Non-invasive reflection FT-IR spectroscopy for on-site detection of cleaning system residues on polychrome surfaces

2020 ◽  
Vol 157 ◽  
pp. 105033
Author(s):  
Patrizia Moretti ◽  
Francesca Rosi ◽  
Costanza Miliani ◽  
Melissa Daugherty ◽  
Klaas Jan van den Berg ◽  
...  
2019 ◽  
Vol 4 (11) ◽  
Author(s):  
F. Rosi ◽  
L. Cartechini ◽  
D. Sali ◽  
C. Miliani

Abstract The relevance of FT-IR spectroscopy in heritage science has experienced a constant grow in the last two decades owing to analytical peculiarities that make it an extremely useful tool to answer the questions posed by the study and conservation of art-historical and archaeological materials. High versatility, sensitivity and molecular specificity are, in fact, all requirements that FT-IR spectroscopy fulfils allowing for the investigation of the chemical properties of heritage materials spanning from the micro- to the macro-scale and offering a variety of approaches to minimize sample manipulation and maximize extracted information. Molecular identification and localisation at high lateral resolution of organic and inorganic components in micro-samples was, over recently, the mostly exploited use of FT-IR in heritage science; however, benefiting from technological progress and advances in optical materials and components achieved in the last decade, it now stands out also for non-invasive surface analysis of artworks by fully portable instrumentation.


Talanta ◽  
2018 ◽  
Vol 178 ◽  
pp. 147-159 ◽  
Author(s):  
Mariano Mercurio ◽  
Manuela Rossi ◽  
Francesco Izzo ◽  
Piergiulio Cappelletti ◽  
Chiara Germinario ◽  
...  

2019 ◽  
Vol 7 (1) ◽  
Author(s):  
Pilleriin Peets ◽  
Karl Kaupmees ◽  
Signe Vahur ◽  
Ivo Leito

AbstractIn this study, the reflectance-FT-IR (r-FT-IR) spectroscopy is demonstrated to be a suitable option for non-invasive identification of textile fibers. A collection of known textile fibers, 61 single-component textiles from 16 different types, were analyzed, resulting in more than 4000 individual spectra. The r-FT-IR method was compared with ATR-FT-IR spectroscopy using two instrumental approaches: FT-IR-microspectrometer with ATR mode (mATR-FT-IR) and ATR-FT-IR spectrometer (ATR-FT-IR). Advantages and drawbacks of these methods were discussed. Principal component based discriminant analysis and random forest classification methods were created for the identification of textile fibers in case-study samples. It was concluded that in general, the performance of r-FT-IR is comparable with ATR-FT-IR. In particular, r-FT-IR is more successful than ATR-FT-IR in differentiating between the amide-based fibers wool, silk and polyamide. As an additional result of this work, a collection of r-FT-IR spectra of different textile fibers was compiled and made available for the scientific community.


2021 ◽  
Vol 11 (24) ◽  
pp. 11626
Author(s):  
Francesca Volpi ◽  
Giacomo Fiocco ◽  
Tommaso Rovetta ◽  
Claudia Invernizzi ◽  
Michela Albano ◽  
...  

In this work, one of the two existing mandolins made by Antonio Stradivari has been investigated for the first time, as a rare exemplar of the lesser-known class of plucked string instruments. The mandolin was studied by non-invasive reflection Fourier transformed infrared (FT-IR) spectroscopy and X-ray fluorescence (XRF) on different areas previously selected by UV-induced fluorescence imaging. The analytical campaign was aimed at (i) identifying the materials used by Stradivari in the finishing of the mandolin, (ii) comparing these materials with those traditionally used in violin making, and (iii) increasing the knowledge of materials and techniques applied by Stradivari in the rare production of plucked string instruments. The combined spectroscopic approach allowed us to hypothesize original materials and finishing procedures similar to those used in violin making: a possible sizing treatment of the wood with protein-based materials and silicates, externally coated with an oil–resin varnish. XRF results were essential to support FT-IR findings and to detect possible iron-based pigments in the finishing layers. Moreover, it permitted us to distinguish original areas from the restored areas, including the purflings on the top plate and the varnished area on the treble side of the mandolin for which the originality was assumed.


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