Setting the Western context: mothering in late-modern society

2005 ◽  
pp. 46-65
Keyword(s):  
2016 ◽  
Vol 14 (2) ◽  
pp. 89-108
Author(s):  
Martyn Higgins

Since 2009 social work has undergone significant changes. However, it remains unclear whether these reforms have reached a conclusion. There appears to exist a state of continuous reform, which may impede the opportunity to embed reform into social work education and practice. This paper aims to apply the theoretical model of late modernity to social work in England. Using this approach may offer a way to understand social work reforms as a feature of contemporary societies rather than a situation unique to English social work. The paper applies late modern thinking on risk, pedagogy and ambivalence to make sense of the change process in social work. Finally, a proposal to engage critically with social work reform is sketched out. The key message of this paper is that social work reform in England can be seen as a response to the dilemmas of late modern society. It attempts to eliminate risk in social work education and practice. However, this goal is doomed to failure and social work reform can be seen as stuck within a cycle of reform and change.Keywords: social work reform, late modernity, risk, pedagogy, ambivalence, irony


Author(s):  
Monika Frąckowiak-Sochańska ◽  
◽  
Marcin Hermanowski

This paper aims to analyze the influence of the COVID-19 pandemic on the individuals’ mental conditions, focusing on psychotherapy clients. The sources of knowledge about mental condition changes analyzed here are psychotherapists’ reports. One of the research purposes was to examine to what extent the problems resulting from the pandemic are visible from the perspective of psychotherapists’ offices. Moreover, the authors explore the changes in psychotherapists’ functioning and the adjustments of psychotherapy understood as one of the expert systems in a late modern society affected by social changes’ trauma. Adopting the theory of social trauma (Alexander 2004, Sztompka 2002) as the frame of analysis enables examining the relation between personal but repeatable experiences of emotional crises and their global context determined by the pandemic. This paper’s empirical foundation is the survey research on a sample of 384 Polish psychotherapists carried out between August 10 and September 30 as a part of the project „Psychotherapeutic work in the pandemic time” supported by the Faculty of Sociology at Adam Mickiewicz University. The research results enable registering the increased intensity of problems resulting from social stress among people searching for psychotherapeutic support and those working in the helping professions. Simultaneously, changes in the functioning of the whole expert system of psychotherapy may be interpreted as the attempts to compensate for the social order destabilization that results in the growing stress and overburden of individuals.


Screen Bodies ◽  
2019 ◽  
Vol 4 (2) ◽  
pp. 117-125
Author(s):  
Bilge Gölge

This article focuses on representations of the yoga body on social media, explaining what the female body in an asana pose stands for in consideration of the dichotomy between Foucault’s docile body controlled by the technology of power and Anita Seppä’s “aestheticization of the subject” as a means of resistance. While socio-technological changes have introduced a new context in the modern era, the dominance of seeing and visual culture has remained central in late-modern society. Through social media, we have entered a new era of constructing self-identity in relation to gender and the body. Looking into the relationship between asana practice and self-identity in postural yoga, I investigate the imaged bodies of yoginis that function under the control of power and as a technique for self-actualization. Drawing from a visual analysis of Instagram posts and interpreting the bodily practices of yoginis, I will search for what happened to modernity’s docile body in the context of this new media.


2018 ◽  
Vol 11 (2-3) ◽  
pp. 195-221 ◽  
Author(s):  
Mirella Klomp ◽  
Marten van der Meulen ◽  
Erin Wilson ◽  
A. Zijdemans

This article analyses the public significance of The Passion—a televised retelling of the Passion of Jesus, featuring pop songs and celebrities in the Dutch public sphere. Using a multidisciplinary approach, the authors demonstrate how performances like The Passion offer spaces in which the Dutch can reflect publicly on important identity issues, such as the role of Christian heritage in a supposedly secular age. The article contributes to deeper knowledge of how Dutch late-modern society deals with its secular self-understanding.


2005 ◽  
Vol 13 (2) ◽  
pp. 111-130 ◽  
Author(s):  
Atte Oksanen ◽  
Jussi Turtiainen
Keyword(s):  
The Self ◽  

2012 ◽  
Vol 20 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Mary P. Corcoran

A feature of late modern society is the economisation and privatisation of social life resulting in a decline in the public realm. Judt has observed that we are drifting toward a society of ‘gated individuals who do not know how to share public space to common advantage’ (2010: 216). Similarly Oldenburg (1989) has expressed concerns about the sustainability of third places – places that occupy the space between the marketplace, workplace and home place – in the modern era. He argues that ‘third places’ are being replaced by ‘non-places’ – places where individuals relate to each other purely in utilitarian terms. Non-places promote civil disaffiliation rather than civil integration. This article argues for an exploration of the ‘spaces of potential’ within the public realm of the city that can help to promote relationships of trust, respect and mutuality. Acknowledging and promoting such ‘spaces of potential’ amounts to a challenge to the privatisation and economisation of social life. Moreover, it creates the possibility of a reinvigorated public sphere and an enhancement of civil integration.


2021 ◽  
Vol 27 (2) ◽  
pp. 25-45
Author(s):  
Olga Simonova

The purpose of this article is to examine the main “imperatives” of contemporary emotional culture, which may provide special research optics for a deeper understanding of late modern society. The author begins with a definition of emotional culture — based on the body of works in sociology of emotions — and identifies dominant emotional norms and their corresponding perceptions, which bear the nature of imperatives in people’s everyday experience and serve as an extension of social values. These emotional imperatives include rational control over emotions, a compulsive desire to be and look happy, avoiding negative feelings, individual guilt from any sort of failure in social life, grievance that takes the form of righteous indignation, and others. These “imperatives” are in some respect contradictory, reflecting different aspects of life, but generally subject to the logic of late modern society, and can have important implicit social consequences such as broken social ties, “chronic” feelings of depression and frustration, fatigue, bad moods, increased anxiety and fears and many other implicit consequences, such as the emergence of new forms of solidarity. As a result of global events and the resulting social crises, these imperatives may change, thereby allowing us to trace how people’s lived experiences are changing. The list of emotional imperatives is not by any means full, and the same goes for their description, but through the outlined emotional imperatives the author attempts to describe theoretically contemporary cultural configurations of lived experience through leading emotional norms.


Author(s):  
Aleksander Suvalko
Keyword(s):  

Book Review: Andreas Reckwitz. Das Ende der Illusionen: Politik, Ökonomie und Kultur in der Spätmoderne (Berlin: Suhrkamp, 2019).


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