scholarly journals Toward time-based design: Creating an applied time evaluation checklist for urban design research

2017 ◽  
Vol 6 (3) ◽  
pp. 290-307 ◽  
Author(s):  
Amir Shakibamanesh ◽  
Mahshid Ghorbanian
2016 ◽  
Vol 49 (6) ◽  
pp. 685-716 ◽  
Author(s):  
Jamie Anderson ◽  
Kai Ruggeri ◽  
Koen Steemers ◽  
Felicia Huppert

Empirical urban design research emphasizes the support in vitality of public space use. We examine the extent to which a public space intervention promoted liveliness and three key behaviors that enhance well-being (“connect,” “be active,” and “take notice”). The exploratory study combined directly observed behaviors with self-reported, before and after community-led physical improvements to a public space in central Manchester (the United Kingdom). Observation data ( n = 22,956) and surveys (subsample = 212) were collected over two 3-week periods. The intervention brought significant and substantial increases in liveliness of the space and well-being activities. None of these activities showed increases in a control space during the same periods. The findings demonstrate the feasibility of the research methods, and the impact of improved quality of outdoor neighborhood space on liveliness and well-being activities. The local community also played a key role in conceiving of and delivering an effective and affordable intervention. The findings have implications for researchers, policy makers, and communities alike.


1993 ◽  
Vol 26 (1-4) ◽  
pp. 1-3
Author(s):  
Jack L. Nasar
Keyword(s):  

Author(s):  
David Leatherbarrow

Among architects and educators today the proposal for design research is generally understood as follows: the design of buildings is not only a professional practice but also a form of inquiry, a member of the growing family of research disciplines at work in the world today. The older siblings are well known, the highly regarded research fields in the natural sciences: physics, chemistry, and biology, for example. In the next generation are the social sciences: economics, political science, and sociology. Also related are the fields in which the basic sciences are applied: medicine, engineering, and information technology. This last group is more akin to architecture, for these academic disciplines are also professions. The problem with architecture is that it has also family ties to disciplines beyond the sciences, to painting, sculpture, urban design, and landscape architecture, even literature and poetry. Furthermore, artistic practices are not only non-scientific, they are purposeless, or so they seem, for we tend to see beauty as its own reward; we call it aesthetic pleasure. But these categories — natural science, social science, the arts — together with the terms that designate them are no less subject to debate than the words “design” and “research” with which we began.


2019 ◽  
pp. 137-154
Author(s):  
Davisi Boontharm

This paper aims to discuss an experience in teaching and learning urban design-research studio at The international Program in Architecture and Urban Design, Meiji University, Japan, in 2018. The studio attempted to address a specific context of the advanced aging and shrinking of the city in Japanese society through urban design thinking. By applying a research-led teaching method which requires students to search and respond to the resource approach to sustainable urban regeneration, the studio seeks creative and responsive ideas which could create an alternative to the decline of urban fringe in a specific context of an old new town suffering from the advanced aging demography. With our main interest in the research on requalification, the studio was seeking to explore this concept in urban design scale. This design-research studio tried to identify and later applied the keywords with prefix “RE-s” as statement and conceptual thinking in the production of space. The area of investigation is Tama New Town located in Tokyo’s western suburb. It is the largest new town ever developed in Japan during the period of rapid economic growth in the 1970’s. Its design, which adopted the modernist planning concept, has become problematic in today’s situation. Half a century has passed, the new town, which never achieved its goal, has aged and is facing several socio-economic challenges. The aim of this urban design-research studio is to reach beyond just technical problem solving by spatial design and instead exercise the responsive strategic thinking to address the current alarming issues of the aging and shrinking society which, we believe, important to the New Urban Agenda proposed by the UN-Habitat. Here we tried to address specific questions; how should urban design respond to the shrinking society? How can urban design thinking address the situation where there is no “growth” and oppressed with super-aging neighbourhoods? And how can we re-shape the environment that will be less and less inhabitable? Within this studio, students are encouraged to respond critically and creatively in overall strategic planning, urban and architectural design including the design of public space for a sustainable future.


2019 ◽  
Author(s):  
Ioannou Olga ◽  

The paper presents readers with an effort to explore and to better understand the educators’ task in conditions of uncertainty and highcomplexity on the occasion of a postgraduate urban design studio redesign. The case study examined here illustrates how rethinking the studio’s content, objectives and layout gradually led to the re-conceptualization of the tutors’ own involvement in the learning process.Course curriculum was devised as an open and evolving network of the tutors’ own resources and design research practices and thoseemployed by their affili ted researchers from within or outside the setting of the academy. All were chosen for their value in reading or managing urban phenomena. The mosaic consisted of different individual research and design practices that are problem-focused and context-specific communicated directly to students by the very people responsible for their conception and development. Learners were required to investigate the instrumentality of these practices according to their own personal pursuits; to make their own networks of connections, and were even encouraged to create their own personal schemata of design research.The second major shift of the rethink lay in recognizing learner autonomy and diversity, thus establishing a new operational frameworkfor the two to prosper. An amalgam of interconnected learning spaces provided the conditions necessary for all these networks to co-exist and interact. The paper describes the different aspects of the tutors’ involvement and contributions in the design and implementation of this model, as they assumed a number of roles, but most importantly, as they became learners themselves. It also brings about the critical role of the tutors’ hunch in both designing and managing a design studio’s learning experience.


Author(s):  
Zhongjie Lin ◽  

Although the term “compact city” appears frequently in academic accounts on sustainable urbanism as well as in professional descriptions of planning projects, it is often used in a general manner to indicate such ideas as high density, mixed uses, walkability, and transit oriented development, all linking to the common principles of New Urbanism. Unfortunately this misses some important points, as the concept of compact city possesses the power to generate dynamic urban forms, utilize cutting-edge technologies, address pressing environmental issues, and respond to distinctive geographical and cultural contexts, thus challenging conventional notions of urbanism. The awareness of the limitations of the current practice leads to the introduction of Vertical Urbanism as an alternative discourse on the compact city responding proactively to the state of contemporary metropolises characterized by density, complexity, and verticality. The reinvented concept of Vertical Urbanism moves away from the Modernist notion promoting tall buildings as dominant urban typology to explore physically interactive and socially engaged forms addressing the city as a multi-layered and multi-dimensioned organism. Informed by complex systems ranging from underground mass transit to futuristic ecology of vertical urban farm, this experimental urban design approach envisions a holistic organization of infrastructure, space, and ecology ina three-dimensional framework. This paper derives from a series of urban design research studios under the common theme of Vertical Urbanism conducted in four different cities in the United States and China during 2010-2014 and recently shifted to Rio de Janeiro in Brazil. These studio stook on various sites and design questions such as urban infrastructure, transit system, and urban waterfront redevelopments, testing the concept in different geographic and cultural settings. Sensitivity to locality in both ecological and cultural terms was emphasized across these studios although the schemes often engaged speculative and innovative modes of design production. This paper examines a number of issues around the urban design approach of Vertical Urbanism, including the drive for density and vitality, the relationship between horizontal and vertical dimensions, space of flow and scalar shift, as well as ecological and social adaptability of mega forms; but above all, it tries to explore the capacity of global urban tactics in providing localized design solutions.


2021 ◽  
Author(s):  
◽  
Andrew Rieper

<p>To date, ‘Urban Design’ has seldom accounted for the quality of the acoustic environment. The significance of sound in the urban environment is understated. This is evident in design attitudes towards Urban Acoustics, which are essentially objective; based on ‘Noise Control Methodologies’, limited by quantitative values and void of sonic variety. The aim of this thesis is firstly, to determine whether an acoustic agenda could be successfully introduced into the urban design process, and secondly, to assess the aesthetic impact of imposing such an agenda on the built environment. To explore these ideas, the thesis combined research from three fields; Urban Design (‘Public Places, Urban Spaces’ by Carmona et al.), Urban Acoustics (‘Urban Sound Environment’ by Jian Kang), and Soundscape Philosophy (founded by R. Murray Schafer). A series of experiments were then conducted using noise propagation software ‘CadnaA’, which studied the acoustic performances of different Street and Open Space Layouts. Conclusions drawn from these experiments and the analysed literature provided the framework for an Urban Design Proposal located in central Wellington, which was used as a means to assess the viability of this design approach. The results of the design-research process suggest that an acoustic agenda can be integrated into the urban design process with relative ease and little conflict, and that many of the Soundscape philosophies inherent in Urban Acoustic Design actually complement well-established Urban Design Principles. Additionally, while this approach is most effective in acoustically challenging areas, the intrinsic design principles can be adopted to enhance both the acoustic and visual aesthetic of any urban design.</p>


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