Feminist Ethnography in a Women’s Shelter: Self-Reflexivity, Participation and Activism in Ethnographic Writing

Author(s):  
Marina Della Rocca
2021 ◽  
Vol 8 (1-2) ◽  
pp. 15-42
Author(s):  
Ge Zhang

Abstract I tracked one Chinese livestreaming platform Douyu from its emergence as experimental subsidiary of a Video on Demand platform in 2013 to its status as an ordinary medium of mass entertainment in 2018. This affect-inflected ethnography is written based on participant observation of three channels on Douyu as I exhibit the microcontexts of each channel in chronicles of affective events, long pauses of silence, repetitive and incoherent dialogues, asymmetrical debates, and sporadic moments of emotional meltdown. This ethnographic writing is a contact zone, a provocation, and, by proxy, a dialogue between academic theories (especially from television studies), user practices, and my informants’ own attempts at theorising how and what livestream feels and means for them.


2001 ◽  
Vol 30 (6) ◽  
Author(s):  
Stefan Hirschauer

ZusammenfassungDer Aufsatz behandelt ein zentrales Problem der Methodologie der Ethnografie. Er expliziert die Beschreibung als eine elementare soziologische Kulturtechnik. Im Vordergrund steht dabei, deren zentrales Bezugsproblem herauszuarbeiten: die Versprachlichung der ‚schweigsamen‘ Dimension des Sozialen. Das ethnografische Schreiben wird zunächst als ein Dokumentationsverfahren eingeführt, das durch avanciertere Aufzeichnungstechniken der qualitativen Sozialforschung entwertet wurde. Diese setzten einen naturalistischen Standard in Bezug auf die Reifikation und Dekontextualisierung von ‚Daten‘. Nach einer wissenssoziologischen Relativierung dieses Standards werden jene Bezugsprobleme herausgearbeitet, die alle Verfahren unbearbeitet lassen, die mit Aufzeichnungen an eine primordiale Verbalisierung des Sozialen durch Informanten anschließen: Interviews, Diskurs- und Gesprächsanalysen. Es sind die Probleme des Stimmlosen, Stummen, Unaussprechlichen, Vorsprachlichen und Unbeschreiblichen, die das ethnografische Schreiben zuallererst zu lösen hat. In ihm wird etwas zur Sprache gebracht, das vorher nicht Sprache war. Für diese Aufgabe einer Verschiebung der Artikulationsgrenze muss sich die Beschreibung von der Logik der Aufzeichnung abwenden und zu einer theorieorientierten Forschungspraxis werden, die nicht nach ihrer Dokumentationsleistung, sondern nach ihren analytischen Leistungen zu bewerten ist.


2012 ◽  
Vol 9 (1) ◽  
pp. 507-537 ◽  
Author(s):  
Letícia Maria Costa da Nóbrega Cesarino

This article explores some of the challenges and potentials that the emerging phenomenon of South-South cooperation (SSC) might pose to major approaches in the international literature on the anthropology of development. Irrespective of particular politico-conceptual preferences, the latter's analytics have been largely crafted based on ethnographic work about development aid provided by Northern agencies or North-led multilateral organizations. Based on my own fieldwork experience with Brazil's contemporary provision of official technical cooperation in tropical agriculture to various countries in the African continent, I propose a discussion about four sets of themes: Foucauldian approaches to development based on notions of governmentality and discourse; the associated question of politics/depoliticization; the institutional aspect of development cooperation as a national and global industry and bureaucracy; and the question of ethnographic authority and the transit between what David Mosse has referred to as field (relations entertained with informants during fieldwork) and desk (relations entertained with academic peers during ethnographic writing).


2020 ◽  
Vol 9 (1) ◽  
pp. 101-117
Author(s):  
Xia Nan JIN

Women’s political participation was initiated as an instrument for gender equality yet now is under research scrutiny. Due to gender quotas and other institutionalization of women’s political inclusion, Rwanda has the highest number of women in its parliament – 67%. But is women’s political participation a real tool for gender equality, or is it one that through the artificial guise of women’s political representation sets up an exclusive political space? Apart from women who work in political institutions, who else are participating in politics and how and where are they engaging with politics? Feminists should claim back this discussion, reject neoliberal approach to ‘empower’ women and propose a more distributive and collective agenda. As part of my PhD project regarding women’s (dis)engagement with politics in Rwanda, female vendors drew my attention during my fieldwork in Rwanda. In Rwanda, female vendors are among the groups who are the ‘furthest’ to participate and influence the political decision-making process, yet are heavily influenced by various political policies on a daily base. For example, the by-law forbidding street vendors was initiated in 2015 and further enforced in 2017 was designed to punish street vendors because they build “unfair competition for customers with legitimate businesses paying rent and taxes” . Consequently, many female vendors face a great deal of violence by local forces. Using feminist ethnography as the methodology, I choose visual methods to tell the stories of female vendors. That is, the photography project is designed to elicit stories of ‘what happened when’, and to encourage participants to ‘remember’ past events, and past dynamics on the street, as well as to express their own opinions and ideas. My task is to reconstruct the process of female street vendor’s engagement with politics and in doing so deconstruct the fake formal image of female political participation in Rwanda.


2021 ◽  
Author(s):  
Sander Hölsgens

As skaters increasingly engage with and respond to socio-political surges across the globe, skateboarding begins to refract into a multiplicity of situated practices. This includes a new wave of collectives and communities who re-imagine what cities could sound, feel, and be like. Combining filmmaking with ethnographic writing, Sander Hölsgens traces the lived experience of a small group of skaters in South Korea. As a skater among skaters, he unravels the site-specific nuances and relational meanings of skateboarding in Seoul – working towards an intimate portrait of a growing community.


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