Pro-Regime Posters in the Democratic Republic of Afghanistan
Keyword(s):
The article discusses three Afghan posters as a source of information on the political system between 1978 and 1992 and its internal dynamics. The posters are an integral part of Afghan visual culture and at the same time they are an inseparable element of the broader propaganda culture developed by communist parties. Consequently, such categories as unity, utility and wishful thinking characteristic for the socialist realist art and propaganda put the posters in the broadly understood phenomenon of Orwellian newspeak. To discuss their Orwellian dimension theoretical tools developed by Umberto Eco have been applied.
2007 ◽
Vol 39
(1)
◽
pp. 1-29
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2019 ◽
Vol 1
(9)
◽
pp. 56-62
Keyword(s):
2017 ◽
Vol 47
(188)
◽
pp. 495-504
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