New Insights on the Stradivari “Coristo” Mandolin: A Combined Non-Invasive Spectroscopic Approach

In this work, one of the two existing mandolins made by Antonio Stradivari has been investigated for the first time, as a rare exemplar of the lesser-known class of plucked string instruments. The mandolin was studied by non-invasive reflection Fourier transformed infrared (FT-IR) spectroscopy and X-ray fluorescence (XRF) on different areas previously selected by UV-induced fluorescence imaging. The analytical campaign was aimed at (i) identifying the materials used by Stradivari in the finishing of the mandolin, (ii) comparing these materials with those traditionally used in violin making, and (iii) increasing the knowledge of materials and techniques applied by Stradivari in the rare production of plucked string instruments. The combined spectroscopic approach allowed us to hypothesize original materials and finishing procedures similar to those used in violin making: a possible sizing treatment of the wood with protein-based materials and silicates, externally coated with an oil–resin varnish. XRF results were essential to support FT-IR findings and to detect possible iron-based pigments in the finishing layers. Moreover, it permitted us to distinguish original areas from the restored areas, including the purflings on the top plate and the varnished area on the treble side of the mandolin for which the originality was assumed.

A data-driven approach to violin making

Of all the characteristics of a violin, those that concern its shape are probably the most important ones, as the violin maker has complete control over them. Contemporary violin making, however, is still based more on tradition than understanding, and a definitive scientific study of the specific relations that exist between shape and vibrational properties is yet to come and sorely missed. In this article, using standard statistical learning tools, we show that the modal frequencies of violin tops can, in fact, be predicted from geometric parameters, and that artificial intelligence can be successfully applied to traditional violin making. We also study how modal frequencies vary with the thicknesses of the plate (a process often referred to as plate tuning) and discuss the complexity of this dependency. Finally, we propose a predictive tool for plate tuning, which takes into account material and geometric parameters.

A Data-Driven Approach to Violin Making

Of all the characteristics of a violin, those that concern its shape are probably the most important ones, as the violin maker has complete control over them. Contemporary violin making, however, is still based more on tradition than understanding, and a definitive scientific study of the specific relations that exist between shape and vibrational properties is yet to come and sorely missed. In this article, using standard statistical learning tools, we show that the modal frequencies of violin tops can, in fact, be predicted from geometric parameters, and that artificial intelligence can be successfully applied to traditional violin making. We also study how modal frequencies vary with the thicknesses of the plate (a process often referred to as plate tuning) and discuss the complexity of this dependency. Finally, we propose a predictive tool for plate tuning, which takes into account material and geometric parameters.

A Micro-Tomographic Insight into the Coating Systems of Historical Bowed String Instruments

Musical instruments are tools for playing music, but for some of them—made by the most important historical violin makers—the myths hide the physical artwork. Ancient violin-making Masters developed peculiar construction methods and defined aesthetic canons that are still recognizable in their musical instruments. Recently, the focus of scientific investigations has been set on the characterization of materials and methods used by the ancient violin makers by means of several scientific approaches. In this work, the merits of synchrotron radiation micro-computed tomography and optical coherence tomography (OCT) for the investigation of complex coatings systems on historical bowed string musical instruments are discussed. Five large fragments removed during past restorations from instruments produced by Jacobus Stainer, Gasparo da Salò, Giovanni Paolo Maggini, and Lorenzo Guadagnini have been considered for a non-invasive insight by tomographic techniques and the results are discussed considering previous micro-invasive investigations. The tomographic approach allows to highlight the micro-morphology of the coating systems and offers preliminary information on the methods that were employed by the ancient Masters to treat the wood and finish the musical instrument.

Vibrational behaviors studied through experiments and simulations using free licensing cross-platform software

Free licensing software for numerical simulations, mathematics, and spectral analysis were used to explain the vibrations of a system readily available for each student in a classroom: the free beam. Its first free mode was explored analytically and experimentally, as well as using the finite element method. Prior to the course, students were unfamiliar with the usefulness of this kind of software, but after the course the students still use it. To show it, practical cases of students applying these computational tools were included at the end of this paper: a thesis about violin making, and final projects from a course in a master’s degree program. Therefore, it is evident the advantage of supporting explanations in classroom with computational tools accessible for all, and this paper can be used as tutorial for this purpose

Spectroscopic Analysis to Characterize Finishing Treatments of Ancient Bowed String Instruments

Historical bowed string instruments exhibit acoustic features and aesthetic appeal that are still considered inimitable. These characteristics seem to be in large part determined by the materials used in the ground and varnishing treatments after the assembly of the instrument. These finishing processes were kept secret by the violinmakers and the traditional methods were handed down orally from master craftsmen to apprentices. Today, the methods of the past can represent a secret to be revealed through scientific investigations. The “Cremonese” methods used in the 17th and 18th centuries were lost as the last Great Masters from the Amati, Guarneri, and Stradivari families passed away. In this study, we had the chance of combining noninvasive and microinvasive techniques on six fragments of historical musical instruments. The fragments were detached from different instruments during extraordinary maintenance and restoration treatments, which involved the substitution of severely damaged structural parts like top plates, back plates, or ribs. Therefore, the fragments can offer to the scientists a valuable overview on the materials and techniques used by the violinmakers. The results obtained by portable X-ray fluorescence, optical microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and Fourier transform infrared microscopy allowed us to: (1) determine the stratigraphy of six instruments; (2) obtain new information about the materials involved in the finishing processes employed in Cremona; and (3) elucidate the technological relationship among the procedures adopted in the violin making workshops during the considered period.

The Measurement and Application on Point Impedance Characteristics of Violin Resonator

This paper will study the vibration performance of resonator by using the engineering measurement, and try to quantify the sound quality of violin body with point impedance parameters so to provide an effective instruction method for the traditional manual of slap-up violin making.