Biographical Research in Childhood Studies: Exploring Children’s Voices from a Pedagogical Perspective

Author(s):  
Gonzalo Jover ◽  
Bianca Thoilliez
2020 ◽  
Vol 46 (6) ◽  
pp. 399-404 ◽  
Author(s):  
Harprit Kaur Singh ◽  
Mary Ellen Macdonald ◽  
Franco A Carnevale

Medical assistance in dying (MAID) legislation in Canada followed much deliberation after the Supreme Court of Canada’s ruling in Carter v. Canada. Included in this deliberation was the Special Joint Committee on Physician Assisted Dying’s recommendation to extend MAID legislation beyond the inclusion of adults to mature minors. Children's agency is a construct advanced within childhood studies literature which entails eliciting children’s voices in order to recognise children as active participants in constructing their own childhoods. Using this framework, we consider the possible extension of MAID legislation to most minors. We highlight important questions regarding how insights from children’s voices could be mobilised in the life or death context of MAID. We conclude that children’s voices have the potential to help determine their eligibility for MAID; however, incorporating children's voices in the context of MAID requires careful consideration due to the complexity of voice.


2019 ◽  
Vol 4 (1) ◽  
pp. 81-98
Author(s):  
Ingvild Kvale Sørenssen ◽  
Pål Aarsand ◽  
Marit Honerød Hoveid

The focus on children’s voices and experiences has been a substantial part of childhood studies. Research with children is closely linked to the idea of children as agents rather than seeing them as passive objects. In this article the authors examine how video ethnography, and the video camera in particular, in an Early Childhood Education and Care (ecec) facility is an actor that actively co-produces agency. The authors explore how agency is distributed in assemblages consisting of children, the researcher and the video camera. The authors argue that approaching agency as manifold and as distributed is helpful in a critical discussion of children and agency and point to the need to study agency as entangled with human and non-human actors in relational activities. Far from being a tool to represent the real world as it is, or merely a tool for “collecting” data, the video camera and the children are mutually constructed.


2018 ◽  
Vol 8 (3) ◽  
pp. 213-224
Author(s):  
Ingvild Kvale Sørenssen

This article explores how the Disney Company scripts what it is to be a tween through the High School Musical trilogy. While children’s perspective is of pivotal concern within childhood studies, it has traditionally left out the material aspects and rather focused too narrowly on the subject and the social. I found that the trilogy was watched several times by tweens, thus in addition to exploring children’s voices and perspectives on media content, we also need to examine what the audience is served. The High School Musical trilogy is about teenagers as they attend high school, while it is the younger age group, tweens, who are the main target audience. Implicitly, this tells us that the Disney text configures its audience as aspiring teenagers. The article sets out to explore how Disney configures its tween audience by looking at how identity and age are scripted in the trilogy. Through the lens of the individualization thesis drawing on Beck and Beck-Gernsheim the article analyzes how age, identity, and individuality is portrayed in the trilogy. The article finds that the paradox of becoming a unique individual on one hand, and social obligations on the other hand, are present in the trilogy subsequently abiding in an ambiguous configuration of tweens through the High School Musical trilogy.


Author(s):  
Marcia J. Bunge

Scholars from a wide range of disciplines are now focusing more attention on children and contributing to the new and burgeoning field of childhood studies. In line with these trends, scholars in diverse areas of religious studies, theology, and ethics are also beginning to focus attention directly on children and childhood. This article is devoted to scholarship regarding children and childhood in Judaism and Christianity and highlights examples of literature from several primary areas of research in religious studies: history, biblical studies, ethics, theology, and spirituality. Literature on children and childhood is growing in all of these areas and is opening up new lines of intellectual inquiry, challenging preconceptions about children, and even reshaping research methodologies. Religious studies of children and childhood concern not only adult perceptions of or behavior toward children and children’s vulnerabilities but also children’s perceptions and experiences and their own capacities. The attention to children’s voices, capacities, agency, and participation has, in turn, prompted scholars to rethink and reshape their own research questions and methods and disciplinary theories and practices, taking into account the ideas and actions of children themselves and the complexities of child–adult relationships. Although there are numerous and outstanding sources regarding Jewish and Christian views of children related to family life and faith formation, this short bibliography focuses on texts that directly and primarily explore the theme of children and childhood in Judaism and Christianity. Since so much is written on ethical perspectives, this article divides the literature on ethics into sections on selected topics that are significant in both traditions and that help illustrate Jewish and Christian thinking about responsibilities of both children and adults.


2000 ◽  
Vol 15 (1) ◽  
pp. 22-29 ◽  
Author(s):  
Gladys McPherson ◽  
Sally Thorne
Keyword(s):  

2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.


Sign in / Sign up

Export Citation Format

Share Document