‘Soirées de Barcelone’: towards a performing version

Tempo ◽  
1996 ◽  
pp. 22-27
Author(s):  
Calum MacDonald

These observations form a long-delayed epilogue to my article ‘Soirées de Barcelone: a Preliminary Report’ in Tempo 139 (December 1981), where I outlined the history of Roberto Gerhard's Catalan ballet, a major score which was then (and remains now) virtually unknown save for the performance of some excerpts. For the work's conception, and its commission from Colonel de Basil's Ballets Russes de Monte Carlo, readers should consult that article, and the article by Julian White in the present issue. This was the work-in-progress – apparently still at that stage bearing its original title Les Feux de la Saint Jean – which Gerhard took with him when the climax of the Spanish Civil War and the fall of the Republic forced him into exile in France in January 1939. He continued to work on it during the following five months he spent in Paris and Meudon.

2021 ◽  
Vol 32 (1) ◽  
pp. 324-368
Author(s):  
Ekaterina Grantseva ◽  

For many years, representatives of Soviet and then Russian historical science paid special attention to the period of the Second Spanish Republic and, especially, to the events of 1936-1939. The Spanish Civil War was and remains a topic that attracts the attention of specialists and influences the development of a multifaceted Russian-Spanish cultural dialogue. There are significantly fewer works on the peaceful years of the Republic, which is typical not only for domestic science, but also for the historiography of this period as a whole. Four key periods can be distinguished in the formation of the national historiography of the Spanish Republic. The first is associated with the existence of the Republic itself and is distinguished by significant political engagement. The second opens after 1956 and combines the continuity with respect to the period of the 1930s. and, at the same time, striving for objectivity, developing methodology and expanding the source base. The third stage is associated with the period of the 1970s-1980s, the time of the restoration of diplomatic relations between the USSR and Spain, as well as the active interaction of historians of the two countries. The fourth stage, which lasted thirty years, was the time of the formation of the Russian historiography of the Second Republic, which sought to get rid of the ideological attitudes that left a significant imprint on the research of the Soviet period. This time is associated with the active archival work of researchers and the publication of sources, the expansion of topics, interdisciplinary approaches. Among the studies of the history of the Second Republic outside Spain, Russian historiography has a special place due to the specifics of Soviet-Spanish relations during the Civil War, and the archival funds in our country, and the traditions of Russian historical Spanish studies, and the preservation of republican memory.


2021 ◽  
Vol 66 (1) ◽  
pp. 212-225
Author(s):  
Daniel Kowalsky ◽  

The Spanish Civil War played a unique role in the Soviet Union’s geo-political strategies in the second half of the 1930s. The conflict marked the first occasion that Moscow had participated in a foreign war beyond its traditional spheres of influence. But Soviet involvement in the Spanish war went far beyond the sale of armor and aviation to the beleaguered Spanish Republic. While Moscow organized and supported the creation of the International Brigades, on the cultural front, the Soviets sought to roll out a broad program of propaganda, employing film, poster art and music to link the destinies of the Slavic and Hispanic peoples. If scholars have succeeded in recent years to rewrite the history of many components of Soviet participation in the Spanish Civil War, diplomatic relations between the Republic and Moscow remain an unexplored theme. This is the first instalment of a two-part article, unpublished official documents, as well as memoirs, newsreels, private letters and the press, to offer the first narrative history of the Republican embassy in Moscow. The diplomatic rapprochement between the USSR and Spain in 1933 is explored as a prelude to the exchange of ambassadors following the outbreak of the Civil War in summer 1936. The appointment of the young Spanish doctor Marcelino Pascua to a newly recreated Moscow embassy is examined in detail, up to autumn 1937. This article allows the reader hitherto unavailable access to the daily trials, disappointments and occasional breakthroughs experienced by the Spanish Republican ambassador in Stalin’s Soviet Union.


Author(s):  
Guadalupe Adámez Castro

RESUMEN Tras la derrota republicana en la Guerra Civil fueron muchos los españoles que tuvieron que huir y comenzar una nueva vida. La gran mayoría se asentó en Francia aunque muchos otros optaron por pedir asilo en el continente americano, especialmente en México. Su presidente, Lázaro Cárdenas, puso como condición principal para esta acogida que las instituciones de ayuda a los refugiados, creadas con los fondos de la República española, financiaran los viajes de estos hacia el país azteca, así como su manutención y alojamiento durante los primeros meses de su estancia en dicho lugar. Para llevar a cabo esta tarea se creó el Comité Técnico de Ayuda a los Republicanos Españoles (CTARE) capitaneado por José Puche, delegación del Servicio de Evacuación de los Republicanos Españoles (SERE) en México. A este Comité llegaron miles de peticiones de ayuda en las que los refugiados mostraban cuáles eran sus necesidades y preocupaciones más urgentes. El análisis de una parte de estas súplicas es el eje central de este trabajo, que pretende demostrar cuál fue el camino que siguieron estas cartas desde su escritura hasta su concesión o negación y qué huellas administrativas pueden encontrarse en las mismas, así como señalar cuáles son sus características esenciales. Gracias al análisis de estas peticiones podremos conocer el funcionamiento interno del Comité y recuperar la historia de los exiliados anónimos, generalmente marginados en buena parte de las obras escritas sobre esta temática.   PALABRAS CLAVE: cartas de súplica, exilio republicano español, México, siglo XX, Comité Técnico de Ayuda a los Republicanos Españoles (CTARE)   ABSTRACT After the defeat of the Republic in the Spanish Civil War many were forced to flee and begin a new life. Although the bulk of refugees fled to France, many others sought asylum in America, primarily in Mexico. As the main condition for receiving them the President of Mexico at that time, Lázaro Cárdenas, required the aid institutions, created with funds from the Spanish Republic, to pay for the travel, maintenance and accommodation of the refugees during their first months in Mexico. For that reason, the Servicio de Evacuación de los Republicanos Españoles (SERE) decided to create a delegation in Mexico, the Comité Técnico de Ayuda a los Republicanos Españoles (CTARE), led by José Puche. This Committee received thousands of requests for assistance with what the refugees considered their most urgent necessities. This paper seeks to analyze part of these requests. First, we show the administrative route of the request, leading either to its acceptance or rejection, as well as the administrative traces left by this process on the letters. Second, we analyze the main characteristics of the request. Thanks to the analysis of these requests we gain knowledge of the internal functioning of the Committee and recover the history of the anonymous exiles, generally excluded in a large percentage of the work written on this subject.   KEY WORDS: writing culture, letters of pleading, Spanish Republican exile, Mexico, aid agencies, Comité Técnico de Ayuda a los Republicanos Españoles (CTARE)


2020 ◽  
Vol 29 (3) ◽  
pp. 285-288
Author(s):  
Mary Vincent

Any civil war leaves a legacy of partisanship. Divisions persist over time and may be particularly bitter when, as in Spain, a culture of victory survives long after the end of hostilities. Any attempt at reconciliation was postponed, leading to an unusually bifurcated historiography, framed by a perennial interest into who, at base, was responsible for the outbreak of the civil war. The parameters of this debate were set in the 1970s, most notably in works by Stanley Payne and Paul Preston. It has continued in various guises since then, most recently revived by a generation of Spanish scholars, such as Fernando del Rey Reguillo, who have added case studies and new levels of detail, while leaving the terms of the debate more or less unchanged. Of course the historiographical panorama can change, often in tandem with the historical context, as several contributions to this roundtable make clear, notably those of Vjeran Pavlaković, Helen Graham and Giuliana Chamedes. However, the framing of the Spanish Civil War is still essentially moral: who bore responsibility for the outbreak of war, who was to blame for the defeat of the republic and, as a consequence, the conduct of the repression. One result has been to assimilate the history of the civil war with that of the Second Republic; another is a historiography that is largely political in tone and focus.


2021 ◽  
Vol 66 (2) ◽  
pp. 490-503
Author(s):  
Daniel Kowalsky ◽  

The Spanish Civil War played a unique role in the Soviet Union’s geo-political strategies in the second half of the 1930s. The conflict marked the first occasion that Moscow participated in a foreign war beyond its traditional spheres of influence. But Soviet involvement in the Spanish war went far beyond the sale of armor and aviation to the beleaguered Spanish Republic. While Moscow organized and supported the creation of the International Brigades, on the cultural front, the Soviets sought to roll out a broad program of propaganda, employing film, poster art and music to link the destinies of the Slavic and Hispanic peoples. If scholars have succeeded in recent years to rewrite the history of many components of Soviet participation in the Spanish Civil War, diplomatic relations between the Republic and Moscow remain an unexplored theme. This is the conclusion of a two-part article that explores declassified, unpublished official documents, as well as memoirs, newsreels, private letters and the press, to offer the first narrative history of the Republican embassy in Moscow. In part one, the diplomatic rapprochement between the USSR and Spain in 1933 was explored as a prelude to the exchange of ambassadors following the outbreak of the civil war in summer 1936. The posting of the young Spanish doctor Marcelino Pascua to a newly recreated Moscow embassy was then examined in detail, up to the end of summer 1937. In the second part, the successes, failures and denouement of Pascua’s mission are set against the backdrop of the Republic’s dwindling fortunes in the civil war.


2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.


2021 ◽  
pp. 002200942199789
Author(s):  
David A. Messenger

The bombardment of civilians from the air was a regular feature of the Spanish Civil War from 1936 to 1939. It is estimated some 15,000 Spaniards died as a result of air bombings during the Civil War, most civilians, and 11,000 were victims of bombing from the Francoist side that rebelled against the Republican government, supported by German and Italian aviation that joined the rebellion against the Republic. In Catalonia alone, some 1062 municipalities experienced aerial bombardments by the Francoist side of the civil war. In cities across Spain, municipal and regional authorities developed detailed plans for civilian defense in response to these air campaigns. In Barcelona, the municipality created the Junta Local de Defensa Passiva de Barcelona, to build bomb shelters, warn the public of bombings, and educate them on how to protect themselves against aerial bombardment. They mobilized civilians around the concept of ‘passive defense.’ This proactive response by civilians and local government to what they recognized as a war targeting them is an important and under-studied aspect of the Spanish Civil War.


Author(s):  
Pavel Petrov ◽  
◽  
Nicolai Russev ◽  
Vladimir Isaev ◽  

The scientific literature has been enriched with new very interesting information about the hoards of the late 14th century found in the Republic of Moldova. The purpose of this preliminary communication is to offer for scientific discussion several types of Juchid coins found in a large treasure hoard in the south of Moldova. One type of coins is dirhams of Kilia 770/1368—1369, the second type is dirhams without indication of a mint and anonymous, with the year 1371. The article contains photos of coins, their catalog description, as well as classification. In addition, the authors offer a brief historical reference and a retrospective of the finds of treasures from the end of the 14th century on the territory of Moldova and in neighboring lands.


Author(s):  
Anne Donlon

This essay examines the life of African American social worker Thyra Edwards, who traveled to Spain during its civil war, and returned home to fund-raise and organize. She created a scrapbook, a public-facing record of African American women’s efforts on behalf of Republican Spain, made up of photographs prepared for publication and articles about her efforts circulated in newspapers. This feminist perspective of the “folks at home” is a crucial addendum to black history of the war in Spain. Edwards’s scrapbook is a multifaceted document: a kind of autobiography that is self-conscious in its historical record-keeping, an account of a very broad black Popular Front, and a black feminist history of the Spanish Civil War.


Sign in / Sign up

Export Citation Format

Share Document