Julian of Norwich, the Bible, and creative, orthodox theology: always novel, never new

2016 ◽  
Vol 69 (3) ◽  
pp. 309-325
Author(s):  
Thomas Andrew Bennett
Keyword(s):  
Julian Of Norwich ◽  
The State ◽  
Considerable Time ◽  
The Bible ◽  
Orthodox Theology ◽  
Biblical Language ◽  
Biblical Texts

AbstractScholars have spent considerable time attempting to characterise Julian of Norwich's relationship to biblical texts. This article will first survey the state of scholarship with respect to Julian and the Bible, defending a minimalist thesis: that Julian thinks theologically in the rhythms of scripture, rendering suggestions that she haphazardly borrows from biblical language demonstrably false. Subsequently, literary-critical readings of biblical texts echoed in the parable of the lord and servant will be deployed to show how Julian echoes not only the language of the Bible, but also its themes, narratives and theology. By highlighting a particular kind of imaginative theology that is nevertheless deeply biblical, the article argues that Julian is at once creative and orthodox: always novel, but never new.

scholarly journals “When Noah built the ark…”

2017 ◽  
Vol 7 (1) ◽  
pp. 87-102 ◽  
Author(s):  
Stephen Pihlaja
Keyword(s):  
Metaphorical Language ◽  
The Bible ◽  
Language Analysis ◽  
Explicit Reference ◽  
Everyday Experiences ◽  
Biblical Language ◽  
Biblical Texts

Abstract This article investigates the use of biblical stories and text in the preaching of Joshua Feuerstein, a popular Facebook evangelist, and focuses on how biblical stories are used to position the viewer in comparison to biblical characters and texts. Taking a discourse dynamics approach (Cameron & Maslen, 2010), a corpus of 8 short videos (17 minutes 34 seconds) and their comments (2,295) taken from the Facebook are analysed first, for the presence of metaphorical language and stories taken from the Bible. Second, they are analysed for the role of metaphor in the narrative positioning (Bamberg, 1997) of the viewer, particularly as it relates to Gibbs’s notion of ‘allegorises’, or the ‘allegoric impulse’ (Gibbs, 2011). The corresponding text comments from the videos are then also analysed for the presence of the same biblical metaphor, focusing on how commenters interact with the metaphor and Feuerstein’s positioning of them. Findings show that biblical metaphorical language is used to position viewers and their struggles in the context of larger storylines that compare everyday experiences to biblical texts. This comparison can happen both in explicit narrative positioning of viewers with explicit reference to the Bible, and implicit positioning, through the use of unmarked biblical language. Analysis of viewer comments shows that use of metaphorical language is successful in building a sense of camaraderie and shared belief among the viewer and Feuerstein, as well as viewers with one another.

Continuidades y discontinuidades en la traducción de las locuciones prepositivas en los romanceamientos bíblicos medievales

2020 ◽  
Vol 65 (4) ◽  
pp. 103-118
Author(s):  
Viorica Codita
Keyword(s):  
The State ◽  
Latin Text ◽  
13Th Century ◽  
Prepositional Phrases ◽  
Biblical Texts ◽  
General Estoria

"Continuities and Discontinuities in the Translations of Prepositional Phrases in Medieval Biblical Texts. In this work we present an analysis of prepositional phrases in two contemporary translations, Biblia prealfonsí and the biblical part of General Estoria 4, on the basis of the Book of Ecclesiasticus. The aim of this study is to describe the state of variation of prepositional phrases in 13th century, delineating the similarities and divergences of solutions, and also to try to elucidate how much interferes the original Latin text, Vulgata, in the use of the prepositional phrases.

Spinoza’s Biblical Criticism

2018 ◽  
Author(s):  
Jetze Touber
Keyword(s):  
Detailed Examination ◽  
Dutch Reformed ◽  
Biblical Criticism ◽  
Major Work ◽  
Reformed Church ◽  
The Bible ◽  
Divine Election ◽  
Biblical Texts ◽  
The Way

Chapter 1 homes in on Spinoza as a Bible critic. Based on existing historiography, it parses the main relevant historical contexts in which Spinoza came to articulate his analysis of the Bible: the Sephardi community of Amsterdam, freethinking philosophers, and the Reformed Church. It concludes with a detailed examination of the Tractatus theologico-politicus, Spinoza’s major work of biblical criticism. Along the way I highlight themes for which Spinoza appealed to the biblical texts themselves: the textual unity of the Bible, and the biblical concepts of prophecy, divine election, and religious laws. The focus is on the biblical arguments for these propositions, and the philological choices that Spinoza made that enabled him to appeal to those specific biblical texts. This first chapter lays the foundation for the remainder of the book, which examines issues of biblical philology and interpretation discussed among the Dutch Reformed contemporaries of Spinoza.

Reading the Bible from Below in the Era of Globalization

2020 ◽  
pp. 111-128
Author(s):  
Rainer Kessler
Keyword(s):  
Social Relations ◽  
Historical Process ◽  
The Bible ◽  
Asynchronous Development ◽  
Ancient Israel ◽  
The World ◽  
Biblical Texts ◽  
Globalized World

It is evident that the world of the Bible is pre-modern and thus distinct from the globalized civilization. This chronological gap challenges readers, whether they are feminist or not. Mainly three attitudes can be observed among scholarly and ordinary readers. For some readers, the Bible is a document of the losers of a historical process of modernization that already began in ancient Israel. For other readers, the Bible is outdated and of no use to confront the challenges of globalization. A third readerly position challenges both of these views. This essay offers four arguments to orient biblical readers in the contemporary globalized world. First, the essay posits that globalization is an asynchronous development. Thus, even today, most people living in the impoverished regions of the world face conditions similar to those dominant in the Bible. Second, the essay asserts that women are the first victims in biblical times and still nowadays. Third, the essay maintains that biblical texts display social relations that still unveil contemporary relations. Fourth, the essay suggests that intercultural Bible readings give hope, as they nurture biblical readings from “below” to strengthen people to overcome the fatal consequences of today’s globalization.

Teaching the Bible and Popular Media as Part of Contemporary Rape Culture

2020 ◽  
pp. 423-439
Author(s):  
Beatrice J. W. Lawrence
Keyword(s):  
Popular Culture ◽  
Sexual Assault ◽  
Biblical Studies ◽  
Popular Media ◽  
Rape Culture ◽  
Pedagogical Strategies ◽  
The Bible ◽  
Cultural Myths ◽  
Biblical Texts

This essay explores pedagogical strategies for addressing rape culture in biblical studies courses, employing Genesis 34 and Judges 19–21 as primary texts. The first section discusses the nature of popular culture and its impact on gender. The following four sections highlight cultural myths about sexual assault by focusing on significant biblical texts and incorporating aspects of popular media to facilitate conversations about rape culture. The conclusion summarizes the main points and encourage further studies that combine the study of popular media and biblical texts. Overall, the essay contributes to the reading and teaching of the Bible within contemporary rape culture so that students become critical interpreters of biblical texts, as they become resistant readers of past and present rape culture.

How American Newspaper Comic Strips Portray God, Angels, and Humans

2020 ◽  
pp. 398-413
Author(s):  
Leonard Greenspoon
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
New Testament ◽  
Religious Identity ◽  
Online Media ◽  
Comic Strip ◽  
Comic Strips ◽  
The Bible ◽  
Biblical Texts

The comic strip as a mainstay of print and more recently online media is an American invention that began its development in the last decades of the 1800s. For many decades in the mid-twentieth century, comic strips were among the most widely disseminated forms of popular culture. With their succession of panels, pictures, and pithy perspectives, comics have come to cover an array of topics, including religion. This chapter looks at how the Bible (Old and New Testament) figures in comic strips, focusing specifically on three areas: the depiction of the divine, renderings of specific biblical texts, and how comic strips can function as sites in which religious identity and controversies play out. Relevant examples are drawn from several dozen strips. Special attention is also paid to a few, like Peanuts and BC, in which biblical imagery, ideology, and idiom are characteristically portrayed in distinctive ways.

Inspiration and Textual Preservation: A Catholic Essay on the Bible

Pro Ecclesia ◽  
2021 ◽  
pp. 106385122199391
Author(s):  
James B. Prothro
Keyword(s):  
Textual Criticism ◽  
Multiple Forms ◽  
Theological Interpretation ◽  
The Bible ◽  
Single Text ◽  
Biblical Texts ◽  
The Church

The doctrine of inspiration grounds Christian use and interpretation of Scripture, making this doctrine at once theoretical and practical. Many theoretical accounts, however, restrict the “inspired” status of biblical texts to a single text-form, which introduces problems for the practical use of Scripture in view of the texts’ historical multiformity. This article argues that such restrictions of inspiration are theologically problematic and unnecessary. Contextualizing inspiration within the divine revelatory economy, this article argues that the Spirit’s same goals and varied activities in the texts’ composition obtain also in their preservation, so that we can consider multiple forms of a text to be inspired while acknowledging that not all forms are inspired to equal ends in the history and life of the church. The article concludes with hermeneutical reflections affirming that we, today, can read the “word of the Lord” while also affirming the place of textual criticism in theological interpretation.

The Question of God’s Perfection

2021 ◽  
pp. 014610792110306
Author(s):  
Cornell Collin
Keyword(s):  
Twentieth Century ◽  
The Netherlands ◽  
Biblical Theology ◽  
The State ◽  
Rabbinic Literature ◽  
Central Question ◽  
Theological Interpretation ◽  
World Religions ◽  
The Bible ◽  
Present Essay

Is God perfect? The recent volume entitled The Question of God’s Perfection stages a conversation on that topic between mostly Jewish philosophers, theologians, and scholars of rabbinic literature. Although it is neither a work of biblical theology nor a contribution to the theological interpretation of scripture, The Question of God’s Perfection yields stimulating results for these other, intersecting projects. After briefly describing the volume’s central question and contents, the present essay situates the volume’s offerings within the state of the biblical-theological and theological-interpretive fields. In its next section, it considers—and compares— The Question of God’s Perfection with one twentieth-century theological antecedent, the Dutch theologian K.H. Miskotte. In closing, it poses questions for ongoing discussion. The Question of God’s Perfection: Jewish and Christian Essays on the God of the Bible and Talmud, edited by Yoram Hazony & Dru Johnson. Philosophy of Religion – World Religions 8. Leiden, The Netherlands: Brill, 2019. ISBN 9789004387959

Moral Injury and Biblical Studies: An Early Sampling of Research and Emerging Trends

2021 ◽  
Vol 19 (2) ◽  
pp. 121-144
Author(s):  
Brad E. Kelle
Keyword(s):  
Biblical Studies ◽  
Moral Injury ◽  
Critical Study ◽  
Moral Beliefs ◽  
The Bible ◽  
Biblical Scholarship ◽  
Emerging Trends ◽  
New Meanings ◽  
The World ◽  
Biblical Texts

Moral injury emerged within clinical psychology and related fields to refer to a non-physical wound (psychological and emotional pain and its effects) that results from the violation (by oneself or others) of a person’s deepest moral beliefs (about oneself, others, or the world). Originally conceived in the context of warfare, the notion has now expanded to include the morally damaging impact of various non-war-related experiences and circumstances. Since its inception, moral injury has been an intersectional and cross-disciplinary term and significant work has appeared in psychology, philosophy, medicine, spiritual/pastoral care, chaplaincy, and theology. Since 2015, biblical scholarship has engaged moral injury along two primary trajectories: 1) creative re-readings of biblical stories and characters informed by insights from moral injury; and 2) explorations of the postwar rituals and symbolic practices found in biblical texts and how they might connect to the felt needs of morally injured persons. These trajectories suggest that the engagement between the Bible and moral injury generates a two-way conversation in which moral injury can serve as a heuristic that brings new meanings out of biblical texts, and the critical study of biblical texts can contribute to the attempts to understand, identify, and heal moral injury.

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