The social critic and his discontents

Author(s):  
Peter Dale Scott
Keyword(s):  
1981 ◽  
pp. 27-52
Author(s):  
C. H. Salter
Keyword(s):  

1958 ◽  
Vol 11 (1-Part1) ◽  
pp. 11-16
Author(s):  
Robert P. Adams

A distinctive feature of early Tudor humanism, with St. Thomas More, Erasmus, John Colet, and John Lewis Vives, was a trenchant critique of war's place in the social pattern, coupled with sustained efforts to effect peaceful reforms in England. This criticism of society not only marks their kind of humanism but was indeed destined to help shape the modern mind. On the English record, Colet appears as the pioneer, beginning with his Oxford lectures on St. Paul (1496), in which he broke with the main traditional concept of ‘just’ and ‘unjust’ war, reaching a conclusion that it is impossible for evil and war to produce good or to be a Christian thing. The means Colet used to reach this view is itself notable.


Matatu ◽  
2006 ◽  
Vol 33 (1) ◽  
pp. 179-192 ◽  
Author(s):  
Sule E. Egya

Ezenwa–Ohaeto is one of the modern Nigerian poets who, in their creative endeavours, have continued to tap the rich sources of orature in their culture, in what is now known as 'the minstrelsy tradition'. The maturity of his explorations of the minstrelsy tradition comes through in the last volume of poetry he published before his death, (2003). In a close reading of some selected poems from this volume, this contribution not only looks at the minstrelsy tradition so central to Ezenwa–Ohaeto's poetry, but, more broadly, explores the social vision of Ezenwa–Ohaeto as an African poet. Unlike his earlier volumes of poetry, takes a critical swipe at the inadequacies of advanced countries in Europe and America in what we may call the poet's transnational imagination. In his chants across the world (the volume is an outcome of his many travels), Ezenwa–Ohaeto examines the issues of racism, equity in international relationships and, as is characteristic of his oeuvre, the moral and ethical failures of leaders in Africa.


2020 ◽  
pp. 0192513X2094990
Author(s):  
Hannelore Stegen ◽  
Lise Switsers ◽  
Liesbeth De Donder

This article investigates the reasons for and experiences of voluntary childlessness throughout the life course. Thirteen voluntarily childless people aged 60 years and older (Belgium) were interviewed using the McAdams approach (2005). Four profiles were derived from the reasons given for voluntary childlessness: the “liberated careerist,” the “social critic,” the “acquiescent partner,” and “voluntarily childless because of life course circumstances.” Results further indicate that older people experience feelings of acceptance, loss (missing familiarity with current trends, being helped, and children’s company), and relief concerning their voluntary childlessness. Moreover, they rarely seem to regret their choice. The discussion indicates the existence of voluntary childlessness among older people, a phenomenon sometimes questioned in the existing scientific literature. As part of a diverse target group, each of these older adults has their personal reasons and experiences regarding childlessness.


2021 ◽  
pp. 1-17
Author(s):  
Marcela Aragüez

As his friend Niall Hobhouse claimed, Cedric Price ‘wasn’t really an architect, but a social critic to the left of the Left who stumbled on the post-war ruins of modernism’.1 The role of Price’s unbuilt legacy for Western architectural culture has been praised extensively, with a special emphasis on the unorthodox nature of both his practice and academic contributions.2 Succeeding generations have found inspiration in Price’s personal view of the architectural profession, his work being positioned often within radical and utopian approaches yet involving a committed social agenda. The social role of architecture was for Price tightly linked to the capacity of the built environment to be adapted by its users. Buildings should be understood as temporary commodities, malleable objects with a short lifespan dictated by their usefulness for the community. Conceived as infrastructures, unbuilt projects such as the famous Fun Palace, Potteries Thinkbelt, or Magnet were formulated as productive objects with a profound commitment for socially regenerating the contexts into which they were to be inserted.


Reinardus ◽  
1997 ◽  
Vol 10 ◽  
pp. 59-82
Author(s):  
Gregory I. Carlson

Abstract Carlson considers four Americans who took Aesopic texts and created others that somehow transform the originals. For each author he asks two questions: What does he do with Aesop's stories? And what is the effect. For the latter three, there is also a small sampling of images. Bierce the cynic gives fables a surprising switch. The effects of surprise are to challenge rethinking and to suggest that things are worse than we thought. Thurber disrupts, divides, and denies traditional fables in order to undermine the easy validity people give to tradition. Zimler adds new morals or surprising new phases to traditional fables and pokes fun at the psychology of characters in order to create a humorous new interpretation for each fable. Eichenberg the social critic combines strong woodcuts and playful textst to present his own mix of amusement and accusation.


Al-Albab ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 69-86
Author(s):  
Saifuddin Herlambang

The character and style of a text describes and reflects the cultural structure and nature of the author’s mind. This work attempts to describe social criticism and the interpretation of Hamka—the eminent Indonesian exegete—in the Al-Azhar (a fairly recent encyclopedic Quran commentary) of the verses which are legitimized as the verses of polygamy. This study finds that Hamka’s interpretation of “polygamy verses” is influenced by the social dynamics of his birthplace, Minangkabau. Hamka criticized religious and adat leaders for the polygamy tradition in Minangkabau. Paradigmatically, Hamka contributed a unique tradition in the dynamics of the interpretation of the Quran in Indonesia where interpretation becomes a social critic. This study reaffirmed the statements that the contestation in interpreting texts is a reflection of social and political contestation and not merely theoretical contestation and that each product of text interpretation expresses empirically the socio-political conditions of the interpreters. This work offered the idea that the interpretation of the Quran with a social approach is to voice criticism of the application of the text to be an alternative to continue in contextualizing the Quranic messages.


1974 ◽  
Vol 2 (2) ◽  
pp. 133-146 ◽  
Author(s):  
W.Jack Duncan ◽  
C.Ray Gullett
Keyword(s):  

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