scholarly journals Human–wildlife interactions and attitudes towards wildlife and wildlife reserves in Rajasthan, India

Oryx ◽  
2017 ◽  
Vol 53 (3) ◽  
pp. 523-531 ◽  
Author(s):  
Krithi K. Karanth ◽  
Shivangi Jain ◽  
Erika Weinthal

AbstractHuman–wildlife interactions affect people's livelihoods, attitudes and tolerance towards wildlife and wildlife reserves. To investigate the effect of such interactions on people's attitudes and livelihoods, we surveyed 2,233 households located around four wildlife reserves in Rajasthan, India. We modelled respondents’ attitudes towards wildlife and wildlife reserves, experience of crop damage and livestock predation, and likelihood of mitigation use. Crop damage was reported by 76% of surveyed households, and livestock predation was reported by 15%. Seventy-one percent of households used at least one of eight mitigation measures against crop damage, and 19% used at least one of seven mitigation measures against livestock predation. We found that male respondents and households with a higher level of education valued wildlife and wildlife reserves more. Households at higher elevations and growing a greater variety of crops were more prone to crop damage. Proximity to reserves, elevation and larger livestock herds were associated with a higher incidence of livestock predation. Households in which a member had > 12 years of schooling and households with a history (6–10 years) of interaction with wildlife (i.e. crop damage) were most likely to use mitigation against crop damage. Households that owned more livestock and had a history of interaction (1–5 years and > 10 years) were most likely to mitigate against predation. Our comparative study provides insights into factors that influence interaction and tolerance, which could be used to improve existing management and prevention efforts in Rajasthan.

2018 ◽  
Vol 15 (2) ◽  
pp. 207-226
Author(s):  
Maciej Junkiert

This article aims to examine the Polish literary reception of the French Revolution during the period of Romanticism. Its main focus is on how Polish writers displaced their more immediate experiences of revolutionary events onto a backdrop of ‘ancient revolutions’, in which revolution was described indirectly by drawing on classical traditions, particularly the history of ancient Greeks and Romans. As this classical tradition was mediated by key works of German and French thinkers, this European context is crucial for understanding the literary strategies adopted by Polish authors. Three main approaches are visible in the Polish reception, and I will illustrate them using the works of Zygmunt Krasiński (1812–1859), Juliusz Słowacki (1809–1849) and Cyprian Norwid (1821–1883). My comparative study will be restricted to four works: Krasiński's Irydion and Przedświt (Predawn), Słowacki's Agezylausz (Agesilaus) and Norwid's Quidam.


Author(s):  
Marko Geslani

The introduction reviews the historiographic problem of the relation between fire sacrifice (yajña) and image worship (pūjā), which have traditionally been seen as opposing ritual structures serving to undergird the distinction of “Vedic” and “Hindu.” Against such an icono- and theocentric approach, it proposes a history of the priesthood in relation to royal power, centering on the relationship between the royal chaplain (purohita) and astrologer (sāṃvatsara) as a crucial, unexplored development in early Indian religion. In order to capture these historical developments, it outlines a method for the comparative study of ritual forms over time.


2014 ◽  
Vol 143 (10) ◽  
pp. 2131-2136 ◽  
Author(s):  
K. PEDERSEN ◽  
K. L. PABILONIA ◽  
T. D. ANDERSON ◽  
S. N. BEVINS ◽  
C. R. HICKS ◽  
...  

SUMMARYAs feral swine continue to expand their geographical range and distribution across the United States, their involvement in crop damage, livestock predation, and pathogen transmission is likely to increase. Despite the relatively recent discovery of feral swine involvement in the aetiology of a variety of pathogens, their propensity to transmit and carry a wide variety of pathogens is disconcerting. We examined sera from 2055 feral swine for antibody presence to six serovars of Leptospira that can also infect humans, livestock or domestic animals. About 13% of all samples tested positive for at least one serovar, suggesting that Leptospira infection is common in feral swine. Further studies to identify the proportion of actively infected animals are needed to more fully understand the risk they pose.


2017 ◽  
Vol 2 (1) ◽  
Author(s):  
Lisa Parola

This essay derives from the primary need to make order between direct and indirect sources available for the reconstruction of the history of video art in Italy in the seventies. In fact, during the researches for the Ph.D. thesis it became clear that in most cases it is difficult to define, in terms of facts, which of the different historiographies should be taken into consideration to deepen the study of video art in Italy. Beyond legitimate differences of perspectives and methods, historiographical narratives all share similar issues and narrative structure. The first intention of the essay is, therefore, to compare the different historiographic narratives on Italian video art of the seventies, verifying their genealogy, the sources used and the accuracy of the narrated facts. For the selection of the corpus, it was decided to analyze in particular monographic volumes dealing with the history of the origins of video art in Italy. The aim was, in fact, to get a wide range of types of "narrations", as in the case of contemporary art and architecture magazines, which are examined in the second part of the essay. After the selection, for an analytical and comparative study of the various historiography, the essay focuses only on the Terza Biennale Internazionale della Giovane Pittura. Gennaio ’70. Comportamenti, oggetti e mediazioni (Third International Biennial of Young Painting. January '70. Behaviors, Objects and Mediations, 1970, Bologna), the exhibition which - after Lucio Fontana's pioneering experiments - is said to be the first sign of the arrival of videotape in Italy (called at the time videorecording), curated by Renato Barilli, Tommaso Trini, Andrea Emiliani and Maurizio Calvesi. The narration given so far of this exhibition appeared more mythological than historical and could be compared structurally to that of the many numerous beginnings that historiographyies on international video art identify as ‘first’ and ‘generative’. In the first part of the essay the 'facts' related to Gennaio ’70, as narrated by historiography on video art, are compared. In the second part the survey is carried out through some of the direct sources identified during the research, with the aim of answering to questions raised by the comparison between historiographies. Concluding, it is important to underline that the tapes containing the videos transmitted have not been found and seem to have disappeared since the ending of the exhibition. Nevertheless, the deepening of the works and documentation transmitted during the exhibition is possible thanks to other types of sources which give us many valuable information regarding video techniques and practices at the beginning of 1970 in Italy.


2008 ◽  
pp. 583-589
Author(s):  
S Kessomboon ◽  
T Matsumoto ◽  
P Banjongproo ◽  
T Imai ◽  
C Vitoonpanyakij ◽  
...  
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