scholarly journals The voice of nurses in hospital epidemiology and infection control: An example from the 19th century

2020 ◽  
Vol 96 ◽  
pp. 119-120 ◽  
Author(s):  
Romain Martischang ◽  
Alexandra Peters ◽  
Andrés Nicolás Reart ◽  
Didier Pittet
Keyword(s):  
Infection Control ◽  
19Th Century ◽  
Hospital Epidemiology ◽  
The 19Th Century ◽  
The Voice

scholarly journals Chanter au singulier : esthétiques et politiques de la voix romantique

2019 ◽  
Vol 43 (1) ◽  
pp. 15
Author(s):  
Aleksandra Wojda
Keyword(s):  
Economic System ◽  
19Th Century ◽  
Bourgeois Society ◽  
System Characteristic ◽  
The Enlightenment ◽  
The Status ◽  
The 19Th Century ◽  
The Voice

<p>The article proposes a reflection concerning the connections between the voice representations or vocal practices, worked out towards the end of the Enlightenment period and in the first decades of the 19th century in the French cultural area, and the birth of the socio-economic system characteristic of the bourgeois society. The paper focuses, in particular, on political presuppositions – in the Aristotelian sense of the word « political » – on which all the uses of voice, both spoken and sung, are based. The objective of the study is to understand the status of voice and singing in the process of creation of a modern anthropology.</p>

scholarly journals Аб магчымым уплыве грэцкай мовы на развіццё дзеепрыметнікаў залежнага стану цяперашняга часу ў славянскіх мовах

2021 ◽  
pp. 165-175
Author(s):  
Анатоль Багдзевіч
Keyword(s):  
19Th Century ◽  
Native Speakers ◽  
Russian Language ◽  
Greek Language ◽  
Grammatical Category ◽  
Slavic Languages ◽  
Present Tense ◽  
The 19Th Century ◽  
The Voice ◽  
The Russian Language

The passive participles of the present tense have been actively used only in Russian out of all Slavic languages since the 19th century and are a grammatical category that is not accepted by all native speakers of the standard Belarusian language as a normative one. During the development of Slavic languages, it has been experiencing two opposite tendencies: decline and revival. The article examines extralinguistic and intralinguistic factors that could have influenced the development of this verb form in a number of Slavic languages. According to the author, the bilingual Slavic-Greek consciousness of the creators of Slavic writing could have influenced the strengthening of these forms in the Russian language. The article analyzes possible connections of the Slavic participles of the present tense with the medial and passive participles of the Greek language in the light of their common origin from the Indo-European participle, as well as the process of development of participles during the restructuring of the voice category and in connection with the development of the aspect category.

The early days of hemostasis in neurosurgery

2014 ◽  
Vol 36 (4) ◽  
pp. E5 ◽  
Author(s):  
Srinivas Chivukula ◽  
Gregory M. Weiner ◽  
Johnathan A. Engh
Keyword(s):  
Infection Control ◽  
Early Modern ◽  
General Anesthesia ◽  
19Th Century ◽  
History Of ◽  
Early Modern Era ◽  
The 19Th Century ◽  
Modern Era ◽  
Modern Sense

Two key discoveries in the 19th century—infection control and the development of general anesthesia—provided an impetus for the rapid advancement of surgery, especially within the field of neurosurgery. Yet the field of neurosurgery would not have existed in the modern sense without the development and advancement of techniques in hemostasis. Improvement in intraoperative hemostasis came more gradually but was no less important to enhancing neurosurgical outcomes. The history of hemostasis in neurosurgery is often overlooked. Herein, the authors briefly review the historical progression of hemostatic techniques since the beginning of the early modern era of neurosurgery.

scholarly journals 13. The Systematic of the Characters from the Opera a Stormy Night by Paul Constantinescu

2020 ◽  
Vol 19 (1) ◽  
pp. 100-109
Author(s):  
Consuela Radu-Țaga
Keyword(s):  
19Th Century ◽  
Spoken Language ◽  
Musical Theatre ◽  
Comic Opera ◽  
Romanian Folklore ◽  
Musical Discourse ◽  
History Of ◽  
Set Up ◽  
The 19Th Century ◽  
The Voice

AbstractIn the history of the Romanian musical theatre the comic opera A Stormy Night written by Paul Constantinescu set up the buffa style. All along the two acts carried out in approximately 50 minutes you can hear Romanian folklore resonances, with Anton Pann echoes, as the 7 characters from the opera live in the Bucharest of the 19th century. The leitmotif technique is at the basis of the musical story, 9 melodious-rhythmic configurations getting detached. The musical discourse of the singers is entirely subordinated to the text, and the ample breath appeals to the recitative singing, which evolves towards arioso. The categorical overlapping of the musical declamation with the spoken language initiates a route in which we encounter phenomena such as sprechgesang, parlato, yelling, buffa slipping of the voice. The characters are X-rayed with a deep critical spirit and the capacity to illustrate funny situations gains a lot from Constantinescu’s experience.

scholarly journals Историческая память о Булгаре и трансформация «булгарской» идентичности в идеологии и практике ваисовцев (вторая половина XIX — первая четверть XX столетий)

Islamology ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 29
Author(s):  
Dilyara Usmanova
Keyword(s):  
19Th Century ◽  
The Other ◽  
Half Century ◽  
The One ◽  
The 19Th Century ◽  
The Voice ◽  
Intellectual Environment

The article is devoted to the analysis of such a phenomenon as the emergence, development, and transformation of the «Bulgar idea» among the Vaisovites along with the inception and evolution of the teachings and practical movement of the Vaisovites in the early 1870s — early 1920s. The choice of this a half-century chronological segment is conditioned, on the one hand, by specific historiographic gaps; on the other, by the presence of autochthonous and relevant written evidence, speaking in the voice of the «Vaisovites» themselves. The events related to the so-called «neo-Bulgarists» of the late 20 — early 21 centuries, relatively well studied by the works of V. Schnirelmann, T. Uyama, and S. Cwiklinski are deliberately left outside this article. The article also indirectly touches upon examples of the various manifestations of «Bulgarism» in the Tatar intellectual environment and the historiographic field of the 19th century (covered in the works of M.A. Usmanov, A. Frank, M. Kemper, etc.).

scholarly journals The Proscenium of Opera Houses as a Disappeared Intangible Heritage: A Virtual Reconstruction of the 1840s Original Design of the Alighieri Theatre in Ravenna

Acoustics ◽  
2019 ◽  
Vol 1 (3) ◽  
pp. 694-710 ◽  
Author(s):  
Dario D’Orazio ◽  
Anna Rovigatti ◽  
Massimo Garai
Keyword(s):  
19Th Century ◽  
Acoustic Measurements ◽  
Original Design ◽  
Intangible Heritage ◽  
Virtual Reconstruction ◽  
Opera House ◽  
The 19Th Century ◽  
The Voice ◽  
Opera Houses

In a Historical Opera House (HOH), the proscenium is the foreground part of the stage. Until the end of the 19th Century, it was extended through the cavea, being the orchestra placed at the same level of the stalls, without an orchestra pit. Soloists often moved in the proscenium when they sung, in order to increase the strength of the voice and the intelligibility of the text. The Alighieri theatre in Ravenna, designed by the Meduna brothers, the former designers of Venice’s “La Fenice” theater, is chosen as a case study. During a refurbishment in 1928, the proscenium of the stage was removed in order to open the orchestra pit, which was not considered in the original design. The original design and the present one are compared by using numerical simulations. Acoustic measurements of the opera house and vibro-acoustic measurements on a wooden stage help to reach a proper calibration of both models. Results are discussed by means of ISO 3382 criteria: the proscenium increases the sound strength of the soloists but reduces the intelligibility of the text.

scholarly journals A FEMINIST STUDY OF THE VOICE OF DISSENT IN - WHERE SHALL WE GO THIS SUMMER?

2016 ◽  
Vol 3 (2) ◽  
Author(s):  
Richa Jha
Keyword(s):  
19Th Century ◽  
Female Voice ◽  
Social Rights ◽  
Feminist Study ◽  
The World ◽  
Political Economic ◽  
The 19Th Century ◽  
The Voice

Women have long been silenced in history and literature.The female voice, for centuries, has largely gone unheard, unattended, or grossly misinterpreted across the world, so how could it be any different in literature, which in itself is the mirror of society? Feminism, a collection of movements and ideologies, that emerged in the 19th century sought to redefine this attitude. These movements aimed at establishing and defending equal political, economic and social rights for women.

Grammatical Descriptions in Manchu Grammar Books from the Qing Dynasty

2019 ◽  
Vol 41 (1) ◽  
pp. 39-55
Author(s):  
Takashi Takekoshi
Keyword(s):  
19Th Century ◽  
Qing Dynasty ◽  
The Qing Dynasty ◽  
Chinese Scholars ◽  
High Degree ◽  
The 19Th Century

In this paper, we analyse features of the grammatical descriptions in Manchu grammar books from the Qing Dynasty. Manchu grammar books exemplify how Chinese scholars gave Chinese names to grammatical concepts in Manchu such as case, conjugation, and derivation which exist in agglutinating languages but not in isolating languages. A thorough examination reveals that Chinese scholarly understanding of Manchu grammar at the time had attained a high degree of sophistication. We conclude that the reason they did not apply modern grammatical concepts until the end of the 19th century was not a lack of ability but because the object of their grammatical descriptions was Chinese, a typical isolating language.

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