The traditions of the university in the face of the demands of the twenty-first century

Minerva ◽  
1992 ◽  
Vol 30 (2) ◽  
pp. 189-205
Author(s):  
Walter R�egg
2020 ◽  
Vol 8 (2) ◽  
pp. 251-268 ◽  
Author(s):  
Cristela Garcia-Spitz ◽  
Kathryn Creely

How are ethnographic photographs from the twentieth century accessed and represented in the twenty-first century? This report from the Tuzin Archive for Melanesian Anthropology at the University of California San Diego Library provides an overview of the photographic materials, arrangements and types of documentation in the archive, followed by summaries of specific digitization projects of the photographs from physician Sylvester Lambert and anthropologists Roger Keesing and Harold Scheffler, among others. Through the process of digitization and online access, ethnographic photographs are transformed and may be discovered and contextualized in new ways. Utilizing new technologies and forming broad collaborations, these digitization projects incorporate both anthropological and archival practices and also raise ethical questions. This is an in-depth look at what is digitized and how it is described to re/create meaning and context and to bring new life to these images.


2021 ◽  
Author(s):  
Kaushik Sunder Rajan

In Multisituated Kaushik Sunder Rajan evaluates the promises and potentials of multisited ethnography with regard to contemporary debates around decolonizing anthropology and the university. He observes that at the current moment, anthropology is increasingly peopled by diasporic students and researchers, all of whom are accountable to multiple communities beyond the discipline. In this light, Sunder Rajan draws on his pedagogical experience and dialogues to reconceptualize ethnography as a multisituated practice of knowledge production, ethical interlocution, and political intervention. Such a multisituated ethnography responds to contemporary anthropology’s myriad commitments as it privileges attention to questions of scale, comparison, and the politics of ethnographic encounters. Foregrounding the conditions of possibility and difficulty for those doing and teaching ethnography in the twenty-first-century, Sunder Rajan gestures toward an ethos and praxis of ethnography that would open new forms of engagement and research.


Author(s):  
Linda Steiner

The introduction explains the crucial significance and “agency” of various media to the debates over the vote and to suffragists and antisuffragists, arguing that print newspapers and magazines are not merely sources of information about the movement, although this is largely how news coverage has been treated by historians and rhetorical scholars. The introduction uses a relatively unknown case of a Missouri suffrage paper to exemplify suffragist experiences, illustrating both their strategic creativity in the face of money problems and their decision making regarding when to abandon their suffrage organ. Then, a twenty-first-century website named for one of the earliest suffrage periodicals is used to show the contemporary postfeminist depoliticization of suffrage politics. In the end, suffragists’ flexibility and adaptability, their willingness to experiment, and their openness to working with an array of reform-minded partners were probably all crucial to their eventual victory.


Author(s):  
Jovi Chris Okpodu

The concept of traditional religion in the twenty-first century is that which seeks regurgitation. This is so because traditional religion and its values and beliefs are constantly being challenged in the face of Western religion and its values. This chapter is on the contemporary Nigerian movie Scorpion God as directed by Nonso Okonkwo, and its interpretation and presentation of concepts relating to Nigeria's traditional religion. This study takes a look at traditional religion, the patterns, symbols, and values that have remained relevant till date. It examines the theories and ideologies influencing these ways of life in order to correct the errors presented in this Nigerian film. The study reveals that traditional religion as reflected by Nigerian films is a misinterpretation and misrepresentation, and the findings suggest an urgent need for education in order to correct this error in the evaluation to traditional religion and its place in the socio-cultural life of Nigeria.


2020 ◽  
pp. 217-270
Author(s):  
Christopher James Blythe

This chapter documents the fracturing of end-of-world belief among Latter-day Saints in the twentieth century. Church leaders re-envisioned apocalypticism as a “moderate millenarianism.” At the same time, Mormon fundamentalists—deemed heretics by many church leaders—deployed apocalypticism to challenge the processes of Americanization, adding the church’s own apostasy as a distinctive part of their last days chronology. Finally, radical apocalypticism continued to find resonance with a contingent of committed Latter-day Saints. This chapter wrestles with how this final group has been able to negotiate their apocalyptic sentiments and LDS affiliation even in the face of continual criticism. Most importantly, it is in this chapter that the author demonstrates how apocalyptic ideas of any variety continued to be perpetuated in private and family circles.


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