Multiple colorimetry of the Sun

1966 ◽  
Vol 24 ◽  
pp. 254-255
Author(s):  
G. E. Kron

In spite of the importance of knowing the color of the Sun on a modern standard photo-electric system, only two efforts have been made during recent times to measure this quantity. These are by Stebbins and Kron (1) who measured the Sun on the six-color system of Stebbins and Whitford, and by Louis Gallouët (2) who measured the Sun on theUBVsystem of Johnson and Morgan. Stebbins and Kron compared the light from the Sun after it had been dimmed with a special “reducing” device with the light from a tungsten ribbon filament standard lamp, which, in turn, had been compared with the light of distant stars. Gallouët, on the other hand, measured both the Sun and stars by means of an extremely ingenious optical instrument that acted as a light gatherer when used on the distant stars, and as a light reducer when used in its inverted optical sense on the Sun. Gallouët also measured the magnitude of the Sun, as well as the color and magnitude of the full Moon.

2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Jingxia Lin

AbstractTypological shift in lexicalizing motion events has hitherto been observed cross-linguistically. While over time, Chinese has shown a shift from a dominantly verb-framed language in Old Chinese to a strongly satellite-framed language in Modern Standard Mandarin, this study presents the Chinese dialect Wenzhou, which has taken a step further than Standard Mandarin and other Chinese dialects in becoming a thoroughly satellite-framed language. On the one hand, Wenzhou strongly disfavors the verb-framed pattern. Wenzhou not only has no prototypical path verbs, but also its path satellites are highly deverbalized. On the other hand, Wenzhou strongly prefers the satellite-framed pattern, to the extent that it very frequently adopts a neutral motion verb to head motion expressions so that path can be expressed via satellites and the satellite-framed pattern can be syntactically maintained. The findings of this study are of interest to intra-linguistic, diachronic and cross-linguistic studies of the variation in encoding motion events.


1867 ◽  
Vol 15 ◽  
pp. 256-258 ◽  

The two most recent theories dealing with the physical constitution of the sun are due to M. Faye and to Messrs. De la Rue, Balfour Stewart, and Loewy. The chief point of difference in these two theories is the explanation given by each of the phenomena of sun-spots. Thus, according to M. Faye, the interior of the sun is a nebulous gaseous mass of feeble radiating-power, at a temperature of dissociation; the photosphere is, on the other hand, of a high radiating-power, and at a temperature sufficiently low to permit of chemical action. In a sunspot we see the interior nebulous mass through an opening in the photosphere, caused by an upward current, and the sun-spot is black, by reason of the feeble radiating-power of the nebulous mass.


JOGED ◽  
2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Dewi Sinta Fajawati

Bulan merupakan sumber inspiratif dalam penggarapan karya tari ini. Secara ilmu pengetahuan, Bulan adalah benda langit yang disebut satelit, satelit satu-satunya yang dimiliki Bumi dan tercipta secara alami. Banyak teori yang mengatakan tentang terbentuknya Bulan, salah satunya adalah teori Big bang atau dentuman besar. Pada dasarnya Bulan hanyalah sebuah Benda besar berbentuk bulat yang tidak bisa bercahaya, cahaya yang kita lihat pada malam hari merupakan refleksi dari cahaya matahari. Akan tetapi keindahannya memang tidak bisa dipungkiri, karena dia paling bercahaya diantara hamparan langit yang gelap. Cahayanya tidak selalu terang, bahkan tidak selalu bulat, terkadang hanya terlihat setengah atau terlihat seperti sabit..            Penata tari memetaforakan objek bulan yang berada di tempat yang sangat tinggi sebagai sebuah cita-cita yang ingin dicapai. Seringkali lagu anak-anak yang menjadi pengalaman auditif penata tari, menjadikan bulan sebagai objek yang ingin digapai, misal lagu ‘Ambilkan Bulan Bu’. Namun intisari yang akan dipakai dalam penggarapan koregrafinya adalah tentang fase bulan yang tercipta. Bersumber dari rangsang awal melihat bulan atau rangsang visual, penata tari menginterpretasikan fase-fase bulan yang terjadi sebagai fase kehidupan yang dijalani untuk menggapai sebuah cita-cita tersebut.            Koreografi diwujudkan dalam bentuk kelompok dengan membagi dua karate penari. Delapan penari merupakan simbolisasi Bulan, dan satu penari sebagai manusia yang bercita-cita. Dengan bentuk tari dramatik, penyajiannya dibagi menjadi 5 adegan, yaitu Introduksi Big bang, Adegan 1 Moon happen, Adegan 2 Mengejar Impian, Adegan 3 Dancing with Moon, dan Ending ‘Catch Your Dream’. The moon is the essential inspirations of this choreograph. Theoretically, the moon is a sky object which is called as satellite. The one and only naturally created satellite belongs to the planet Earth. There are many theories that explain how the moon was created. One of those theories is Big Bang theory or massive crash. Basically, the moon is just a huge circle thing which is unable to shine its glow. The light that we experience in the evening is the reflection of the sun. However, thebeauty of the moonlight is undeniable as it has the significant light within the darkest night sky. Its light is not always the strongest, even it’s not always circle (full), every so often it is seemed only the half part of it or crescent moon.            The choreographer interpreted the moon that belongs in the highest as the goals that she wants to reach. Most of the time, the children songs (lullaby) that pick the moon as the main object that is desired to be reached, for example the song “Ambilkan Bulan, Bu”. The essential idea that is explored in this choreograph is the creational phase of the moon itself. It was started by way of visual reaction when the choreographer observed the moon, she interpret the moon’s phases as the phases in human’s life which are gone through to reaching their goals. Fall and recovery, passionate, and even sometimes they give it in, are interpreted from the moonlight. The full moon which has the brightest and the most perfect light is likened as the strong spirit. The crescent moon with its soft light is interpreted as low spirit and unconfident.             This in-group-choreograph is separated into two characters with 8 female dancers that are the symbolization of the moon and the other one female dancer symbolizes a human with aspire. With dramatic dance form, this choreograph is presented into five parts, including introduction part of Big Bang, Moon Happen in part one, Chasing Dream is part two, Dancing With The Moon in part three, Catch Your Dream in the ending part.


1933 ◽  
Vol 4 ◽  
pp. 34-57
Author(s):  
M. C. E.St John ◽  
MM. Abbot ◽  
Abetti ◽  
Anderson ◽  
Bjerknes ◽  
...  

The president calls attention to the large and increasing membership of Commission 12 and the policy of concentrating in it all matters relating to the sun. The result makes it comparable in breadth of field and in membership to the former Union for Co-operation in Solar Research. The main point in favour of this policy is the increased interest in the meetings of the Commission and the larger number of individuals reached compared with the meetings of small committees. One recalls the general sessions of the Solar Union in which each one present felt himself a part of the Union and in real touch with the work of different sections and after the discussions went away with fuller knowledge of what it was all about. This was a valuable result not attained to the same degree from the general sessions of the present Union, but in a measure it does follow from the meetings of the Solar Physics Committee. On the other hand the question may be raised whether or not the merging of independent commissions into subdivisions of a large commission lessens their interest to an extent not balanced by the advantages. If the present policy holds, it seems to the president that a re-organisation of Commission 12 is advisable by which more responsibility is laid upon the directors of centres. The basis of membership in the Commission may well be considered and recommendations formulated for transmission to the Executive Committee.


1948 ◽  
Vol 38 (1-2) ◽  
pp. 37-42
Author(s):  
Stefan Weinstock

It is known that the Greeks found the means of time-reckoning when they began to observe and to record the rising and setting of the stars. Such recording had already been made in Babylonia and Egypt and taken up in Greece (and further developed) by Hesiod, Democritus, Eudoxus, and Ptolemy. Our knowledge of what they achieved was based until the end of the nineteenth century on the calendars of Geminus, Ptolemy, Aetius Amidenus, the Quintilii, Clodius Tuscus (and on some occasional references in other writers). In recent decades further examples have been found in astrological manuscripts and in papyri, amongst which the Calendar of Antiochus and that of the Pap. Hibeh 27 are the most prominent. Professor Rehm in his admirable Parapegmastudien has recently shown how much can be learnt from the simple entries in calendars about time-reckoning, astronomy, and, in general, about the cosmic system of a nation or a period. Religious entries on the other hand (which are of great importance for the origin and development of festivals) are less frequent—we find in the Hibeh Papyrus a number of local Egyptian festivals and in the Calendar of Antiochus two festivals of the Sun and a festival of the Nile.


In the Philosophical Transactions for the year 1767, a suggestion is thrown out by Mr. Michell, that a comparison between the light received from the sun and any of the fixed stars, might furnish data for estimating their relative distances; but no such direct comparison had been attempted. Dr. Wollaston was led to infer from some observations that he made in the year 1799, that the direct light of the sun is about one million times more intense than that of the full moon, and therefore very many million times greater than that of all the fixed stars taken collectively. In order to compare the light of the sun with that of a star, he took, as an intermediate object of comparison, the light of a candle reflected from a small bulb, about a quarter of an inch in diameter, filled with quicksilver, and seen, by one eye, through a lens of two inches focus, at the same time that the star or the sun’s image, placed at a proper distance, was viewed by the other eye through a telescope. The mean of various trials seemed to show that the light of Sirius is equal to that of the sun seen in a glass bulb one tenth of an inch in diameter, at the distance of 210 feet, or that they are in the proportion of one to ten thousand millions; but as nearly one half of the light is lost by reflection, the real proportion between the light from Sirius and the sun is not greater than that of one to twenty thousand millions. If the annual parallax of Sirius be half a second, corresponding to a distance of 525,481 times that of the sun from the earth, its diameter would be 3⋅7 times that of the sun, and its light 13⋅8 times as great. The distance at which the sun would require to be viewed, so that its brightness might be only equal to that of Sirius, would be 141,421 times its present distance; and if still in the ecliptic, its annual parallax in longitude would be nearly 3″; but if situated at the same angular distance from the ecliptic as Sirius is, it would have an annual parallax, in latitude, of 1″⋅8.


K ta Kita ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 72-76
Author(s):  
Jonatan Alexander

This study is intended to find out the meaning behind verbal and non-verbal communication in product placement in Korean drama, Descendant of the Sun. Conducting this study, I apply the theory process of signification proposed by Saussure (1974) and Chandler (2007) and Kinesics proposed by Birdwhistell (1970). The subject of this study is verbal and non-verbal communication in product placement in Korean drama Descendants of the Sun. The data was collected through video media from AsianNet.com and several resources. The findings of this study showed that verbal and non-verbal communication in drama DOTS creates the meaningful messages to its viewers. The findings also show that almost everything in the product placement, possibly have communicative purpose to its viewers. This study also found that non-verbal expressions are generally used to support the verbal communication and it is central to interpersonal relations because non-verbal cues are generally important in emotional communication. On the other hand, verbal communication is central to official or formal relationship. Moreover, the verbal and non-verbal communication in product placement mainly have communicative purpose to encourage, inform, persuade even change the opinion to its viewers to buy, use and know more about the products and services.


1866 ◽  
Vol 5 ◽  
pp. 213-214
Author(s):  
Balfour Stewart
Keyword(s):  
The Sun ◽  

The author was led to examine the sun pictures taken by the Kew Photoheliograph, with the view of ascertaining if any connection exists between the behaviour of sun spots and planetary configurations.It was found, that when any portion of the sun's disc recedes by virtue of rotation from the neighbourhood of Venus, it acquires a tendency to break out into spots, and, on the other hand, when such approaches Venus, there is a tendency towards the healing up of spots. Carrington's observations were then discussed, which seem to show that, on the whole, the sun's surface is fullest of spots when Jupiter is furthest from our luminary, and freest from spots when he is nearest.


1963 ◽  
Vol 19 ◽  
pp. 193-220 ◽  
Author(s):  
K. O. Kiepenheuer

While at night almost all optical effects of the atmosphere have to be investigated by using stellar images, the solar observer has at his disposal the solar disk of about half a degree in diameter, covered all over with low contrast details of about 1″, the granules, and confined to the sky by a sharp limb. This enables him to observe all effects occuring within the area of the Sun simultaneously, to follow even the propagation of certain atmospheric effects across the disk. On the other hand he has only the Sun and cannot — as night astronomers might do — extend his observations to all directions in the sky.


1962 ◽  
Vol 14 ◽  
pp. 63-66
Author(s):  
H. I. Potter

A study of the general figure of the Moon is of great importance for the solution of many problems. First of all, in astrometric observations of the Moon the position of its centre is determined by reference to its limb; and thus in order to compare the observed coordinates of the Moon with ephemerides it is necessary to adopt a definite hypothesis about the form of the limb. On the other hand, when compiling maps of the marginal zone of the Moon it is necessary to refer the heights of individual points to the barycentric sphere, common for all sections of the limb and all phases of libration. And, thirdly, studies of the rotation of the Moon and of its physical librations are also connected with the measurement of points on the limb and require the knowledge of its general form. Finally, a knowledge of the exact figure of the Moon is highly important for the theory of the origin and evolution of our satellite.


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