THE CARISBROOKE HAND: ANGLO-SAXON SCULPTURE AND THE HAND OF GOD?

2021 ◽  
pp. 1-19
Author(s):  
John Margham ◽  
David Tomalin
Keyword(s):  
Significant Feature ◽  
Anglo Saxon ◽  
Isle Of Wight ◽  
The North ◽  
Architectural Sculpture ◽  
Probable Significance ◽  
Supplementary Material ◽  
Stone Sculpture ◽  
Grave Markers ◽  
North Wall

This paper discusses the significance of a fragment of stone sculpture built into the north wall of the churchyard at Carisbrooke, Isle of Wight. The sculpture depicts an open right hand that is larger than life-sized and is probably of late Anglo-Saxon date. The size and character of the sculpture favours a manus dei (hand of God), forming the upper element of a large rood assemblage. The authors consider allied sculpture in which such a hand appears on Anglo-Saxon grave markers and in similar low relief depictions where Christ is figured on the Cross. At Carisbrooke, this architectural sculpture would have formed a significant feature of an Anglo-Saxon minster church that was rebuilt in the early Norman period. The siting of this building and the extent of its parochia is briefly considered. Supplementary material reviews the probable significance of the sculptural use of Quarr stone at Carisbrooke and elsewhere.

The Villa Item and a Bride's Ordeal

1929 ◽  
Vol 19 (1) ◽  
pp. 67-87 ◽  
Author(s):  
Jocelyn Toynbee
Keyword(s):  
The South ◽  
Important Paper ◽  
The North ◽  
Dwelling House ◽  
South Wall ◽  
The Subject ◽  
The One ◽  
The Individual ◽  
North Wall ◽  
The Right

The paintings in the triclinium of the Villa Item, a dwelling-house excavated in 1909 outside the Porta Ercolanese at Pompeii, have not only often been published and discussed by foreign scholars, but they have also formed the subject of an important paper in this Journal. The artistic qualities of the paintings have been ably set forth: it has been established beyond all doubt that the subject they depict is some form of Dionysiac initiation: and, of the detailed interpretations of the first seven of the individual scenes, those originally put forward by de Petra and accepted, modified or developed by Mrs. Tillyard appear, so far as they go, to be unquestionably on the right lines. A fresh study of the Villa Item frescoes would seem, however, to be justified by the fact that the majority of previous writers have confined their attention almost entirely to the first seven scenes—the three to the east of the entrance on the north wall (fig. 3), the three on the east wall and the one to the east of the window on the south wall, to which the last figure on the east wall, the winged figure with the whip, undoubtedly belongs.

scholarly journals Visual Observation of the Outcrop at the North Wall of the Tokyo Submarine Canyon in Sagami Bay, Central Japan using the ROV HYPER-DOLPHIN

2015 ◽  
Vol 121 (5) ◽  
pp. 161-166
Author(s):  
Shin'ichi Mori ◽  
Naoki Takahashi ◽  
Kenichiro Shibata ◽  
Yuichiro Tanaka ◽  
Daiji Hirata ◽  
...  
Keyword(s):  
Submarine Canyon ◽  
Visual Observation ◽  
Sagami Bay ◽  
Central Japan ◽  
The North ◽  
North Wall

The Britons in Southern Scotland

Antiquity ◽  
1955 ◽  
Vol 29 (114) ◽  
pp. 77-88 ◽  
Author(s):  
Kenneth Jackson
Keyword(s):  
Iron Age ◽  
Roman Period ◽  
Anglo Saxon ◽  
Medieval Period ◽  
The West ◽  
Early Medieval Period ◽  
The North ◽  
Dark Ages ◽  
The People ◽  
Northern Portion

The archaeological background of the people of what is now Scotland south of the Forth and Clyde in the Roman period was a La Téne one, and specifically chiefly Iron Age B. This links them intimately with the Britons of southern Britain in the conglomeration of Celtic tribes who called themselves Brittones and spoke what we call the Brittonic or Ancient British form of Celtic, from which are descended the three modern languages of Welsh, Cornish and Breton. To the north of the Forth was a different people, the Picts. They too were Celts or partly Celts; probably not Brittones however, but a different branch of the Celtic race, though more closely related to the Brittones than to the Goidels of Ireland and (in later times) of the west of Scotland. Not being Brittonic, the Picts may be ignored here. Our southern Scottish Brittones are nothing but the northern portion of a common Brittonic population, from the southern portion of which come the people of Wales and Cornwall. Some historians speak of the northern Brittones as Welsh, following good Anglo-Saxon precedent, but this is apt to lead to confusion. The best term for them, in the Dark Ages and early Medieval period, as long as they survived, is ‘Cumbrians’, and for their language, ‘Cumbric’. They called themselves in Latin Cumbri and Cumbrenses, which is a Latinization of the native word Cymry, meaning ‘fellow-countrymen’, which both they and the Welsh used of themselves in common, and is still the Welsh name for the Welsh to the present day. The centre of their power was Strathclyde, the Clyde valley, with their capital at Dumbarton.

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