High Dynamic Imaging for Photometry and Graphic Arts Evaluation

2018 ◽  
Vol 99 (4) ◽  
pp. 383-389
Author(s):  
Sudheer Kumar T. S. ◽  
Ciji Pearl Kurian ◽  
Kumara Shama ◽  
Shailesh K. R.
2003 ◽  
Vol 8 ◽  
pp. 49-54
Author(s):  
F. Vakili

2011 ◽  
Vol 57 (2) ◽  
pp. 932-935 ◽  
Author(s):  
Jaehyun Im ◽  
Seungwon Lee ◽  
Joonki Paik

Symmetry ◽  
2020 ◽  
Vol 12 (3) ◽  
pp. 451
Author(s):  
Ming Fang ◽  
Xu Liang ◽  
Feiran Fu ◽  
Yansong Song ◽  
Zhen Shao

High-dynamic range imaging technology is an effective method to improve the limitations of a camera’s dynamic range. However, most current high-dynamic imaging technologies are based on image fusion of multiple frames with different exposure levels. Such methods are prone to various phenomena, for example motion artifacts, detail loss and edge effects. In this paper, we combine a dual-channel camera that can output two different gain images simultaneously, a semi-supervised network structure based on an attention mechanism to fuse multiple gain images is proposed. The proposed network structure comprises encoding, fusion and decoding modules. First, the U-Net structure is employed in the encoding module to extract important detailed information in the source image to the maximum extent. Simultaneously, the SENet attention mechanism is employed in the encoding module to assign different weights to different feature channels and emphasis important features. Then, a feature map extracted from the encoding module is input to the decoding module for reconstruction after fusing by the fusion module to obtain a fused image. Experimental results indicate that the fused images obtained by the proposed method demonstrate clear details and high contrast. Compared with other methods, the proposed method improves fused image quality relative to several indicators.


OSA Continuum ◽  
2021 ◽  
Author(s):  
SHIH-KANG Lin ◽  
LI-WEI Hsiao ◽  
CHIH-SHOU WU ◽  
Quang-Khoi Nguyen ◽  
Ching-Cherng Sun ◽  
...  

2019 ◽  
Vol 31 (2) ◽  
pp. 308-317
Author(s):  
Tobias Bauerochs ◽  
Xiaoye Huo ◽  
Gilad Yossifon ◽  
Stephan Ulrich ◽  
Steffen Schneider ◽  
...  

When an electrorheological fluid is located between two electrodes and an electrical voltage is applied to them, the particles in the fluid move and form chains along the electric field lines. This phenomenon is called the electrorheological effect. The exact behavior of the particles has not yet been studied completely. Some optical investigations of particle motion or behavior have been performed, but did not take into account the high dynamic range directly after the application of an electric field. This study is intended to help explain how the particles behave when they encounter an electric field and then try to align themselves with it. There is an investigation into how these chains develop in a microchannel within milliseconds. For this purpose, the particle behavior of the electrorheological fluid is investigated with high dynamic imaging using a microscope. A high-speed camera records videos of the first milliseconds at 3000 fps synchronously with the application of an electric field. The results provide a better understanding of the chain formation and particle behavior of the electrorheological effect in the high dynamic range and can be used for the design of electrorheological applications as well as simulations of the particle movement.


1986 ◽  
Vol 133 (1) ◽  
pp. 26
Author(s):  
J. Mellis ◽  
G.R. Adams ◽  
K.D. Ward

2011 ◽  
Vol 13 (5) ◽  
pp. 362-363 ◽  
Author(s):  
P. D. Radford ◽  
M. Rollin ◽  
K. S. Patel

Author(s):  
Sherman Lo ◽  
Yu Hsuan Chen ◽  
Fabian Rothmaier ◽  
Godwin Zhang ◽  
Chiawei Lee

2020 ◽  
Vol 2 (4) ◽  
pp. 32-54
Author(s):  
Silvia Spitta

Sandra Ramos (b. 1969) is one of the few artists to reflect critically on both sides of the Cuban di-lemma, fully embodying the etymological origins of the word in ancient Greek: di-, meaning twice, and lemma, denoting a form of argument involving a choice between equally unfavorable alternatives. Throughout her works she shines a light on the dilemmas faced by Cubans whether in Cuba or the United States, underlining the bad personal and political choices people face in both countries. During the hard 1990s, while still in Havana, the artist focused on the traumatic one-way journey into exile by thousands, as well as the experience of profound abandonment experienced by those who were left behind on the island. Today she lives in Miami and operates a studio there as well as one in Havana. Her initial disorientation in the USA has morphed into an acerbic representation and critique of the current administration and a deep concern with the environmental collapse we face. A buffoonlike Trumpito has joined el Bobo de Abela and Liborio in her gallery of comic characters derived from the rich Cuban graphic arts tradition where she was formed. While Cuba is now represented as a rotten cake with menacing flies hovering over it ready to pounce, a bombastic Trumpito marches across the world stage, trampling everything underfoot, a dollar sign for a face.


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