A New Generation of Students: Digital Media in Academic Contexts

Author(s):  
Daniel B. le Roux ◽  
Douglas A. Parry
Keyword(s):  
2018 ◽  
Vol 7 (4.5) ◽  
pp. 5
Author(s):  
Mehta Niket ◽  
Dutta Suparna

Electronic Media is no more a buzz word now. Almost every educated and semi-educated person all over the world is a part of digital media and access information electronically. Affordable smart phones, electronic gadgets and telecommunication services have made communication fast and multimedia-rich containing text, images, audio-video and animation messages. In this 21st century, digital media has given a democratic opportunity to all of us to become a broadcaster. People discuss online about issues of considerable importance and as well as trivial matters. This online platform has brought out many changes in personality and thoughts of its users and especially of the coming generation. Sharing confidential information and being accessible 24X7 has brought out changes in behavior and manner- ism of new generation. New generation has become more expressive and communicate more than earlier generation. They are connected to more and diverse set of people all at once and every time. Communication which is always based on emotions has changed in current scenario which is the theme of this paper.  


2015 ◽  
Vol 713-715 ◽  
pp. 2233-2236
Author(s):  
Yun Liu

With the development of computer, network, multimedia technology, digital media resources with many types and huge amount are increasing dramatically, so this results in a more serious requirement on digital media resource management. Digital media resource management system based on SOA is put forward in this paper in the light of the problems of existing media resource management system. SOA, architecture of new generation, is one of the most ideal solutions to integrate application systems. The system solved the problem of heterogeneity fundamentally, and maximum integration and sharing of resources in management system can be achieved. Study achieved an integrated digital media resource management system and the problem of resource sharing was solved so as to adapt to the digital media resource management in big data era.


2018 ◽  
Vol 18 (3) ◽  
pp. 188-197 ◽  
Author(s):  
Kati Kataja ◽  
Pekka Hakkarainen ◽  
Petteri Koivula ◽  
Sanna Hautala

Purpose The purpose of this paper is to discuss what kinds of messages about the risks of polydrug use are mediated in YouTube video blogs and on what kinds of norms and values do the vloggers base these messages. Design/methodology/approach The data consist of 12 YouTube videos where vloggers share their own experiences of the risks and harms of polydrug use. In the analysis, the actantial model of Greimas’ theory of structural semiotics was applied. Findings Two main types of videos were identified – sobriety and controlled use – where polydrug use has different meanings. In sobriety videos, polydrug use is presented as the heavy use of multiple substances. In the videos dealing with controlled use, polydrug use is taken as the combining of certain substances. Whereas the sobriety videos emphasized total abstinence from all substances due to their destructiveness, the videos about controlled use emphasized risk awareness when combining substances. Despite modern digital media and a new generation operating in this space, the messages of the risks of polydrug use mainly repeat those of familiar discourses. Originality/value This paper offers an analytical insight into the ways in which the risks of polydrug use are conceptualized in a YouTube context that is increasingly gaining a foothold among the youth. Greimas’ actantial model offers a fruitful tool to find semiotic meanings that hide under the surface. The model has not been applied in previous drug research.


2021 ◽  
Vol 2 (1) ◽  
pp. 7-14
Author(s):  
Max Schleser

Over the last decade, smartphone filmmaking evolved from an underground and art house into an egalitarian filmmaking practice and moving-image culture. In an international context mobile, smartphone and pocket films can provide access to filmmaking tools and technologies for a new generation of filmmakers. Max Schleser will review the developments and directions in mobile, smartphone and pocket filmmaking through the International Mobile Innovation Screenings (www.mina.pro). During the last ten years, he curated the screening and smartphone film festival, which captures and celebrates smartphone films about communities and cities from around the world. Mobile, smartphone and pocket filmmaking expands the tradition of experimental filmmaking, expanded cinema and documentary making. Smartphone filmmaking facilitates experimentation. This presentation will outline how early mobile filmmaking aesthetics still resonate in contemporary smartphones films and documentaries that screen at major festivals such as Berlinale or Festival de Cannes. Furthermore, mobile moving image aesthetics now influence filmmaking more generally. As Creative Arts research in screen and digital media, Max Schleser’s research projects are also disseminated via non-traditional research outputs. He applies practice-led research to examine novel film forms and formats. His creative practice focuses on filmmaking and curation. Max Schleser has demonstrated how mobile media can drive social innovation in interdisciplinary research projects. To establish a conversation on mobile media's potential for transdisciplinary research, he co-edited Mobile Media Making in an Age of Smartphones and Mobile Story Making in an Age of Smartphones. His monograph, Smartphone Filmmaking: Theory & Practice will be published by Bloomsbury in September 2021.


Author(s):  
M. Espín ◽  
L. Vallejo ◽  
M. Gavilanez

In this research, an analysis was performed of collective behavior and its relationship with the psychology of the masses. The objective was to explain the collective behavior of the masses following the events of October 2, 2019 in Ecuador. A quantitative approach was used. Data were collected through observation and using a registration form for the follow-up of written media. The results of the investigation identified causes of the collective protests to decree 883 pronounced by the Ecuadorian government, whose effect was a series of collective behaviors, according to the psychology of the masses; these were: imitation, acting as followers, looking for affection or acceptance, frustration, repressed and controlled emotions, emotional contagion, feeling protected, defending their rights and being heard. In addition, the indigenous behavior identified included leadership, perseverance, solidarity, union, the formation of a new generation of leaders, the use of digital media, and the Andean worldview on the participation of the family clan and death. Keywords: collective behavior, mass psychology, individual behavior. Resumen La presente investigación realiza un análisis del comportamiento colectivo y la relación con la psicología de las masas El objetivo de la investigación es explicar el comportamiento colectivo de las masas que conllevaron a los sucesos del 2 de octubre de 2019 en Ecuador. El desarrollo de la investigación se sustenta en el enfoque cuantitativo, en el nivel explicativo, en los tipos observacional, documental, retrospectivo y transversal. El método fue inductivo, al observar a los sujetos el de la investigación y los hechos sucedidos para ser analizados, la técnica fue la observación a través de una ficha de registro para seguimiento de los medios de comunicación escritos. Los resultados de la investigación identifican la causa de las protestas colectivas al decreto 883 pronunciado por el gobierno ecuatoriano, cuyo efecto fue una serie de comportamientos colectivos, que según la psicología de las masas buscan: la imitación, son seguidores, buscan afecto, aceptación, existe frustración, emociones reprimidas y controladas, contagio emocional, sentirse protegidos, defender sus derechos y ser escuchados. Se identificó: el comportamiento indígena su liderazgo, la constancia, la solidaridad, la unión y la formación de la nueva generación de líderes, el uso de los medios de comunicación digital y la cosmovisión andina sobre la participación del clan familiar y la muerte. Palabras clave: comportamiento colectivo, psicología de las masas, comportamiento individual.


Author(s):  
Işıl Tombul

Digital technology causes rapid changes and transformations in cultural spheres. The new generation consisting of children, teens, and youth is the group most affected by this process. These technological developments in culture have been reflected on cinema, and have taken its place in film scripts in the process of time. If the theme of a film is about post-2000, child characters are seen with the media like laptop, mobile phone, tablet, etc. The aim of this study is to observe the digital media consumption of the teen actors in films. The film Disconnect (2012) by Henry Alex Rubin which focuses on internet and technology use and draws attention on the communication gaps of people was observed by the use of qualitative content analysis. It is fictionalized around the themes like the communication gap among people caused by film technology, the problems that people face by the use of technology, cyber bullying, and invasion of privacy.


Author(s):  
Özge Gürsoy Atar

Since the new generation called “digital natives” uses digital media extensively more than the traditional media, the necessity of the evolution of the traditional media literacy to digital media literacy has emerged. The traditional media literacy courses, which are based on the examination of television and newspaper contents, cannot be effective in the media education of youngsters who are surrounded by digital media. Recent research reveals that TV watching hours have decreased among youngsters but online video watching and computer game playing times have increased rapidly. In this study, in-depth interviews were conducted with the parents of 12 elementary school students, and the study aimed to reveal the necessity of digital media literacy. In-depth interviews were conducted with the parents, and media usage times of the students, their state of being influenced by media, and their purposes of using digital media in their daily lives were all examined, and as a result, the necessity of the evolution of traditional media literacy to digital media literacy will be discussed.


Author(s):  
Ugo Ben Ebelebe

The Nigerian film industry, often referred to as Nollywood, is currently experiencing significant transformations in its mode of production and distribution. These far-reaching transformations are driven by tech-savvy Nigerian film-makers who are willing to consider innovative models in the film-making practice – from crowdfunding to content distribution via online platforms – in their effort to become relevant in the changing digital global marketplace. Drawing on pertinent case studies and in-depth interviews with stakeholders in the Nigerian film industry, this article suggests that advances in digital technologies, such as the Internet and digital media, are creating new ways for new-generation film-makers in Nigeria to fund and circulate their creative work to a vast global audience.


2008 ◽  
Vol 3 (2) ◽  
Author(s):  
Birte Hatlehol

Social scientists have often claimed that the reason for the well-known and widespread phenomenon of juvenile political apathy is their thorough exclusion from actual democratic politics. Politics does not speak their language, nor do they speak the language of politicians. Therefore, the youth’s views and interests are not represented to any significant degree within or by the existing institutions. The question arises of how to reconnect the youth to politics. New media technology has this potential. The project "Youth in the Centre", discussed in the paper, shows how new media technology can be adopted in schools for the purpose of bringing up a new generation of active democratic citizens.


Sign in / Sign up

Export Citation Format

Share Document