scholarly journals Accounting for Who We Are and Could Be: Inventing Taxonomies of the Self in an Age of Uncertainty

2021 ◽  
pp. 97-134
Author(s):  
Uwe Vormbusch

AbstractSelf-trackers are confronted with economic and cultural uncertainty as two fundamental traits of late-modern capitalism. Coping with uncertainty in this context means the calculative quest for discovering the representational forms by which the plurality of individual capabilities as well as the plurality of the cultural forms of living can be inscribed into common registers of worth. Drawing on Foucault as well as the Sociology of Critique, this paper emphasizes the moral and cognitive conflicts accompanying the emergence of self-quantification and points to the contradictions and ambivalences this involves: self-inspection as a form of enabling accounting and emancipation, on the one hand, versus an extension of instrumental rationality to hitherto incommensurable and incalculable entities, on the other.

Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


Author(s):  
Stacy Wolf

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.


Derrida Today ◽  
2009 ◽  
Vol 2 (2) ◽  
pp. 260-270
Author(s):  
Francesco Vitale

The paper aims to present a reading of the question of Testimony rising in Derrida's later works (from Faith and Knowledge to Poetics and Politics of Witnessing): the experience of Testimony as the irreducible condition of the relation to the Other, of every possible link among living human singularities and, thus, of the thinking of a community to come. This thinking is able to divert the community from the economy grounding and structuring it within our political tradition governed by the metaphysics of presence, which demands the sacrifice of the Other in its multiple theoretical and practical forms. We intend to read this proposal and to point out its rich perspectives by bringing it into the articulation of an ethical-political archi-writing. So we suggest going back to Derrida's early analyses of phenomenology and to De la grammatologie in order to present a reading of archi-writing as the irreducible condition of the relation to otherness and, thus, of the experience through which a living human singularity constitutes itself, a singularity different from the one our tradition compels us to think of within the pattern of the absolute presence to the self, free from the relation to the other.


2019 ◽  
Vol 74 (2) ◽  
pp. 167-181
Author(s):  
Kirsten Linnemann

Abstract. With their donation appeals aid organisations procure a polarised worldview of the self and other into our everyday lives and feed on discourses of “development” and “neediness”. This study investigates how the discourse of “development” is embedded in the subjectivities of “development” professionals. By approaching the topic from a governmentality perspective, the paper illustrates how “development” is (re-)produced through internalised Western values and powerful mechanisms of self-conduct. Meanwhile, this form of self-conduct, which is related to a “good cause”, also gives rise to doubts regarding the work, as well as fragmentations and shifts of identity. On the one hand, the paper outlines various coping strategies used by development professionals to maintain a coherent narrative about the self. On the other hand, it also shows how doubts and fragmentations of identity can generate a critical distance to “development” practice, providing a space for resistant and transformative practice in the sense of Foucauldian counter-conduct.


2018 ◽  
Vol 9 (3) ◽  
Author(s):  
Valery Tkachev ◽  
Elena Suranova

The article is devoted to studying the problem of typology of intellectual culture crises. It proves that the intellectual culture as a historical process represents itself as an endless change of cultural forms, in which case each of the forms once emerged, reached its flourishing and died, being replaced by other cultural forms. It emphasizes that crises are intertwined into this process; they appear in cultures inevitably, under certain conditions - when the potential of the former cultural form has not been exhausted yet, and the struggle for its future form is only outlined, but the crises themselves take a short period of time in this process, although they have a complex nature. The article focuses on the fact that the typology of crises should be built, on the one hand, in conjunction with the typology of intellectual cultures and, on the other hand, with the typology of the historical process; there can be a number of such typologies, and this proves that cultures and crises can be classified in a variety of ways. It notes that the typology is a method used to study, compare and describe a variety of processes, including intellectual cultures and their crises, but this method does not exist in a vacuum, it is formed in an environment of idealism and materialism, dialectical and metaphysical methods. The peculiarities of modern typologies stem from the fact that, since the turn of the 19th and 20th centuries, they are under the pressure of the metaphysical method, hence there is their internal need for the culture unification on the grounds close to their ethnicity: the idea of the unity of the cultural process is rejected with the help of these features, and the understanding of the process itself is reduced to the individuality of its cultural forms.


Author(s):  
Feng Zhu

This paper aims to critically introduce the applicability of Foucault’s late work, on the practices of the self, to the scholarship of contemporary computer games. I argue that the gameplay tasks that we set ourselves, and the patterns of action that they produce, can be understood as a form of ‘work on the self’, and that this work is ambivalent between, on the one hand, an aesthetic transformation of the self – as articulated by Foucault in relation to the care or practices of the self – in which we break from the dominant subjectivities imposed upon us, and on the other, a closer tethering of ourselves through our own playful impulses, to a neoliberal subjectivity centred around instrumentally-driven selfimprovement. Game studies’ concern with the effects that computer games have on us stands to gain from an examination of Foucault’s late work for the purposes of analysing and disambiguating between the nature of the transformations at stake. Further, Foucault’s tripartite analysis of ‘power-knowledge-subject’, which might be applied here as ‘game-discourse-player’, foregrounds the imbrication of our gameplay practices – the extent to which they are due to us and the way in which our own volitions make us subject to power, which is particularly pertinent in the domain of play.


Author(s):  
Luise Li Langergaard

The article explores the central role of the entrepreneur in neoliberalism. It demonstrates how a displacement and a broadening of the concept of the entrepreneur occur in the neoliberal interpretation of the entrepreneur compared to Schumpeter’s economic innovation theory. From being a specific economic figure with a particular delimited function the entrepreneur is reinterpreted as, on the one hand, a particular type of subject, the entrepreneur of the self, and on the other, an ism, entrepreneurialism, which permeates individuals, society, and institutions. Entrepreneurialism is discussed as a movement of the economic into previously non-economic domains, such as the welfare state and society. Social entrepreneurship is an example of this in relation to solutions to social welfare problems. This can, on the one hand, be understood as an extension of the neoliberal understanding of the entrepreneur, but it also, in certain interpretations, resists the neoliberal understanding of economy and society.


Author(s):  
Yoon Sook Cha

This chapter, a reading of “L’Iliade ou le poème de la force,” considers Weil’s claim about the special character of force, that in being assumed and redeployed by those whom it subjects, flattens the relative power of humans. The chapter argues that the claim directs us to the possibility of a new relationality that forfeits sovereign modes of power without that forfeiture thereby signifying an equitable power between the self and the other, such as it is in supplication. Referencing Maurice Blanchot, it is argued that supplication establishes an “uncommon measure” between the suppliant and the one supplicated, not by virtue of any power the suppliant has, but by laying bare his human presence. In this context, one’s subjection to force offers a certain opening to the other even as it marks the precariousness of one’s own human being.


Author(s):  
Miriam Driessen

Whereas Chinese road builders are modest about improving their own lives, they are confident about their ability to transform the lives of Ethiopian others. This chapter discusses Chinese management’s attempts to fashion young Ethiopian men into industrious laborers, modeling them on the self-sacrificing worker subject that helped realize China’s economic miracle throughout the 1990s and 2000s. What Ethiopian laborers lack, in Chinese managers’ eyes, is a sense of urgency and a drive to develop the self. Yet their attempts to fashion Ethiopians into committed laborers are a double-edged sword. On the one hand, management seeks to enhance the productivity of the local workforce and speed up the building works. On the other hand, they have a fundamental interest in upholding the image of the Ethiopian worker as indolent, for it confirms Chinese moral superiority and justifies wage differentials and inequalities in employment security.


2020 ◽  
Vol 2020 (765) ◽  
pp. 139-170
Author(s):  
Christopher G. Evans ◽  
Jason D. Lotay ◽  
Felix Schulze

AbstractOn the one hand, we prove that the Clifford torus in {\mathbb{C}^{2}} is unstable for Lagrangian mean curvature flow under arbitrarily small Hamiltonian perturbations, even though it is Hamiltonian F-stable and locally area minimising under Hamiltonian variations. On the other hand, we show that the Clifford torus is rigid: it is locally unique as a self-shrinker for mean curvature flow, despite having infinitesimal deformations which do not arise from rigid motions. The proofs rely on analysing higher order phenomena: specifically, showing that the Clifford torus is not a local entropy minimiser even under Hamiltonian variations, and demonstrating that infinitesimal deformations which do not generate rigid motions are genuinely obstructed.


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