John Hinshaw, Steel and Steelworkers: Race and Class Struggle in Twentieth-Century Pittsburgh. Albany: State University of New York Press, 2002. 320 pp. $75.50 cloth; $25.95 paper

2004 ◽  
Vol 65 ◽  
pp. 227-229
Author(s):  
Ruth Needleman
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Significant Contribution ◽  
Class Struggle ◽  
Historical Research ◽  
State University ◽  
Race And Class ◽  
The Past ◽  
Steel Mills ◽  
Growing Body

Richly descriptive and well documented, Steel and Steelworkers: Race and Class Struggle in Twentieth-Century Pittsburgh by John Hinshaw makes a significant contribution to the growing body of historical research on steel unionism in the twentieth century. Over the past few years, a number of new studies have broadened our understanding of unionization and work practices in the nation's steel mills, by examining in greater detail the patterns of organization in specific mills and mill towns.

scholarly journals In search of America’s old covered bridges

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Ronald G. Knapp
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Twentieth Century ◽  
The Past ◽  
American Landscape

AbstractAmerica’s first documented wooden covered bridge was erected at Philadelphia, Pennsylvania in 1805. Hundreds were constructed within two decades and at least 10,000 by the later 1800s. As settlers moved West, broad rivers were crossed with inventive structures incorporating timber trusses ingeniously developed by carpenters. Called covered bridges because of the roof and siding needed to protect the timber trusses, they became ubiquitous features on the American landscape. Over the past two centuries, most covered bridges were lost to flood, ice, arson, lightening, decay, as well as “progress,” replaced by “modern” iron, concrete, and steel spans. Of some 700 covered bridges remaining, many are mere replicas of their original forms no longer supported by timber trusses. Genuine historic bridges remain largely from the last half of the 1800s while civic boosterism has led to claims of earlier dates with often questionable authenticity. This essay presents three wooden covered bridges constructed in the 1820s along a 10-mile stretch of the Wallkill River in New Paltz, New York. Of the three, only Perrine’s Bridge, constructed first in 1821 and covered in 1822, is still standing with intact Burr timber trusses. Perrine’s is an iconic structure with exceptional heritage value because of authentic re-building and restoration in 1834, 1846, 1917, and 1968. Using documentary records, this essay establishes an accurate intertwined chronology for the three bridges, detailing nineteenth century building practices and contentious mid-twentieth century struggles pitting preservationists wanting authentic restoration against those wanting removal.

scholarly journals ‘From Zionism to Communism’: Emilio Sereni and the Consiglio di Gestione in postwar Italy

Modern Italy ◽  
2021 ◽  
pp. 1-23
Author(s):  
Andrea Bonfanti
Keyword(s):  
Twentieth Century ◽  
Historical Research ◽  
Previous Experience ◽  
Past Century ◽  
The Past ◽  
Early Twentieth Century ◽  
Postwar Italy

This essay demonstrates that it is impossible to appreciate the actions of the Italian communist Emilio Sereni without considering his Zionist background. Anyone who is interested in understanding the complexities of communism in the past century and to avoid simplistic conclusions about this ideology will benefit from the study. The problem at stake is that researchers often approach communism in a monolithic manner, which does not adequately explain the multiform manifestations (practical and theoretical) of that phenomenon. This ought to change and to this extent this essay hopes to contribute to that recent strand of historical research that challenges simplistic views on communism. More specifically, by analysing the Management Councils that Sereni created in postwar Italy, we can see that many of their features in fact derived from, or found their deepest origins in, his previous experience as a committed socialist Zionist. The study, then, also relates Sereni to and looks at the broader experiences of early twentieth-century Zionism and Italian communism in the early postwar years.

Balanchine, George (1904–1983)

2018 ◽  
Author(s):  
Nancy Reynolds
Keyword(s):  
New York ◽  
Twentieth Century ◽  
York City ◽  
Violin Concerto ◽  
Classical Dance ◽  
George Balanchine ◽  
The Past ◽  
The World ◽  
Classical Ballet

George Balanchine (Georgii Melitonovich Balanchivadze), arguably the greatest ballet choreographer of the twentieth century, was at once both modernist and traditionalist. Unlike many radical innovators, in charting new ground he did not reject the past. Virtually all of his major works make reference, even if obliquely, to the classical ballet technique in which he was trained. Although born in Russia and active in Europe in the early part of his career, it was in America that he made his greatest impact, directing the New York City Ballet, which he co-founded with Lincoln Kirstein, from its inception in 1948 until his death in 1983. During this time, the company grew from modest beginnings to become one of the most important ballet troupes in the world. Balanchine is credited with creating a particularly American style of classical dance, one that is characterized by speed, precision, energy, daring, and a rough grace more associated with athletes than with sylphs. His more than 400 dance works include Apollo (1928), Serenade (1934), Concerto Barocco (1941), Le Palais de cristal (later renamed Symphony in C) (1948), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981).

scholarly journals Understanding Fundamentalism

2003 ◽  
Vol 20 (1) ◽  
pp. 125-128
Author(s):  
Sophie Gilliat-Ray
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Undergraduate Students ◽  
Rapid Change ◽  
State University ◽  
The People ◽  
Sacred Scripture ◽  
School Workplace ◽  
Good And Evil

From the opening pages of the preface until the last sentence of the conclusion,this book is well-written, authoritative, and insightful. The authordraws upon some 40 years of rich experience as an anthropologist in theMiddle East and further afield to offer a clear analytical account of fundamentalismin the three monotheistic traditions of Christianity, Judaism, andIslam. His book also draws upon a decade of teaching and debate aboutfundamentalism with undergraduate students at the State University of New York at Binghamton, and the clarity of his writing reflects an appreciationof the needs and interests of students.Antoun defines the phenomenon of fundamentalism as “an orientation tothe world, a particular worldview and ethos, and as a movement of protestand outrage against the rapid change that has overtaken the people of anincreasingly global civilization at the end of the twentieth century.” He arguesthat it has defining characteristics wherever it is found: scripturalism (beliefin the literal inerrancy of sacred scripture); the search for purity in an impureworld; traditioning (making the ancient immediately relevant to the contemporarysituation); totalism (taking religion beyond the worship center tohome, school, workplace, bank, and elsewhere); activism (challenging establishments,both political and religious, sometimes by violent protest); struggleof good and evil; and selective modernization and controlled acculturation.These themes are explored in depth over the course of five chapters,with a sixth chapter based on a case study that presents a recording of conversationsbetween the author and a “fundamentalist” in Jordan in 1986 ...

scholarly journals Review Article: The Vanished Ghosts in Two Hungarian Family Memoirs. Farkas, Charles. 2013. Vanished by the Danube: Peace, War, Revolution, and Flight to the West (Introduction by Margaret McMullan). Albany: Excelsior Editions, State University of New York Press. 472 pp. Illus; and Barlay, Nick. 2013. Scattered Ghosts: One Family's Survival through War, Holocaust and Revolution. London and New York: I. B. Tauris. 240 pp. Illus.

2015 ◽  
Vol 7 ◽  
pp. 11-20
Author(s):  
Ruth G. Biro
Keyword(s):  
New York ◽  
Twentieth Century ◽  
World War Ii ◽  
Review Article ◽  
State University ◽  
World War ◽  
The West ◽  
Hungarian Revolution ◽  
The Holocaust ◽  
Visual Artifacts

Recent personal documentary works about major historical events of the twentieth century, e.g., World War II, the Holocaust and the 1956 Hungarian Revolution, offer their readers a rich and multifaceted narrative, or a history that is also "his story," "her story" and that of entire families, cohorts and communities. Often, these works are accompanied by visual artifacts such as photographs, family tress, maps etc., or supported by concise historical surveys. Thus these memoirs complete the work of historians with the lived experiences of the few that represent many. Such is the case with two 2013 books by Charles Farkas and Nick Barlay depicting their mid-twentieth century Hungarian families, one Christian and one Jewish, through two World Wars and the anti-communist uprising, culminating in their escape to the West and in the two authors looking back upon the Hungarian past of their families.

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