scholarly journals Wenceslas Looks Out: Monarchy, Locality, and the Symbolism of Power in Fourteenth-Century Bavaria

2019 ◽  
Vol 52 (02) ◽  
pp. 179-210
Author(s):  
Len Scales

AbstractThis article reassesses the reputation enjoyed by Charles IV of Luxemburg, emperor and king of Bohemia (r. 1346/1347–1378), as the author of a program aimed at projecting his monarchy via visual media. Current scholarship, which stresses the centrally directed character of this program, regards it as serving clear political goals, as “propaganda” to unify Charles's far-flung territories. This article challenges that view. It contends that a straightforward political purpose is often less detectable than usually claimed, and the political “success” of Caroline image-making easily overstated. Above all, it argues for the necessity of decentering Caroline visual culture by stepping away from the familiar focus on the Prague court, to explore instead provincial viewpoints. Focusing on northeastern Bavaria, it shows that local examples of Caroline imagery are often best understood not as impositions from the “center,” but rather as products of interactions between court and locality, through which local perspectives and interests also found expression.

2020 ◽  
Author(s):  
Adib Rifqi Setiawan

The Critical Discourse Analysis is often applied to analyze political discourse including the political speech. This article analyzes Grace Natalie Louisa’s Speech, mainly in Festival 11 by Partai Solidaritas Indonesia (PSI), that is exclusively based on the perspective of Teun Adrianus van Dijk. It reveals that we can learn how to deliver our ideology to public. Moreover, we can have a better understanding of the political purpose of these speeches.


2017 ◽  
Vol 72 (3) ◽  
pp. 453-488
Author(s):  
Étienne Anheim

The artist Matteo Giovannetti, originally from Viterbo, arrived at the papal court of Avignon in the early 1340s. During the reign of pope Clement VI (1342–1352), he succeeded in organizing a court-based workshop of an unprecedented size, which has left numerous traces in the papal administrative archives. This exceptional documentation makes it possible to reconstruct the administrative, financial, material, and technical phases of this workshop’s development, corresponding to the increasing affirmation of Matteo’s artistic position. As well as his mastery of the new Italian visual culture, Matteo drew on innovative techniques in fresco production, project management, and bookkeeping. Studying his workshop thus shines a light on the figure of the artist, at once craftsman, courtier, and entrepreneur. It also reveals the collective and material dimension of creative labor in fourteenth-century Europe.


2021 ◽  
pp. 186810262110214
Author(s):  
Straton Papagianneas

This article reviews how Chinese scholars debate the policy of building smart courts in the context of judicial reform. This policy entails the automation and digitisation of judicial processes. It is part of broader judicial reforms that aim to create a more accurate and consistent judiciary. The article identifies four reform concepts that guide the debate: efficiency, consistency, transparency and supervision, and judicial fairness. This review is a meta-synthesis, using practices of narrative and systematic literature reviews, focusing on evaluating and interpreting the Chinese scholarship and reform concepts. It reviews how Chinese scholars discuss the implications of judicial automation and digitisation. Additionally, it analyses the normative concepts behind the reform goals within China’s political-legal context. The analysis finds that the generally positive evaluation in the debate can be explained by an instrumentalist understanding of the reform concepts and the political purpose of courts in the Chinese political-legal context.


2021 ◽  
Vol 25 (2) ◽  
pp. 208-224
Author(s):  
Mateusz M. P. Kłagisz

The article discusses three Afghan posters as a source of information on the political system between 1978 and 1992 and its internal dynamics. The posters are an integral part of Afghan visual culture and at the same time they are an inseparable element of the broader propaganda culture developed by communist parties. Consequently, such categories as unity, utility and wishful thinking characteristic for the socialist realist art and propaganda put the posters in the broadly understood phenomenon of Orwellian newspeak. To discuss their Orwellian dimension theoretical tools developed by Umberto Eco have been applied.


2021 ◽  
Vol 35 (1) ◽  
pp. 1-22
Author(s):  
JILL ROSS

This article examines the role of French language and culture in the fourteenth-century Arthurian text, La Faula, by the Mallorcan, Guillem de Torroella. Reading the appropriation of French language and literary models through the lens of earlier thirteenth-century Occitan resistance to French political and cultural hegemony, La Faula’s use of French dialogue becomes significant in light of the political tensions in the third quarter of the fourteenth century that saw the conquest of the Kingdom of Mallorca by that of Catalonia-Aragon and the subsequent imposition of Catalano-Aragonese political and cultural power. La Faula’s clear intertextual debt to French literary models and its simultaneous ambivalence about the authority and reliability of those models makes French language into a space for the exploration of the dynamics of cultural appropriation and political accommodation that were constitutive of late fourteenth-century Mallorca.


2018 ◽  
Vol 40 (5) ◽  
pp. 659-675 ◽  
Author(s):  
Sabina Haveric ◽  
Stefano Ronchi ◽  
Laura Cabeza

Research on the link between turnout and corruption has produced inconclusive evidence: while some studies find corruption to be positively related to turnout, others report a negative relationship. This article argues that the relevant question is not whether corruption has a positive or negative effect on turnout, but for whom. We hypothesize that the effect of corruption on the likelihood to vote depends on individuals’ employment sector. Public employees have different incentives to vote in corrupt settings since their jobs often depend on the political success of the government of the day. Hence, while corruption dampens turnout among ordinary citizens, public employees are more likely to vote in highly corrupt countries. Analysis of World Values Survey data from 44 countries, shows that the differential in voting propensity between public employees and other citizens gets larger as corruption increases, partially confirming our expectations.


Author(s):  
Søren Hvalkof

Søren Hvalkof: Where are the Savages? Memories of Identity and Politics in the Amazon The author’s personal experience with a conventional study tour to the Peruvian Andes that metamorphosed into an ethnographic joumey of the Amazon, highlights the central importance of the ethnographic field work as anthropology’s phenomenological soul. The case of the Asheninka of the Peruvian Amazon is used to show why the ethnographic description is crucial to the realization of the political potentials inherent in non-Westem societies. Using classificatory models of ethnic and social identity developed by Dr. Niels Fock and rethinking them in the context of power, the epistemological contrast between the developmentalist and essentialist monolith of Western thinking and the indigenous, nonessentialist, multicentric and particularistic universe is demonstrated. The recent political success of the latter is related to the potentials released through the growing process of globalization. An anecdote from the field epitomizes the choices made by the Asheninka.


2014 ◽  
Vol 1 (1) ◽  
pp. 51-67
Author(s):  
Gary Evans

This manuscript investigates the facts of publication of the images of the Nanking Atrocity (December 1937–January 1938) in <em>LIFE </em>and <em>LOOK</em> magazines, two widely read United States publications, as well as the Nanking atrocity film clips that circulated to millions more in American and Canadian newsreels some years later. The publishers of these images were continuing the art of manipulation of public opinion through multimodal visual media, aiming them especially at the less educated mass public. The text attempts to describe these brutal images in their historical context. Viewing and understanding the underlying racial context and emotive impact of these images may be useful adjuncts to future students of World War II. If it is difficult to assert how much these severe images changed public opinion, one can appreciate how the emerging visual culture was transforming the way that modern societies communicate with and direct their citizens' thoughts.


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