Implications of Land Use Land Cover Transformation for Gendered Livelihoods: Insights from Moyna Basin of Purba Medinipur, West Bengal, India

The Moyna basin of West Bengal is experiencing a rapid transformation in land use and land cover (LULC) as waterbodies are rapidly increasing at the expense of low-lying agricultural lands. The transformation in the LULC pattern in Moyna basin has been studied earlier based on the focus of climate change, biodiversity and other environmental issues. However, very little is known about the implications of this transformation on gender roles, responsibilities and livelihoods. This study examines the interconnectedness between LULC transformation and its differential impact on the livelihoods and workload of men and women using an intersectional perspective in three villages across Moyna block. The data were collected using a mixed-method approach and comprised of three major sources of information—observations, photographs and interviews. Results show that the changes in LULC have occurred partly as an impact of climate change and partly due to the inclination towards aquaculture due to decline in profitability of agriculture and farming practices. In the context of these livelihood changes, a fundamental shift in gendered roles has occurred. It has been found that the switch to aquaculture has led to two prominent outcomes, that is, depeasantisation of agricultural workers and defeminisation of the overall workforce. While women and men were equally displaced from agriculture with the advent of aquaculture, women were faced with additional challenges of unequal social gender norms and limited opportunities for alternative employment. It further shows that, the impacts of land use change on livelihoods are diverse and is a complex process as factors, like—class, caste, patriarchal family relations, family structure and the nature of the labour market intersect with gender and it also makes some women more vulnerable than other men and women.

Understanding the Narratives of Pateros Mothers’ Resistance under the Philippine Drug War

This article highlights the case of the Ronda ng Kababaihan, a women’s volunteer organization established to conduct night patrols in their neighborhood after witnessing drug-related killings in Pateros. Guided by the political motherhood framework, this study argues that the members use their traditional roles as mothers to legitimize their presence in the streets and the public sphere, and they practice mothering to maintain good relations with the community, police, and local authorities. Data are drawn from in-depth interviews with mothers and participant observation of nightly patrols of the organization. This study problematizes the debate between the essentialist and constructivist views on motherhood – in understanding motherhood in political terms either as an emotionally motivated and apolitical extension of the domestic duties or as an avenue for the reconstruction of gendered roles and collective identities.

The nuns’ story: Empirical research into religious, post/colonial, and gender power issues as illustrated by the lives and work of the missionary congregation, the Zusters van de Jacht

This article is based on interviews carried out with sixteen members of the Zusters van de Jacht, a congregation founded in Belgium, and whose Belgian Sisters are today a mainly retired community. The Sisters served abroad as missionaries throughout the world, during and in the aftermath of colonial rule, and this article investigates issues of power using a three-fold lens of religion, post/colonialism, and gender. As nationals of the colonising country of Belgium and as members of an established church, the Sisters had a certain power and authority in the mission field, which they exercised in different ways. As foreign women and members of a religious congregation, they held roles of leadership and influence abroad, which allowed them to be effective bringers of change and help as well as active entrepreneurs. These roles transcended the gendered roles of submission they would have held as religious Sisters in the Roman Catholic Church back in Belgium. This article examines where and how power was exercised and experienced in their frequently adventurous, sometimes dangerous, missionary lives. It situates the life stories of the Zusters van de Jacht in the context of ongoing debates about the role and influence of missionary women. It makes a contribution to the oral history of religious missionary women by presenting extracts from their life stories in their own words.

Gender and Literature – Is Gender Gendered? Female Protagonists in Macbeth (1606), Thelma and Louise (1991) and A Doll’s House (1879) – Three Different Genres of Literature across Centuries

This paper examines how men and women have been conventionally portrayed in gender stereotypes in various genres among different cultures through centuries in world literature, with reference to the classical Shakespearean play Macbeth (1606) by the British playwright William Shakespeare, the Hollywood road movie Thelma and Louise (1991) directed by Ridley Scott and A Doll’s House (1879) written by the Norwegian dramatist Henrik Ibsen. The research will explore the common themes embodied by the notion of gender almost in all literature work in the world which include patriarchy and order, masculinity and femininity, fabrication of identities, and binary opposition with the close textual analysis of the process of self-discovery and empowerment by the female protagonists, Lady Macbeth in Macbeth, Thelma and Louise in Thelma and Louise and Nora in A Doll’s House through the eyes of the male authors, namely playwrights and film director. By comparing the fates of aforementioned female protagonists in the three endings, the actual autonomy that women can take the lead in their life or act outside the normalized gender binaries is further studied. With the analysis of the literary devices and the depiction of the female characters’ psychological change with the visualization of symbols and attires in the texts, the relationship between form and content is also investigated. There is also the discourse analysis on the use of gendered language through soliloquies and dialogues, implication of gender roles in society and culture and the consequences of these females in transcending the gendered roles.

Gender-Responsive Participatory Variety Selection in Kenya: Implications for Common Bean (Phaseolus vulgaris L.) Breeding in Kenya

Participatory variety selection (PVS) is the selection of new varieties among fixed lines by farmers under different target environments. It is increasingly being used to select and promote new crop breeding materials in most African countries. A gender-responsive PVS tool was piloted in Embu and Nakuru in the first and second cropping seasons of 2019 to understand similarities and differences between men’s and women’s varietal and trait preferences for biofortified released varieties and local bean varieties (landraces). Pooled results indicate that varietal and trait preferences between men and women farmers were slightly different but followed gendered roles and division of labor. Women farmers have a higher preference for landraces compared to men due to their availability, affordability and accessibility. Preferences for bean varieties differed between men and women across the two counties. High yielding was the most prioritized trait by both men and women for Mwitemania, Nyota, and Angaza. The findings support the long-held assumption that men prefer market-oriented traits, but women have a greater range of concerns thus less market oriented than men. For Nyota, men’s preferences were shaped by market traits, while women’s preferences were based on the variety being early maturing, resistant to pests and diseases, marketable, and fast cooking. For other varieties, men preferred Mwitemania because it is high yielding, early maturing, resistant to pests and diseases, and marketable. In contrast, women preferred Mwitemania because of seed availability, fast cooking, and early maturing. However, men’s and women’s varietal preferences for Angaza were similar, with them reporting early maturing, resistance to pests and diseases, and marketability as attractive traits. Sociodemographic characteristics such as education, age, marital status, and land ownership underlined the differences in trait preferences. Despite having attractive traits for both men and women, Nyota increased drudgery, displaced women from their usual activities, and required additional inputs by women, signaling possible adoption tradeoffs. However, Nyota, Angaza, and Mwitemania can provide the opportunity to increase employment for women. This study calls for gender integration at the design stage of any breeding system to ensure men and women farmers have access to varieties they prefer for food and income generation.

Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe

<p>Studies concerning eighteenth- and early nineteenth-century women musicians abound within recent musicological scholarship, but the focus on singers and keyboard players – whose musical activities are understood to have “affirmed” their femininity – has had the effect of obscuring players of less typical instruments. Violin-playing, frequently cast as a man’s activity and imbued with indecent associations, was a case in point. Yet despite the connotations of the instrument, a small but significant group of women did play the violin: it is these violinists that this thesis takes as its central focus. Looking first at the complex reasons behind objections to women’s violin performance, a number of factors that restricted women’s access to the violin – including the influence of the male gaze and limits placed on women’s physical movement – are revealed. Particular conditions nevertheless enabled certain women to play the violin, namely the personal, educational, and economic support available from diverse sources such as family members, patrons, and institutions like convents and the Venetian ospedali. In addition to placing women violinists in their historical context, this thesis centres on an analysis of a violin concerto by one of the most well-known female violinists of the era, the Italian virtuoso Regina Strinasacchi. The analysis of Strinasacchi’s Violin Concerto in B flat major is strongly performance based and focuses on the issue of gender and physical movement (performance gesture), topics which were of much interest to eighteenth-century commentators who witnessed women violinists performing. As such the analysis engages with concepts from “embodied” musicology. In exploring Strinasacchi’s concerto we see that female violinists could experiment with a variety of gendered roles through violin performance, embodying both masculinity and femininity through their transgressive gestures. By taking a closer look at women’s violin performance and experiences, this thesis aims to show that these violinists were not as peripheral to the workings of the wider musical community as is sometimes implied. Furthermore, it aims to put women violinists more firmly at the centre of their own stories, challenging the tendency to treat female violinists as novel anomalies.</p>

Transgressive Gestures: Women and Violin Performance in Eighteenth-Century Europe

<p>Studies concerning eighteenth- and early nineteenth-century women musicians abound within recent musicological scholarship, but the focus on singers and keyboard players – whose musical activities are understood to have “affirmed” their femininity – has had the effect of obscuring players of less typical instruments. Violin-playing, frequently cast as a man’s activity and imbued with indecent associations, was a case in point. Yet despite the connotations of the instrument, a small but significant group of women did play the violin: it is these violinists that this thesis takes as its central focus. Looking first at the complex reasons behind objections to women’s violin performance, a number of factors that restricted women’s access to the violin – including the influence of the male gaze and limits placed on women’s physical movement – are revealed. Particular conditions nevertheless enabled certain women to play the violin, namely the personal, educational, and economic support available from diverse sources such as family members, patrons, and institutions like convents and the Venetian ospedali. In addition to placing women violinists in their historical context, this thesis centres on an analysis of a violin concerto by one of the most well-known female violinists of the era, the Italian virtuoso Regina Strinasacchi. The analysis of Strinasacchi’s Violin Concerto in B flat major is strongly performance based and focuses on the issue of gender and physical movement (performance gesture), topics which were of much interest to eighteenth-century commentators who witnessed women violinists performing. As such the analysis engages with concepts from “embodied” musicology. In exploring Strinasacchi’s concerto we see that female violinists could experiment with a variety of gendered roles through violin performance, embodying both masculinity and femininity through their transgressive gestures. By taking a closer look at women’s violin performance and experiences, this thesis aims to show that these violinists were not as peripheral to the workings of the wider musical community as is sometimes implied. Furthermore, it aims to put women violinists more firmly at the centre of their own stories, challenging the tendency to treat female violinists as novel anomalies.</p>

The Metamorphosis of a Female Subject into a Gendered subject: A Study of Easterine Iralu’s A Terrible Matriarchy

It is a universally practised phenomenon across society to conveniently create a dichotomy that is based on the physiological difference between a male and a female. This difference is further defined by the dichotomy of gendered roles and labour that are imposed on them. The hegemony of the gendered ideology makes it all so natural to assign gendered role to a baby the moment it is born. Its body serves as a continuing signifier for the gendered structure of a patriarchal society. Since these gendered ideologies are disseminated through established institutions such as education, religion and law; their manifestations can be found in culture, religion, clothes, discourse, movies, and even in gestures that this polarity between a man and a woman is accepted as natural. There still is no general consent among the cultural anthropologists that an unambiguous matriarchal society existed. Classical scholars like Johann Jakob Bachofen tried to argue that matriarchal society existed on the basis of unreliable historical sources such as Iliad and Odyssey (Bamberger, p.263). Easterine Iralu’s A Terrible Matriarchy intrigues the reader with this highly deceptive title that ironically bares the patriarchy of contemporary Naga society. However, if these reasons are taken into account that Feminism is all about equality and that matriarchy is the flip side of patriarchy with all its horrors; then she is not far from the truth in prefixing “terrible” to “matriarchy”. This article is an attempt to familiarize the milieu of a quintessential Naga girl and her resistance to the anxious process of self-denial imposed upon her by her grandmother who embodies the concept of ‘terrible matriarchy’. The article also concentrates on the typical mechanism of gender construction and how such mechanisms are responsible for metamorphosing a female subject into a gendered subject.