scholarly journals El marco epistolar de los artículos de crítica literaria de Mme d'Épinay

2019 ◽  
Vol 28 ◽  
pp. 77-88
Author(s):  
María Ángeles Llorca-Tonda
Keyword(s):  
Literary Criticism ◽  
The Other ◽  
Literary Style ◽  
Other Hand ◽  
The One

The aim of this paper is to analyse the literary criticism that Mme d'Épinay consecrates to the Correspondance littéraire of Grimm and Meister. The epistolary framework in which the critical articles studied are presented deserves particular attention, since it allows us, on the one hand, to establish the different functions developed by Louise d'Épinay in the circle of Grimm's collaborators, and, on the other hand, to highlight the dialogic structure that will dominate the literary style of Mme d'Épinay. El presente trabajo tiene como objetivo analizar la obra de crítica literaria que Mme d’Épinay consagra a la Correspondance littéraire de Grimm y de Meister. El marco epistolar en el que se presentan los artículos críticos estudiados merece una atención particular, ya que nos permite, por un lado, establecer las diferentes funciones desarrolladas por Louise d’Épinay en el círculo de los colaboradores de Grimm, y por otro lado, poner de manifiesto la estructura dialógica que dominará el estilo literario de Mme d’Épinay.

The Digital Humanities, Inc.: Literary Criticism and the Fate of a Profession

PMLA ◽  
2016 ◽  
Vol 131 (2) ◽  
pp. 324-339 ◽  
Author(s):  
Andrew Kopec
Keyword(s):  
Literary Criticism ◽  
Digital Humanities ◽  
First Century ◽  
The Other ◽  
Critical Practice ◽  
New Formalism ◽  
Other Hand ◽  
New Critics ◽  
The One ◽  
Data Reading

The popularization of the digital humanities and the return to formalism are overdetermined by the perceived crises in the humanities. On the one hand, the new formalism harks back to a professionalizing strategy begun by the New Critics with John Crowe Ransom's “Criticism, Inc.,” drawing strength from close reading's original polemic against industrialism. On the other hand, the digital humanities reimagine professional labor in ways that seemingly approximate postindustrial norms. These contradictory but inextricably related visions of professional futures restage a conflict between literature and data, reading and making, that has been misrecognized as a conflict between literature and history. Approaching these tensions by way of historicist critique can illuminate the extent to which the debate between literature and data will define critical practice in the twenty-first century.

scholarly journals Resurfacing the Disappeared: The Author in Fish-Hair Woman by Merlinda Bobis

Plaridel ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 73-90
Author(s):  
Jaimee Faith J. Santos
Keyword(s):  
Literary Criticism ◽  
The Self ◽  
The Other ◽  
Other Hand ◽  
The Subject ◽  
Humanist Tradition ◽  
The One ◽  
The Disappeared

The subject of my paper is the author. I aim to explore how the self-conscious author functions in Fish-Hair Woman (2012), a metafictional novel by Merlinda Bobis. I begin with a brief discussion of how the author is constructed, first, in Philippine literary criticism, and second, in light of the collapse of the humanist tradition of valorizing the writer, which prompted the proclamation of the author’s “death” and rendered her irrelevant to the text and to criticism. But does the author stay dead? In metafiction, in particular, the author manages to “write” herself into the text using self-consciousness. I find that, while it is impossible to overlook the author’s decentered status, it is equally untenable to ignore how an overt “manifestation” of the author functions within the text. Through my reading of Fish-Hair Woman, I attempt to examine how the author’s self-consciousness results in two seemingly contradicting implications. On the one hand, the author’s constant references to herself allows her to “live” through the text, reinforcing the Barthesian notion that the author limits the text and its possible interpretations. On the other hand, the author’s constant references to herself as a subject exposes the author’s own limitations. This, in turn, “re-opens” the text, by giving room to questions about other perspectives that are not or cannot be represented in the text.

‘Complete rubbish but a real page-turner’ Chukovsky and detective stories

2020 ◽  
pp. 169-186
Author(s):  
P. A. Moiseev
Keyword(s):  
Literary Criticism ◽  
Detective Fiction ◽  
Personal Experience ◽  
Wilkie Collins ◽  
The Other ◽  
Other Hand ◽  
Detective Stories ◽  
Regular Reader ◽  
The One

K. Chukovsky was one of Russia’s first scholars of detective fiction. Yet his literary criticism on this particular topic has never been researched. Nor has it come to light that his attitude to the genre was ambivalent. On the one hand, he knew it very well, was a regular reader of detective stories and made a number of valuable observations about the works of Conan Doyle (whose writing he contrasted with the cheap sensationalist books about Nat Pinkerton, stressing the quality of logic in Conan Doyle’s stories) and Wilkie Collins. On the other hand, he often made very critical and ironic remarks about the genre, confessing that he failed to comprehend the reason for its popularity. The article suggests the grounds for Chukovsky’s attitude: he argued that literature was linked to ‘the most important personal experience’ (in the words of the writer N. Oleynikov), with entertaining literature automatically dismissed as an outsider to real art.

Shakespeare’s Styles

2013 ◽  
Author(s):  
Gordon Teskey
Keyword(s):  
Large Scale ◽  
The Other ◽  
Literary Style ◽  
Other Hand ◽  
The One ◽  
Or Modelling

The concept of literary style is joined, on the one hand, with grammatical and prosodic constraints and, on the other hand, with the large-scale dramatic construction of character and action: mimesis. The latter, however, depends on the former. Whereas, dramatic mimesis is an ‘imitation’ or modelling from without, literary style radiates from within the mimetic and lets it appear. We may therefore think of a succession of mimetic styles in Shakespeare’s career which are different modes of bringing character and action to appearance: elevated, articulated, reticulated, saturated, and evacuated.

Translation and the Authorial Image: the Case of Federico García Lorca’s Romancero gitano

2004 ◽  
Vol 16 (1) ◽  
pp. 55-91 ◽  
Author(s):  
Stella Linn
Keyword(s):  
Literary Criticism ◽  
Social System ◽  
The Other ◽  
Literary Translation ◽  
Federico Garcia Lorca ◽  
Translation Strategies ◽  
Translation Strategy ◽  
Other Hand ◽  
The One ◽  
Target Culture

Abstract Despite Barthes’s claim that the author is dead, leaving the scene for his work, freed from its all too personal origin, I would like to argue that the author image is far from absent in the practice of literary translation. On the one hand, the author’s image within a particular literary and social system may determine which work is translated, and even how it is translated. On the other hand, it seems likely that some characteristics of a persona will be highlighted more than others, depending on which source texts are selected for translation and on how the author and his or her works are presented in prefaces and commentaries accompanying the translations. Moreover, the translation strategy may enhance the prevailing tendencies within reception and thus contribute to a certain perception of the author in the target culture. In this paper I will investigate these hypothetical connections, taking as an example the Spanish author Federico García Lorca and a number of translations of his Romancero gitano (1928) into French, English, and Dutch. I will examine a possible correlation between the prevailing “folkloristic” image of Lorca in the early literary criticism, and the emphasis on romantic, naïve and mythological aspects in translations of his work, and conversely, the later, more complex and gloomy image presented of the author, and translation strategies which highlight elements that correspond to that view.

Seneca's Hercules Oetaeus: A Stoic Interpretation of the Greek Myth

1971 ◽  
Vol 18 (2) ◽  
pp. 215-222
Author(s):  
Christine M. King
Keyword(s):  
Literary Criticism ◽  
New World ◽  
The Other ◽  
Greek Myth ◽  
Other Hand ◽  
The One ◽  
The City

Seneca's shortcomings as a tragedian are a commonplace of literary criticism. On the one hand, the style of Seneca's plays is condemned for being excessively rhetorical; long, undramatic speeches, full of mythological references, alternate with bombastic utterances; or, as J. W. Duff states, comparing Seneca with his Greek predecessors: ‘in the Latin plays one has entered a new world where genius has been replaced by cleverness, and an eminently classic directness of expression by rhetoric.’ On the other hand, Seneca's detractors claim that extravagance of style is matched by a propensity for gory detail, such as the notorious piecing together of Hippolytus at the end of Phaedra. Thus, according to F. L. Lucas:if only to make up for the unreality of his ultra-academic drama [Seneca] tries to be vivid by being lurid, to stimulate the jaded imagination of his public by screaming atrocity. Seneca does indeed recall the man in Plato who had a morbid desire to view the corpses in the city ditch; long ashamed to yield to such an impulse, at last he ran to the edge and uncovered his eyes with the cry, ‘There, you wretches, take your fill’.

Stories and the Self

2020 ◽  
Vol 32 (2) ◽  
pp. 47-58 ◽  
Author(s):  
Stefan Krause ◽  
Markus Appel
Keyword(s):  
Meta Analysis ◽  
The Self ◽  
The Other ◽  
Lower Degree ◽  
Contrast Effects ◽  
Self Perception ◽  
Self Perceptions ◽  
Other Hand ◽  
The One ◽  
Implicit And Explicit

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.

Radioimmunotherapy for treatment of acute myeloid leukaemia and myelodysplastic syndrome

2005 ◽  
Vol 44 (03) ◽  
pp. 107-117
Author(s):  
R. G. Meyer ◽  
W. Herr ◽  
A. Helisch ◽  
P. Bartenstein ◽  
I. Buchmann
Keyword(s):  
Acute Myeloid Leukaemia ◽  
Myeloid Leukaemia ◽  
Primary Tumour ◽  
The Other ◽  
Haematopoietic Stem Cell ◽  
Other Hand ◽  
Primary Reduction ◽  
The One ◽  
Acute Myeloid

SummaryThe prognosis of patients with acute myeloid leukaemia (AML) has improved considerably by introduction of aggressive consolidation chemotherapy and haematopoietic stem cell transplantation (SCT). Nevertheless, only 20-30% of patients with AML achieve long-term diseasefree survival after SCT. The most common cause of treatment failure is relapse. Additionally, mortality rates are significantly increased by therapy-related causes such as toxicity of chemotherapy and complications of SCT. Including radioimmunotherapies in the treatment of AML and myelodyplastic syndrome (MDS) allows for the achievement of a pronounced antileukaemic effect for the reduction of relapse rates on the one hand. On the other hand, no increase of acute toxicity and later complications should be induced. These effects are important for the primary reduction of tumour cells as well as for the myeloablative conditioning before SCT.This paper provides a systematic and critical review of the currently used radionuclides and immunoconjugates for the treatment of AML and MDS and summarizes the literature on primary tumour cell reductive radioimmunotherapies on the one hand and conditioning radioimmunotherapies before SCT on the other hand.

The Salvage of Ideas: Schumpeter and the Core Problems Still Confronting Economics

2003 ◽  
pp. 15-26
Author(s):  
P. Wynarczyk
Keyword(s):  
The Other ◽  
The Core ◽  
Other Hand ◽  
The One

Two aspects of Schumpeter' legacy are analyzed in the article. On the one hand, he can be viewed as the custodian of the neoclassical harvest supplementing to its stock of inherited knowledge. On the other hand, the innovative character of his works is emphasized that allows to consider him a proponent of hetherodoxy. It is stressed that Schumpeter's revolutionary challenge can lead to radical changes in modern economics.

Pembaharuan Pesantren: Arah dan Implikasi

2018 ◽  
Vol 4 (1) ◽  
pp. 67-84
Author(s):  
Wahyudin Noor
Keyword(s):  
Rapid Development ◽  
The Other ◽  
Learning Methods ◽  
Technology Learning ◽  
Other Hand ◽  
The One ◽  
Traditional Term

Abstract Pesantren are often associated with backwardness and traditionalism in everything: facilities, technology, learning methods, and even the curriculum. For now, it seems like the traditional term for pesantren is no longer relevant enough. The pace of movement in the era of renewal marked by the rapid development of technology has demanded pesantren to make adjustments. However, on the one hand, when viewed from the direction of change, the reform efforts pursued by pesantren are not to erase the old tradition, but merely to add something new so that the old tradition and conditions can be maintained while accepting the presence of a new one. On the other hand, the reform efforts undertaken by pesantren have implications for the fact that the typical values of the pesantren are fading away. Abstrak  Pesantren seringkali diasosiasikan dengan keterbelakangan dan tradisional dalam segala hal: fasilitas, teknologi, metode pembelajaran, dan bahkan kurikulumnya. Untuk saat ini, sepertinya istilah tradisional untuk pesantren, sudah tidak lagi cukup relevan. Laju gerak pembaharuan zaman yang ditandai dengan pesatnya perkembangan teknologi telah menuntut pesantren untuk melakukan penyesuaian diri. Kendatipun demikian, di satu sisi, jika dilihat dari arah perubahan, upaya pembaharuan yang ditempuh pesantren tidaklah untuk menghapus tradisi yang lama, tetapi sekadar menambah dengan sesuatu yang baru sehingga tradisi maupun kondisi yang lama bisa dipertahankan sambil menerima kehadiran yang baru. Di sisi yang lain, upaya pembaharuan yang dilakukan pesantren ternyata berimplikasi pada kenyataan akan semakin pudarnya nilai-nilai khas yang dimiliki oleh pesantren.

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