A Comprehensive Analytical Case Study on Plisse Fashion Design L.L.C

2021 ◽  
pp. 993-1005
Author(s):  
Mohamed Abdulla ◽  
Omar Khalid ◽  
Said A. Salloum ◽  
Khaled Shaalan
Keyword(s):  
2019 ◽  
Vol 19 (4) ◽  
pp. 355-362
Author(s):  
Yong Ji ◽  
Gaoming Jiang ◽  
Honglian Cong

Abstract This study uses sustainable development theory to analyze China’s garment industry, which has been under pressure of high energy consumption, excess capacity and environmental pollution. The purpose of this work is to explore customized platform effectiveness on fashion design and production by the integration of clothing ceo-design (CED) and clothing life cycle evaluation. By cooperation and data analyses, garment companies come into being, which provides information for the study on customized platform effectiveness. Meanwhile, this paper begins with addressing the potential problems for fashion design, production and inventory management, making a distinction between garment virtual design (GVD)and personalized garment customization (PGC) and suggesting a useful computer-aided approach for fashion design and production process. The data and information were gathered from garment companies in China. This work presents the findings from case study research into sustainable improvements for fashion design and production in the garment industry; in this way, the level of customized platform may be compared and analyzed, which is a significant growth point of sustainable improvements for this research and practice domain.


2021 ◽  
Author(s):  
Anika Kozlowski

Sustainable fashion has developed as a response to the growing prominence and awareness of the negative environmental and social impacts of fashion apparel throughout its life cycle. Responses to these wide-scale impacts have focused on piecemeal strategies that lack a cohesive perspective. The notion of design thinking and a holistic viewpoint are increasingly being seen as valued strategies for developing a sustainable fashion system. Fashion designers generally lack the tools to enable change and are caught within a system that cannot fulfill the potential of design-driven solutions for sustainability. Transformations to the design process, business practices, consumer behaviours and supply-chain sustainability are needed. This dissertation presents a series of manuscripts investigating a re-conceptualization of fashion design for system sustainability. Concepts put forth in the first manuscript, Theorizing the Fashion System provide context for a design focus. This study reviews existing theories of fashion production and consumption, for the purpose of establishing a theoretical framework to support subsequent research and tool design. The second manuscript Tools for Sustainable Fashion Design: An Analysis of their Fitness for Purpose examines existing design tools developed specifically for sustainable fashion designers. This research led to the creation and proposal of two conceptual frameworks: an innovation framework and five-dimensional model of sustainable fashion. Using the frameworks to analyze the tools and sustainable strategies within the tools resulted in the identification of three tool archetypes: 1) Universal, 2) Participatory and 3) Assessment. The third manuscript investigates and analyzes current design practices of sustainable fashion micro and small enterprises (MSE) and available sustainable design tools. The fourth manuscript, The reDesign Canvas: Fashion Design as a Tool for Sustainability, is a qualitative in-depth case study with a small fashion start-up. Utilizing observations in the field, interviews and design sessions, this study was able to identify leverage points within the design process to integrate sustainable strategies. The data collected informed the development of a sustainable fashion design tool, the reDesign Canvas. This framework was tested and refined with the case study. This work aims to contribute a reconceptualization of the fashion design process to provide designers with the tools necessary to achieve a sustainable fashion system.


2020 ◽  
Vol 179 ◽  
pp. 02081
Author(s):  
Yixin Zou ◽  
Eakachat Joneurairatana

Due to the popularity and importance of cross-cultural communication in our daily life, many countries have carried out various cross-cultural communication activities and researches. However, there is still a big research scope for the study of fashion design based on it. The main purpose of this article is to have a study on the cultural exchange between China and Thailand, with Long (“Dragon” in Chinese) and Naga as case study. The methods in this research can be regarded as the process of “decoding and encoding”. Final results are: 1) Extraction of design concepts on Long and Naga based on two times of decoding. 2) A demonstration of the new methodology which can be used for fashion designers to effectively extract cultural code in the background of cultural globalization. 3) It is a case study to do cross discipline research between fashion design with cross-cultural communication.


2015 ◽  
Vol null (48) ◽  
pp. 207-216
Author(s):  
나현신 ◽  
김현주
Keyword(s):  

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