Sites Without Memory and Memory Without Sites: On the Failure of the Public History of the Spanish Civil War

Author(s):  
Antonio Cazorla-Sánchez ◽  
Adrian Shubert
Res Publica ◽  
1970 ◽  
Vol 28 (4) ◽  
pp. 711-728
Author(s):  
Philippe Bradfer

The thirties constituted in many respects a rich and revealing moment of the history of political commitment of the French intellectuals. Within this conjuncture, the Spanish civil war, by its religious and ideological components, assumed for them a very special importance. The public engagements of Georges Bernanos, François Mauriac and Emmanuel Mounier rather clearly illustrate the cristallization of a new vocation of commitment to which the Spanish events conferred an irresistible character.Although they participated, at different levels, to the big passionate movement which the event generated in France in July 1936, all three agreed, from 1937 on, to recognize that totalitarisms and fascisms then constituted the most dangerous agents in an ill Europe. Finally, one can say that by refusing the temptation which leads men to renunciation, fanatism or personal unexistance, their politica! commitment has certainly illustrated their will to regive a meaning to the human.


2021 ◽  
pp. 002200942199789
Author(s):  
David A. Messenger

The bombardment of civilians from the air was a regular feature of the Spanish Civil War from 1936 to 1939. It is estimated some 15,000 Spaniards died as a result of air bombings during the Civil War, most civilians, and 11,000 were victims of bombing from the Francoist side that rebelled against the Republican government, supported by German and Italian aviation that joined the rebellion against the Republic. In Catalonia alone, some 1062 municipalities experienced aerial bombardments by the Francoist side of the civil war. In cities across Spain, municipal and regional authorities developed detailed plans for civilian defense in response to these air campaigns. In Barcelona, the municipality created the Junta Local de Defensa Passiva de Barcelona, to build bomb shelters, warn the public of bombings, and educate them on how to protect themselves against aerial bombardment. They mobilized civilians around the concept of ‘passive defense.’ This proactive response by civilians and local government to what they recognized as a war targeting them is an important and under-studied aspect of the Spanish Civil War.


2021 ◽  
Vol 32 (1) ◽  
pp. 324-368
Author(s):  
Ekaterina Grantseva ◽  

For many years, representatives of Soviet and then Russian historical science paid special attention to the period of the Second Spanish Republic and, especially, to the events of 1936-1939. The Spanish Civil War was and remains a topic that attracts the attention of specialists and influences the development of a multifaceted Russian-Spanish cultural dialogue. There are significantly fewer works on the peaceful years of the Republic, which is typical not only for domestic science, but also for the historiography of this period as a whole. Four key periods can be distinguished in the formation of the national historiography of the Spanish Republic. The first is associated with the existence of the Republic itself and is distinguished by significant political engagement. The second opens after 1956 and combines the continuity with respect to the period of the 1930s. and, at the same time, striving for objectivity, developing methodology and expanding the source base. The third stage is associated with the period of the 1970s-1980s, the time of the restoration of diplomatic relations between the USSR and Spain, as well as the active interaction of historians of the two countries. The fourth stage, which lasted thirty years, was the time of the formation of the Russian historiography of the Second Republic, which sought to get rid of the ideological attitudes that left a significant imprint on the research of the Soviet period. This time is associated with the active archival work of researchers and the publication of sources, the expansion of topics, interdisciplinary approaches. Among the studies of the history of the Second Republic outside Spain, Russian historiography has a special place due to the specifics of Soviet-Spanish relations during the Civil War, and the archival funds in our country, and the traditions of Russian historical Spanish studies, and the preservation of republican memory.


2014 ◽  
Vol 36 (3) ◽  
pp. 50-69
Author(s):  
Chris J. Magoc

This essay attempts to counter the scarcity of efforts to address issues of natural resource extraction and environmental exploitation in public history forums. Focused on western Pennsylvania, it argues that the history of industrial development and its deleterious environmental impacts demands a regional vision that not only frames these stories within the ideological and economic context of the past, but also challenges residents and visitors to consider this history in light of the related environmental concerns of our own time. The essay explores some of the difficult issues faced by public historians and practitioners as they seek to produce public environmental histories that do not elude opportunities to link past and present in meaningful ways.


2016 ◽  
Vol 56 (1) ◽  
pp. 80-89
Author(s):  
Božo Repe

SPANISH CIVIL WAR IN THE CONTEXT OF THE SLOVENIAN AND YUGOSLAV CIRCUMSTANCES BETWEEN BOTH WORLD WARSThe author describes the division of the Slovenian society in the 1930s concerning the Spanish Civil War. Slovenian history was marked by various ideological schisms – from Christianisation and anti-Reformation in the 16thcentury to the longest lasting ideological-religious schism of the 20thcentury, which had begun at the end of the 19thcentury, in the time when political parties had been formed. At that time the Catholic camp, under the influence of Dr. Anton Mahnič, wanted to organise the public life in the Slovenian provinces according to the principles of extreme Catholicism. The polarisation continued during the interwar period, especially in the 1930s, where we should search for the roots of the wartime fratricidal conflict. Slovenians are still divided along these lines, and the schism surfaces at every possible occasion, for example during elections or celebrations. We are burdened by it to the point where it actually prevents us from becoming a modern nation or at least hinders the process of its formation. The assessment of the Spanish Civil War, even more than 70 years thereafter, still remains essentially controversial, just as it was back then. This holds true for the Slovenian as well as for the European (nowadays mostly conservative) society.


Author(s):  
Anne Donlon

This essay examines the life of African American social worker Thyra Edwards, who traveled to Spain during its civil war, and returned home to fund-raise and organize. She created a scrapbook, a public-facing record of African American women’s efforts on behalf of Republican Spain, made up of photographs prepared for publication and articles about her efforts circulated in newspapers. This feminist perspective of the “folks at home” is a crucial addendum to black history of the war in Spain. Edwards’s scrapbook is a multifaceted document: a kind of autobiography that is self-conscious in its historical record-keeping, an account of a very broad black Popular Front, and a black feminist history of the Spanish Civil War.


Author(s):  
Gill Lowe

The gendered maxim ‘men must work and women must weep’ comes from Charles Kingsley's 1851 ballad 'The Three Fishers'. Virginia Woolf appropriated 'Women Must Weep' for early version of Three Guineas, serialised in The Atlantic Monthly (1938). This chapter argues that the public nature of Woolf’s polemical anti-fascist essay may, concurrently, be read as a more intimate document about personal grief and grievance. For Woolf her sister, Vanessa Bell, was the weeping woman, devastated by the tragic death in 1937 of Julian Bell in the Spanish Civil War. Duncan Grant drafted posters (reproduced here) to raise money for refugee Spanish children, employing the trope of mothers cradling babies. Woolf’s contemporary, the German artist Käthe Kollwitz, a mother bereaved twice by war, repeated the poignant pietà image in numerous anti-war pieces. Picasso, inspired by Dora Maar whom he regarded privately as ‘the weeping woman’, created sixty mater dolorosa works in preparation for his immense elegiac public work, ‘Guernica’ (1937). The chapter traces the powerful aesthetic of the sorrowful mother as a European anti-war figure. It concludes by considering how this iconography has been used cross-culturally and trans-historically. The pietà has been gender-flipped, adapted and plagiarised in war photography, murals, comic books, manga, fashion, film and video.


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