scholarly journals Education, Democracy and Digital Media

2008 ◽  
Vol 3 (2) ◽  
Author(s):  
Birte Hatlehol

Social scientists have often claimed that the reason for the well-known and widespread phenomenon of juvenile political apathy is their thorough exclusion from actual democratic politics. Politics does not speak their language, nor do they speak the language of politicians. Therefore, the youth’s views and interests are not represented to any significant degree within or by the existing institutions. The question arises of how to reconnect the youth to politics. New media technology has this potential. The project "Youth in the Centre", discussed in the paper, shows how new media technology can be adopted in schools for the purpose of bringing up a new generation of active democratic citizens.

2019 ◽  
Vol 21 (4) ◽  
pp. 392-406 ◽  
Author(s):  
Francis Cody

With the arrival of the satellite television news channel Puthiya Thalaimurai (New Generation) in 2011 and the contemporaneous proliferation of smartphone-enabled social media, a democratic politics long dominated by the world of popular cinema has found it difficult to reproduce itself in the southern Indian state of Tamil Nadu. Focusing on digitally targeted caste violence and mass protests in the name of the Tamil nation, this article argues that the networked publicity of satellite television and new media have layered themselves over existing infrastructures of mass-mediated populism. Many of the political challenges to existing structures fueled by newer media forms appear as shorter-term events, consisting of tighter, sometimes explosive temporal loops intersecting with longer-term formations. New media have thus taken advantage of the affective and narrative potentials within cinematic populism, all the while reflexively marking themselves as “new” in relation to the forms they have become parasitic upon.


2020 ◽  
Vol 3 (4) ◽  
Author(s):  
Bingjie Zhang

Salt culture is the main component of traditional culture in Zigong, Sichuan.With centuries of history, it has accumulated rich cultural connotations. At present, Zigong salt culture, as a precious traditional cultural wealth, has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology, giving full play to the resource advantages of its traditional culture. This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era. Combining digital new media technology with cultural and creative industries, Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries, promote the cultivation of cultural and creative brands based on digital new media technology. This article aims to give relevant strategies with reference value, so as to make corresponding contributions to the development path of Zigong salt culture in the future.


Author(s):  
NIK ZULKARNAEN Khidzir ◽  
Ahamad Tarmizi Azizan ◽  
Khairul Azhar Mat Daud ◽  
Ahmad Rasdan Ismail

AbstrakMedia digital telah dikenal pasti sebagai salah satu media yang paling penting di abad ke-21. Media baruini dianggap cara yang paling berkesan untuk mengurus kadar penghasilan data digital yang meningkatsetiap hari terutama di dunia siber. Artikel ini menjejaki evolusi pembangunan teknologi media digital,peluang dan cabaran terhadap pengamal industri. Kajian literatur berkaitan dan analisis kandunganmedia digital berdasarkan bentuk dan keupayaannya (Penerokaan, Eksperimen, Komunikasi, Komposit,dan Pintar) dan mengetengahkan perbincangan isu-isu berkaitan peluang dan cabaran dalam industri.Pembangunan media digital mencipta beberapa peluang baru untuk penghasilan kandungan digital darisegi kreativiti, kebebasan dan fleksibel untuk berinteraksi dengan media digital. Walau bagaimanapun,terdapat beberapa cabaran yang perlu diatasi seperti pemilikan maklumat, hak cipta dan harta intelek bagimemastikan masyarakat digital memperoleh manfaat sebenar pembangunan media digital. Hasil kajianboleh membantu penyedia kandungan digital, pengamal media baru dan juga ahli teknologi komunikasimaklumat untuk memanfaatkan teknologi media digital yang ada bagi mengoptimumkan teknologi mediadigital sebagai alat untuk keperluan mereka dan bersedia untuk menghadapi cabaran masa depan. Abstract Digital media has been identified as one of the most important media in the 21st century. This kind of newmedia is considered the most effective way to manage the high volume amount of digital data createdevery day especially in cyber world. This article traces the evolution of digital media in its technologicaldevelopment, opportunities and practitioners-challenges in the industry. The critical review on relatedliterature leads to five categories of digital media based on their forms, abilities (Investigational,Experimental, Communicative, Composite, and Intelligent) and highlights opportunities and challengingissues in the industry. The development of digital media creates several opportunities to the contentcreator in terms of their creativity, freedom and flexibility to interact with digital media. However, there arefew serious challenges need to be overcome such as information ownership, copyright and intellectualproperty in order to ensure that digital society gain the real benefit of digital media development.The findings could assist the digital content providers, new media practitioner as well as informationcommunication technologist to discover their directions toward optimizing the digital media technology asa tool for their needs and be prepared for some possible challenges.


Author(s):  
Burhan Bungin ◽  
Monika Teguh ◽  
Muhammad Dafa

Abstract—In cyber community towards the Society 5.0 era, the use of industrial technology 4.0, especially communication media technology plays an important role. The information era causes digital communication media technology to develop very rapidly and encourage the birth of digital media that have real time capabilities and create new media. Currently mass media institutions that are not innovative are experiencing a fall. Then the existence of the construction of reality is also increasingly obscured by the mixing of life in the real world with the virtual world. Therefore, the study wants to criticize the existence of reality in the midst of the development of communication technology that is so fast. This study uses the interview method in collecting data and analyzing it using the narrative method. The results of this study are that in society 5.0 and industrial technology 4.0, a pseudo social reality constructed by communication technology media causes mass media to die, social harmony is confused and even lost, and hoaxes are attacks on harmony.technological advances in industry 5.0 increase above 70%.


2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Norfadilah Kamaruddin

Malaysia is known throughout the world for its multiculturalism. As a multiple ethnic country, many countries are looking on Malaysia as a great example of peaceful co-existence races and belief where all the ethnic groups in Malaysia live together in harmony and enrich the country's cultural lifestyle. Within that, Malaysia also consists of a collective blend of food, traditions, clothing and customs. Towards that, traditional dance is the treasure of art and culture. Therefore, with modern era and technology nowadays, it has led the younger generation care less about traditional dance. Beside, a printed media such as bunting, banners and pamphlets are less effective in promoting the traditional dance. By concerning this, this research study aims to preserving the traditional dance among young generation towards new media technology. In explaining the issues, a case study through quantitative approaches of questionnaires survey and interviews was used in studied the uniqueness of traditional Malay dance and further proposes a new approach for preserving the traditional Malay dance awareness among the young generation. The research significantly impacts the publics particularly on the new generation towards uniqueness of traditional dance in Malaysia. It is also contributes to the National Heritage Department and the National Arts and Culture Department where the documentation could be used as a collection of cultural and heritage books in the form of new media technology for young generation.


Lumina ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 125-138
Author(s):  
Jing Yang

Desktop film or computer screen film is a film subgenre with all events and actions taking place on a screen of a computer and using the protagonist’s first-person perspective, exemplified by The Den (2013), Open Windows(2014), Unfriended (2014), Unfriended: Dark Web (2018), Profile (2018) and Searching(2018). This paper mainly focuses on the desktop films with the theoretical framework of “Media Ecology”, aiming to investigate how the desktop film evolves and interacts with new media, digital technology, while influencing communication and spectatorship. Firstly, this paper discusses the evolution of cinema, which evolves through the interaction, co-existence and convergence with other media, as well as corresponds to the anthropotropic trend. Secondly, this paper investigates the digital media and technology in desktop films. “Desktop films” create cyberspaces and reproduce people’s virtual lives, revealing the influences of media technology, which is considered as a double-edged sword. Thirdly, this paper analyzes how desktop film exerts impacts on cinematic communication, while reshaping the spectatorship and audience’s viewing mechanism. “Desktop films” are suitable to be watched on computer, thus making audiences become active and have more autonomy.


2017 ◽  
Vol 16 (4) ◽  
pp. 375-394
Author(s):  
Tim Barker

In this article, the author begins to identify a new way to understand the experiment in arts and humanities research. Focusing on the production of what Vilém Flusser calls ‘technical images’ in video art and new media projects, he suggests that the experiment in experimental art may be rethought as a method for testing concepts and observations through the application of media technology as an apparatus. The technical image is a time-critical way to understand automatic image making devices and using this method of analysis he identifies examples where artists and humanities scholars have programmed devices to experiment with the time of contemporary media culture. Beginning with an analysis of Mark Hansen and Ben Rubin’s two works Listening Post and Moveable Type, the author uses a number of examples, from contemporary experiments with digital media to the experiments with video in the 1970s and 1980s, to show how artists and humanities scholars have used technical images to engage in experimental research outside the controlled laboratory of scientific experiments. If experimental scientists test scientific problems by developing, programming and applying an apparatus, the experimental artists identified in this article can likewise be seen to test aesthetic and cultural problems by similarly redesigning, scaling-up and experimentally applying media technology.


2020 ◽  
Vol 237 (10) ◽  
pp. 1172-1176
Author(s):  
Charlotte Schramm ◽  
Yaroslava Wenner

AbstractThe digital media becomes more and more common in our everyday lives. So it is not surprising that technical progress is also leaving its mark on amblyopia therapy. New media and technologies can be used both in the actual amblyopia therapy or therapy monitoring. In particular in this review shutter glasses, therapy monitoring and analysis using microsensors and newer video programs for amblyopia therapy are presented and critically discussed. Currently, these cannot yet replace classic amblyopia therapy. They represent interesting options that will occupy us even more in the future.


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


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