LIVING THE ENLIGHTENMENT AND THE FRENCH REVOLUTION: JAMES WATT, MATTHEW BOULTON, AND THEIR SONS

1999 ◽  
Vol 42 (1) ◽  
pp. 157-182 ◽  
Author(s):  
PETER M. JONES

This article is a contribution to the cultural history of English Enlightenment. It examines the formation of a discrete ‘family’ of philosophes in the West Midlands who maintained close links with their counterparts on the continent. Birmingham's role as a magnet for ‘industrial tourists’ in the second half of the eighteenth century helped to propagate the influence of this local intelligentsia who were mostly members of the Lunar Society. None the less, it is argued that the activities of the Society correspond more closely to an Enlightenment than to a proto-industrial pattern of inquiry. The events of 1789 in France disrupted this philosophic ‘family’. Their impact is explored through the medium of a real family; that of James Watt, the engineer, who came to Birmingham to manufacture the steam engine in partnership with Matthew Boulton. The vicissitudes of the Watt family, and of other prominent members of the Lunar Society, are unravelled to illustrate the dilemmas faced by men raised in the values of the Enlightenment when confronted with the reality – and the proximity – of a far-reaching political revolution.

Res Mobilis ◽  
2020 ◽  
Vol 9 (11) ◽  
pp. 3-18
Author(s):  
Carsten Kullmann

This article examines the cultural history of chairs to understand the many meanings the Monobloc can acquire. The history of chairs is traced from post nomadic culture through the Middle Ages to the Enlightenment period and the French Revolution. Subsequently, I will examine the Monobloc from a Cultural Studies perspective and demonstrate how its unique characteristics allow multiple meanings, which are always dependent on context and discourse. Thus, the Monobloc becomes an utterly democratic symbol of popular culture that can be appropriated for any use.


2020 ◽  

The Cultural History of Memory in the Eighteenth Century places in sharp relief the contrast between inspiring ideas that heralded an auspicious future and immemorial traditions that cherished a vanishing past. Waxing large during that era was the European Enlightenment, with its projects for reform and optimistic forecasts about the prospect of making a better world. Heritage was reframed, as martyrs for the cause of religious liberty and heroes for the promotion of the arts and sciences were enshrined in a new pantheon. They served as icons marking a pathway toward a presumed destiny, amid high hopes that reason would triumph over superstition to guide the course of human affairs. Such sentiments gave reformers a new sense of collective identity as an imagined community acting in the name of progress. Against this backdrop, this volume addresses a variety of themes in memory’s multi-faceted domain, among them mnemonic schemes in the transition from theist to scientific cosmologies; memory remodeled in the making of print culture; memory’s newfound resources for introspection; politics reimagined for the modern age; the nature of tradition reconceived; the aesthetics of nostalgia for an aristocracy clinging to a tenuous identity; the lure of far-away places; trauma in an age of revolution; and the emerging divide between history and collective memory. Along the way, contributors address such topics as the idea of nation in early modern politics; the aesthetic vision of Hubert Robert in his garden landscapes; the transforming effects of the interaction between mind and its mnemonic satellites in print media; Shakespeare remembered and commemorated; the role of memory in the redesign of historiography; the mediation of high and popular culture through literature; soul-searching in female autobiography; and commemorative practices during the French Revolution.


Author(s):  
Paul Cartledge

This article moves past the Renaissance to the Enlightenment and, in particular, to the French Revolution, which crystallized an important, if not fully understood, moment in the history of Hellenism. It shows how the writings of Jean-Jacques Rousseau, the inspiration for so many of the French revolutionaries, were simultaneously proto-democratic and pro-Spartan. In this respect, Rousseau marks a complex breakthrough in the political traditions of Hellenism, which were, for much of European history until the eighteenth century, anti-democratic and pro-Spartan.


Author(s):  
Michael Sonenscher

This is a bold new history of the sans-culottes and the part they played in the French Revolution. It tells for the first time the real story of the name now usually associated with urban violence and popular politics during the revolutionary period. By doing so, it also shows how the politics and economics of the revolution can be combined to form a genuinely historical narrative of its content and course. To explain how an early eighteenth-century salon society joke about breeches and urbanity was transformed into a republican emblem, this book examines contemporary debates about Ciceronian, Cynic, and Cartesian moral philosophy, as well as subjects ranging from music and the origins of government to property and the nature of the human soul. By piecing together this now forgotten story, the book opens up new perspectives on the Enlightenment, eighteenth-century moral and political philosophy, the thought of Jean-Jacques Rousseau, and the political history of the French Revolution itself.


Author(s):  
Vincenzo Ferrone

This chapter examines the historical problem of how to gain an understanding of the fundamental traits that were original to the Enlightenment. More specifically, it considers how the Enlightenment arose over the intellectual, political, and social life of eighteenth-century élites, so as to produce a cultural revolution that transformed European society. Franco Venturi interpreted the Enlightenment as the “history of a movement,” a movement of a political nature that was created by self-conscious intellectual minorities. The chapter considers Venturi's proposal to go back to a view of the Enlightenment as a movement and as a fundamental chapter in the new history of intellectuals. In particular, it discusses Venturi's project for a political history of the Enlightenment, his denunciation of scholars engaged in the social history of the Enlightenment, and the emergence of a new cultural history in the 1980s.


2000 ◽  
Vol 10 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Sanjay Subrahmanyam

This essay is concerned with the career of a somewhat obscure figure in the early history of Orientalism, Colonel Antoine-Louis-Henri Polier, who is however known both to aficionados of the early European manuscript collections in the West, as well as to historians of the more obscure aspects of the Enlightenment on the Continent. The occasion for the research on which this essay is based is, in large measure, a project intended to translate the extensive Persian letter-book that Polier (together with his amanuensis, or munshī, Kishan Sahay) produced during his long stay in India; this translation, of a text entitled I jāz-i-Arsalānī (which is preserved in the Bibliothèque Nationale de France, Paris), has recently been brought to partial fruition by Muzaffar Alam and Seema Alavi, through the auspices of Oxford University Press (Delhi). In this context, it may be useful to reflect somewhat on the rather extraordinary career, and fascinating milieu, of Colonel Polier.


2021 ◽  
pp. 1-26
Author(s):  
Anton M. Matytsin

This article explores continuities between the antiquarian erudition of humanist historians and Enlightenment philosophical histories, showing that supposedly revolutionary developments in eighteenth-century historiography emerged from an older scholarly tradition. It focuses on the research of the Royal Academy of Inscriptions and Letters, a learned society in seventeenth- and eighteenth-century France that went from serving as a propaganda tool for promoting King Louis XIV's absolutist regime to becoming the first modern historical research institute and a cradle of the Enlightenment. The article examines the emergence of what might be called “cultural history” or “the history of culture” (histoire des moeurs, as eighteenth-century authors called it). It analyzes how the academicians studied pagan beliefs and speculated about the functions of ancient myths and cults, thus transforming the views about the origin of religion and its role in society. The article also discusses how the academicians made sense of customs and daily practices and how they understood the causes of the progress and decline of civilizations.


2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.


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