Seneca's Hercules Oetaeus: A Stoic Interpretation of the Greek Myth

1971 ◽  
Vol 18 (2) ◽  
pp. 215-222
Author(s):  
Christine M. King

Seneca's shortcomings as a tragedian are a commonplace of literary criticism. On the one hand, the style of Seneca's plays is condemned for being excessively rhetorical; long, undramatic speeches, full of mythological references, alternate with bombastic utterances; or, as J. W. Duff states, comparing Seneca with his Greek predecessors: ‘in the Latin plays one has entered a new world where genius has been replaced by cleverness, and an eminently classic directness of expression by rhetoric.’ On the other hand, Seneca's detractors claim that extravagance of style is matched by a propensity for gory detail, such as the notorious piecing together of Hippolytus at the end of Phaedra. Thus, according to F. L. Lucas:if only to make up for the unreality of his ultra-academic drama [Seneca] tries to be vivid by being lurid, to stimulate the jaded imagination of his public by screaming atrocity. Seneca does indeed recall the man in Plato who had a morbid desire to view the corpses in the city ditch; long ashamed to yield to such an impulse, at last he ran to the edge and uncovered his eyes with the cry, ‘There, you wretches, take your fill’.

Author(s):  
Fátima Valenzuela ◽  
Fernando Pozzaglio

En este artículo nos proponemos explorar el fondo judicial del Archivo General de la Provincia de Corrientes. Por un lado, desarrollaremos un catálogo de las causas judicializadas entre 1612 y 1680, es decir, un instrumento descriptivo que puede ser utilizado por historiadores y/usuarios del archivo. Por otro lado, caracterizaremos los pleitos que corresponden a los albores de la configuración de la ciudad de San Juan de Vera. En ese contexto, presentaremos  una primera lectura en torno al funcionamiento de la justicia ordinaria y el accionar de otros funcionarios reales en el espacio colonial. De ese modo, lograremos una aproximación a los discursos y experiencias por medio de las causas judiciales. In this article we propose to explore the judicial fund of the General Archive of the Province of Corrientes. On the one hand, we will develop a catalog of judicial cases between 1612 and 1680, that is, a descriptive instrument that can be used by other historians and users of the archive. On the other hand, we characterize the lawsuits that took place at the dawn of the configuration of the city of San Juan de Vera. In this context, we will develop a first reading about the operation of ordinary justice and the action of other royal officials in the colonial space. In this way, we get an approximation to discourses and experiences through judicial cases.


2019 ◽  
Vol 28 ◽  
pp. 77-88
Author(s):  
María Ángeles Llorca-Tonda

The aim of this paper is to analyse the literary criticism that Mme d'Épinay consecrates to the Correspondance littéraire of Grimm and Meister. The epistolary framework in which the critical articles studied are presented deserves particular attention, since it allows us, on the one hand, to establish the different functions developed by Louise d'Épinay in the circle of Grimm's collaborators, and, on the other hand, to highlight the dialogic structure that will dominate the literary style of Mme d'Épinay. El presente trabajo tiene como objetivo analizar la obra de crítica literaria que Mme d’Épinay consagra a la Correspondance littéraire de Grimm y de Meister. El marco epistolar en el que se presentan los artículos críticos estudiados merece una atención particular, ya que nos permite, por un lado, establecer las diferentes funciones desarrolladas por Louise d’Épinay en el círculo de los colaboradores de Grimm, y por otro lado, poner de manifiesto la estructura dialógica que dominará el estilo literario de Mme d’Épinay.


2020 ◽  
Author(s):  
Luis Lopes

<p>The city of Évora, a World Heritage Site recognized by UNESCO in 1986, also owes this recognition to the stones that built its monuments and preserve them until today.</p><p>This work brings together the contributions that we have gathered over the past three decades and allow us to have a very complete idea, not only about the materials used in the hundreds of monuments and historic buildings but also about their provenance. If some materials are so emblematic that they allow an immediate identification with the naked eye, others needed more sophisticated and precise techniques so that there was no doubt about their origin.</p><p>The igneous rocks and gneisses of granite composition are part of the “Massif of Évora” on which the city is built. Thus, and quite naturally they are by far the most represented group in monuments from all historical periods. Its function is essentially structural, but there are also functional, ornamental and decorative objects. For example, the oldest megalithic structures found in the vicinity of the city are made up of large granite blocks that often had to be transported to their locations.</p><p>On the other hand, many gargoyles and statues that decorate the churches are also made up of these granite rocks. On these, the natural erosion of centuries of exposure to the environment has led to a state of alteration, sometimes very accentuated, which would justify its replacement by replicas sculpted in similar rocks. Provenance studies have made it possible to identify old quarries in the vicinity of the city where, on the one hand, the ancient rock extraction techniques can be observed and on the other hand, they allow the obtaining of the raw material necessary for these restoration and conservation works. In any case, they are places that need to be inventoried and protected, with the municipality already aware of their existence.</p><p>As well as the monuments of the Roman Period, also the structures of the Medieval Period, such as the city walls, the Cathedral (started to be built in 1186 AD) and all the great churches, were also built with these granitoids.</p><p>In addition to these rocks, many others of multiple varieties and origins are present. The marbles, especially the Estremoz Marbles (Global Heritage Stone Resource), are ubiquitous in the city, but there are also emblematic marbles from other places, some easily identifiable (ie Viana do Alentejo, Escoural, Trigaches, Serpa and Vila Verde de Ficalho, for presenting mineralogy, textures, colors and patterns which, together with more recent analytical techniques, have confirmed its provenance.</p><p>Sedimentary rocks, with emphasis on Portuguese Mesozoic limestones, ie Lioz - GHSR and Brecha da Arrábida - GHSR candidate, among others more rare and with very specific use in ornamental details, are also present and contribute to enrich a heritage in stone that makes this city so special and very popular with tourists of all nationalities.</p><p>Acknowledgments: the authors thank to FCT for funding the ICT (UID/GEO/04683/2019), as well as COMPETE POCI-01-0145-FEDER-007690.</p>


2009 ◽  
pp. 67-84
Author(s):  
Marco Solimene

- The present contribution examines the rootedness of a community of xoraxané romá in the city of Rome; rather than simply the continuity of presence in a specific territory, under consideration is the development and maintenance of social networks with the Roman population, specifically in the territories romá reside and/or work in. Further on, the paper describes how rootedness may be conjugated with some forms of mobility: on the one hand, the continuity in specific areas (of work and in some cases of residence), can be maintained through practices of urban circulation; on the other hand, especially when mobility turns on national and transnational scale, the presence - although mobile and changing - of romá who belong to the same social network, spread among different territories, enables singular domestic units to maintain, despite mobility, a continuity with several non-rom realities.


2019 ◽  
Vol 15 (1) ◽  
pp. 77-94
Author(s):  
Massimo Leone

Abstract The Casa da Nostalgia, or “Nostalgic house,” in the Taipa area of the special administrative region of Macau, is a museum devoted to temporary exhibitions reconstructing everyday life in the city, especially in the epoch of Portuguese ruling. Just opposite the museum, on the other side of a large pond, a giant casino, the Venetian Macau, reproduces Venice both with its external architecture and its interior design. The article analyzes these two urban settings in order to develop a semiotic understanding of as many ways of symbolically reconstructing cities. On the one hand, cities can be reconstructed in a nostalgic form; the essay inquires on the origin and the consequences of urban nostalgia; on the other hand, cities can be reconstructed as ersatz. The article further investigates the dialectics between predominantly temporal or prevailingly spatial urban reconstructions, with reference to the socio-cultural dynamics that have changed Macau in the last decades. The article concludes with the methodological suggestion that the study of urban re-constructions requires the combined efforts of several disciplines, jointly investigating why, how, but also to what effect cities are re-built.


Urban Studies ◽  
2019 ◽  
Vol 57 (10) ◽  
pp. 2031-2046
Author(s):  
Salla Jokela

There have been two types of scholarly discussion on city branding. On the one hand, city branding has been conceptualised as a differentiation strategy of entrepreneurial cities involved in interspatial competition. On the other hand, researchers have recently emphasised the need to pay attention to increasingly pervasive and transformative forms of city branding, including branding as an urban policy and a form of planning. Drawing on a case study carried out in Helsinki, Finland, this article connects these two approaches by analysing Helsinki’s recent city branding endeavour in the context of the qualitative transformation of the entrepreneurial city. The article shows how city branding highlights and constitutes the city as an entrepreneurial platform and enabler bound up by the extended entrepreneurialisation of society.


2019 ◽  
pp. 55-72
Author(s):  
Marta Ryniejska-Kiełdanowicz ◽  
Magdalena Ratajczak

Cities create a transcultural sphere and a platform for transcultural dialogue.Cities play an important cultural-creative role and they try to become policy player onat the international level. The aim of this study is to evaluate the actions taken in cities from two perspectives. On the one hand how the multicultural (multi-lingual and multi-religious) cityscape is shaped, how the city is governed in order to create a space termed as a ‘meeting place’. On the other hand how these undertakings affect the image of the city on the international stage and how they contribute to the city diplomacy strategy.


Author(s):  
В. Бородин ◽  
V. Borodin ◽  
В. Химочка ◽  
V. Himochka

For many years economic theorists are working on issues of development and functioning of business. This is the topic of many articles, it is made numerous findings and proposals concerning the issues of planning, efficiency management, distribution of profits, etc. Along with this, the influence of external environment on individual businesses is not sufficiently researched. The most sensitive to external microenvironment small business is concentrated mainly in the major cities, agglomeration systems. On the one hand, it creates the basis for agglomeration economies, on the other hand, it is entirely dependent on the administrative and managerial processes occurring in it. In this regard, the establishment of an effective management model agglomeration can improve the performance of the business. What models of agglomeration systems are there? Which one is the most effective? The article considers what problems have authorities in the organization of this process.


2014 ◽  
Vol 38 (1) ◽  
pp. 11-23 ◽  
Author(s):  
Sally Carlton

The Christchurch City Council election of 2013 provides a compelling case study through which to consider the interaction between politics and city space. On the one hand, through the careful placement of campaign posters, politics encroached on the physical terrain of the city. On the other hand, candidates included in their campaign material multitudinous references to ‘Christchurch the city,’ demonstrating the extent to which the physical environment of the post-disaster city had become central to local politics.


PMLA ◽  
2016 ◽  
Vol 131 (2) ◽  
pp. 324-339 ◽  
Author(s):  
Andrew Kopec

The popularization of the digital humanities and the return to formalism are overdetermined by the perceived crises in the humanities. On the one hand, the new formalism harks back to a professionalizing strategy begun by the New Critics with John Crowe Ransom's “Criticism, Inc.,” drawing strength from close reading's original polemic against industrialism. On the other hand, the digital humanities reimagine professional labor in ways that seemingly approximate postindustrial norms. These contradictory but inextricably related visions of professional futures restage a conflict between literature and data, reading and making, that has been misrecognized as a conflict between literature and history. Approaching these tensions by way of historicist critique can illuminate the extent to which the debate between literature and data will define critical practice in the twenty-first century.


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