Pornography and Representations of Women: The Secret Agent and Victory

2017 ◽  
pp. 31-57
Author(s):  
Ellen Burton Harrington
Author(s):  
Marilyn Booth

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.


Moreana ◽  
2015 ◽  
Vol 52 (Number 201- (3-4) ◽  
pp. 299-331
Author(s):  
Elizabeth McCutcheon

1958 ◽  
Vol 13 (1) ◽  
pp. 69-71
Author(s):  
Robert D. Spector
Keyword(s):  

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.


2019 ◽  
Vol 5 (3) ◽  
pp. 36-59
Author(s):  
Yingzi Wang ◽  
Sabina Mihelj

This paper examines changing representations of women in Chinese television dramas since the early 1990s and interprets them within a framework of global socialist media cultures, considering both domestic developments and transnational trends. Drawing on the analysis of three selected dramas, it traces the trajectory of televised femininity from exemplary socialist worker-citizens devoted to family and community, to more individualized middle-class urbanites. It is tempting to see this transformation as an outcome of China's integration into the global capitalist economy, the attendant retreat of the party-state from the private realm, and the infusion of Western cultural gender ideals. Yet this interpretation downplays important continuities, and misses intriguing parallels with TV dramas produced in socialist Eastern Europe. The argument pays particular attention to the enduring appeal of the socialist-style superwoman who shoulders the double burden of a professional career and unpaid domestic work while also acting as a discerning citizen-consumer.


2016 ◽  
Vol 46 ◽  
pp. 79-96

In the West, recent years have witnessed a big increase in accepting sexual fluidity, as manifested in the growing visibility of the LGBT community. It was different in antiquity, where a binary culture of masculinity and femininity prevailed, although reality will have been more diverse. Ancient historians and literary scholars have worked on concepts of masculinity in antiquity, but more recent studies of Greek religion have mainly analysed positions and representations of women, in so far as they have focused on gender differences at all. I will therefore first look at some elements of the female life cycle and daily life (§1), then consider representations of women in art and myth, and goddesses as possible role models (§2), and conclude with a discussion of the most important women's festivals (§3). At all times, we should keep in mind, however, that the real life of women probably differed significantly from male ideologies of their worth and proper place. This means that, although I focus on female gendered roles, male gendered roles will play a role too, even if more indirectly than directly in this chapter.


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