social functions in the area mentioned, a fine example of the post-industrial heritage of Upper Silesia. Applying some of the qualities of public space identified in the theories adopted, the paper discusses how the Culture Zone [in Polish: Strefa Kultury] fulfils the above-mentioned demands and requirements. Is it accessible? Does it meet the need for comfort? Does it function as a leisure space? By referring to analyses and opinions presented in the literature and comparing them with the results of the author’s own empirical research, this article discusses the importance, opportunities, and shortcomings of the Culture Zone as a public space.

scholarly journals The course of COVID-19 infection in patients with multiple sclerosis – the experience of one center based on the population of Upper Silesia

2021 ◽  
pp. 102984
Author(s):  
Maria Nowak-Kiczmer ◽  
Katarzyna Kubicka-Bączyk ◽  
Natalia Niedziela ◽  
Bożena Adamczyk ◽  
Krzysztof Wierzbicki ◽  
...  
Keyword(s):  
Multiple Sclerosis ◽  
Upper Silesia

scholarly journals National, Regional, or Just Catholic?—Dilemmas of Church Art in a German–Polish Borderland. Upper Silesia, 1903–1953

Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 18
Author(s):  
Jerzy Gorzelik
Keyword(s):  
Imagined Communities ◽  
National Belonging ◽  
Sacred Art ◽  
Upper Silesia ◽  
God's Will ◽  
National Community ◽  
Sacred Spaces ◽  
Art Works ◽  
National Ideology ◽  
Church Art

The rise of nationalism threatened the integrity of the Catholic milieu in borderlands such as Prussian Upper Silesia. Facing this challenge, the ecclesiastical elite developed various strategies. This article presents interpretations of sacred art works from the first half of the 20th century, which reveal different approaches to national discourses expressed in iconographic programs. The spectrum of attitudes includes indifference, active counteraction to the progress of nationalism by promoting a different paradigm of building temporal imagined communities, acceptance of nationalistic metaphysics, which assumes the division of humanity into nations endowed with a unique personality, and a synthesis of Catholicism and nationalism, in which national loyalties are considered a Christian duty. The last position proved particularly expansive. Based on the primordialist concept of the nation and the historiosophical concept of Poland as a bulwark of Christianity, the Catholic-national ideology gained popularity among the pro-Polish clergy in the inter-war period. This was reflected in Church art works, which were to present Catholicism as the unchanging essence of the nation and the destiny of the latter resulting from God’s will. This strategy was designed to incorporate Catholic Slavophones into the national community. The adoption of a different concept of the nation by the pro-German priests associated with the Centre Party—with a stronger emphasis on the subjective criteria of national belonging—resulted in greater restraint in expressing national contents in sacred spaces.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

Seasonal changes in the mineral compositions of tropospheric dust in the industrial region of Upper Silesia, Poland

2003 ◽  
Vol 67 (6) ◽  
pp. 1231-1241 ◽  
Author(s):  
M. Jablonska ◽  
J. Janeczek ◽  
F. J. M. Rietmeijer
Keyword(s):  
Electron Microscopy ◽  
Seasonal Changes ◽  
Anthropogenic Sources ◽  
Emission Sources ◽  
Upper Silesia ◽  
Industrial Dust ◽  
Transmission Electron ◽  
High Emission ◽  
Analytical Scanning Electron Microscopy ◽  
Winter Time

AbstractThe tropospheric dust loading in Upper Silesia (Poland) shows a steady, annually averaged supply of minerals from natural and anthropogenic sources, industrial dust emitters, domestic heating, transportation, but with superimposed seasonal changes for some dust types. Samples of airborne and deposited particles were collected at monthly intervals between 1996 and 2001 in several cities of Upper Silesia. Dust samples were examined by X-ray powder diffraction, analytical transmission electron microscopy, analytical scanning electron microscopy, and electron microprobe microanalysis. The most common dust included quartz, gypsum, coke, soot, hematite, magnetite, wüstite, bassanite, graphite and various K-, Fe- and Mg-bearing aluminosilicates, in order of decreasing abundance. Minor phases included α-iron, sulphur, sphalerite, halite, sylvite, hercynite, franklinite, baryte, dolomite, ankerite, apatite, olivine and feldspars. Quartz, and specific industrial minerals, e.g. spinels, sphalerite, olivine and iron, occurred throughout the year in almost constant abundances. The amounts of all other dust components show seasonal variations; gypsum, baryte and other sulphates are particularly abundant in winter. In general, minerals related to low-emission sources are abundant in the winter time, while both natural dusts and dust from high-emission sources are predominant during the summer.

scholarly journals Modelling of a hybrid culture system with a stationary layer of liquid perfluorochemical applied as oxygen carrier

2016 ◽  
Vol 37 (1) ◽  
pp. 149-158
Author(s):  
Maciej Pilarek ◽  
Katarzyna Dąbkowska
Keyword(s):  
Mass Transfer ◽  
Aqueous Phase ◽  
Culture System ◽  
Oxygen Carrier ◽  
Published Data ◽  
Monod Kinetics ◽  
Batch Cultures ◽  
Whole Process ◽  
Hybrid Culture ◽  
Stationary Layer

Abstract A mathematical model of a hybrid culture system supported with a stationary layer of liquid perfluorochemical (PFC) as a source of O2 for cells which grow in the aqueous phase of culture medium has been developed and discussed. The two-substrate Monod kinetics without inhibition effects, i.e. the Tsao-Hanson equation, has been assumed to characterise the biomass growth. The Damköhler number which relates the growth rate to the mass transfer effects has been used to appraise the regime (i.e. diffusion-limited or kinetics) of the whole process. The proposed model predicted accurately previously published data on the submerged batch cultures of Nicotiana tabacum BY-2 heterotrophic cells performed in a culture system supported with a stationary layer of hydrophobic perfluorodecalin as a liquid O2 carrier. Estimated values of the parameters of the model showed that the process proceeded in the kinetics regime and the growth kinetics, not the effects of the mass transfer between aqueous phase and liquid PFC, had essential influence on the growth of biomass.

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