Antecedents of the Burma Road: British Plans for a Burma-China Railway in the Nineteenth Century

1962 ◽  
Vol 3 (2) ◽  
pp. 1-18 ◽  
Author(s):  
Ralph C. Croizier

Among the most obvious and durable monuments to the colonial age in Asia are the great engineering projects which have permanently transformed the physical and economic geography of the continent. Many of these have an interesting history of their own, both in the political and commercial history of the country building them and on the level of international politics. This is true not only for such successfully completed projects as the Suez Canal or the Trans-Siberian Railway, but also for great schemes which were never realized. In Southeast Asia the long-discussed Kra Canal is the most famous instance of the latter, but it is not unique. Throughout most of the second half of the Nineteenth Century the British Government and especially the British business community dallied with the idea of a rail link between the Bay of Bengal and the interior provinces of China. Those familiar with the building of the Burma Road will understand the enormous engineering problems involved in such a plan. But for most of the Nineteenth Century geographic knowledge of Southeast Asia was extremely vague and the lure of a several thousand mile shortcut to the perennially fascinating markets of China exerted a strong pull on the imagination of a commercial nation. Ultimately, international political complications and sound economic logic killed ven the idea of such a railway. But the light it throws on government — business relations within the British Empire and on imperial rivalries in Southeast Asia makes the story of the first Burma Road, the one that was never built, well worth the telling.

2018 ◽  
Vol 55 (2) ◽  
pp. 173-189
Author(s):  
Tim Hannigan

The “upas tree” is one of the most enduring European myths about Southeast Asia. Accounts of a tree so toxic that it renders the surrounding atmosphere deadly can first be identified in fourteenth-century journey narratives covering what is now Indonesia. But while most other such apocrypha vanished from later European accounts of the region, the upas myth remained prominent and in fact became progressively more elaborate and fantastical, culminating in a notorious hoax: the 1783 account of J. N. Foersch. This article examines the history of the development of the upas myth, and considers the divergent responses to Foersch’s hoax amongst scientists and colonial administrators on the one hand, and poets, playwrights, and artists on the other. In this it reveals a significant tension within the emerging “Orientalist” discourse about Southeast Asia in the early nineteenth century.


2019 ◽  
Vol 3 (2) ◽  
pp. 111
Author(s):  
Rio Akbar Pramanta ◽  
Roihanatul Maziyah ◽  
Dela Karisma ◽  
Putri Rahma Asri ◽  
Ayu Tiara Karel Bua ◽  
...  

ASEAN and Australia has a long history of mutual partnership. It is a strategic foreign policy for both parties. ASEAN needs to maintain its power and influence with their neighboring countries to maintain the political stability in the Southeast Asian region. On the other hand, Australia needs Southeast Asia because it serves as a strategic and crucial pivot of numerous benefits and interests for them, including but not limited to security and economics. However, ASEAN-Australia relations is not separated from the geopolitical implications. The geopolitical factors determine the strategic partnership between ASEAN and Australia, thus leading to the hypothesis in this article where Australia needs ASEAN more than the vice versa, and Australia is the one who benefits more in terms of relative gain, relative to ASEAN.Keywords: ASEAN-Australia relations, neorealism, relative gain, geopolitics


2021 ◽  
pp. 1-25
Author(s):  
Callie Wilkinson

Abstract For historians of empire, scandals provide a useful starting point for investigating how the operations of imperial power were contested and reworked in moments of crisis. Yet, existing scholarship on imperial scandal consists mostly of case-studies that do not always reflect on the larger trend of which they are a part. This review draws on six accounts of imperial scandals to produce a general picture of the characteristics and functions of scandals in the historiography of the nineteenth-century British empire. What this comparison suggests is that imperial scandals possessed distinctive stakes and seem, as a result, to have represented periodic ruptures in longer-term patterns of local silence and complicity. Scandals, if used cautiously, can therefore provide evidence to support ongoing discussions about the logic of colonial concealment. At the same time, scandals also remind us that publicity is not a simple cure-all. By including a wider range of actors and non-governmental sources, future studies of scandal might elucidate the political limits of transparency, as well as exploring how imperial subjects negotiated gendered and racialized access to public and political platforms.


2016 ◽  
Vol 5 (2) ◽  
pp. 275
Author(s):  
Anna Clara Lehmann Martins

Resumo: Este trabalho busca delinear como Herculano, em História da origem e estabelecimento da Inquisição em Portugal (1854-1859), aborda historiograficamente elementos relativos ao período de formação da cristandade, a era patrística. Leva-se em conta como os elementos em si são tratados e também o contraste entre tal tratamento e aquele conferido pelo autor a eventos temporalmente mais próximos, caso da Inquisição portuguesa. Em um primeiro momento, é esboçado como Herculano situa-se no cenário político, jurídico e religioso de Portugal no século XIX, a fim de que, em seguida, possa-se adentrar em sua produção historiográfica. Como conclusão, verifica-se que o período patrístico, em Herculano, caracteriza-se pela tolerância material do clero, pela autonomia e horizontalidade episcopal, sendo investido de significativo matiz liberal.Palavras-chave: Alexandre Herculano; Patrística; História da Inquisição; Liberalismo. Abstract: This work aims to outline how Herculano, in História da origem e estabelecimento da Inquisição em Portugal (1854-1859), historiographically addresses elements related to the period of formation of Christianity, the Patristic Age. It is taken into account the treatment given to the elements themselves and also the contrast between such treatment and the one conferred to temporally closer events, such as the Portuguese Inquisition. Firstly, we outline how Herculano situates himself in the political, legal and religious scenario of Nineteenth Century Portugal, so that, in a second step, we may enter into Herculano’s historiography. In conclusion, it is observed that the Patristic period, in Herculano, is characterized by material tolerance from the clergy, episcopal autonomy and horizontality, being invested of a significant liberal shade.Keywords: Alexandre Herculano; Patristics; History of the Inquisition; Liberalism. 


2002 ◽  
Vol 29 (3) ◽  
pp. 333-336
Author(s):  
PIOTR DASZKIEWICZ ◽  
MICHEL JEGU

ABSTRACT: This paper discusses some correspondence between Robert Schomburgk (1804–1865) and Adolphe Brongniart (1801–1876). Four letters survive, containing information about the history of Schomburgk's collection of fishes and plants from British Guiana, and his herbarium specimens from Dominican Republic and southeast Asia. A study of these letters has enabled us to confirm that Schomburgk supplied the collection of fishes from Guiana now in the Laboratoire d'Ichtyologie, Muséum National d'Histoire Naturelle, Paris. The letters of the German naturalist are an interesting source of information concerning the practice of sale and exchange of natural history collections in the nineteenth century in return for honours.


2020 ◽  
pp. 74-86
Author(s):  
Alexandra Arkhangelskaya

The history of the formation of South Africa as a single state is closely intertwined with events of international scale, which have accordingly influenced the definition and development of the main characteristics of the foreign policy of the emerging state. The Anglo-Boer wars and a number of other political and economic events led to the creation of the Union of South Africa under the protectorate of the British Empire in 1910. The political and economic evolution of the Union of South Africa has some specific features arising from specific historical conditions. The colonization of South Africa took place primarily due to the relocation of Dutch and English people who were mainly engaged in business activities (trade, mining, agriculture, etc.). Connected by many economic and financial threads with the elite of the countries from which the settlers left, the local elite began to develop production in the region at an accelerated pace. South Africa’s favorable climate and natural resources have made it a hub for foreign and local capital throughout the African continent. The geostrategic position is of particular importance for foreign policy in South Africa, which in many ways predetermined a great interest and was one of the fundamental factors of international involvement in the development of the region. The role of Jan Smuts, who served as Prime Minister of the Union of South Africa from 1919 to 1924 and from 1939 to 1948, was particularly prominent in the implementation of the foreign and domestic policy of the Union of South Africa in the focus period of this study. The main purpose of this article is to study the process of forming the mechanisms of the foreign policy of the Union of South Africa and the development of its diplomatic network in the period from 1910 to 1948.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


2016 ◽  
Vol 40 (2) ◽  
pp. 81-105
Author(s):  
Gabriela Cruz

Sr. José do capote, a worker and an opera lover, is the monad contemplated in this article. He is a theatrical figure, the protagonist of the one-act burlesque parody Sr. José do capote assistindo a uma representação do torrador (Sr. José of the Cloak attends a performance of The Roaster, 1855), but also an idea that expresses in abbreviated form the urban environment of nineteenth-century Lisbon, the theatrical and operatic sensibility of its citizens, and the politics of their engagement with the stage. This article is a history of Il trovatore and of bel canto claimed for a nascent culture of democracy in nineteenth-century Portugal.


1992 ◽  
Vol 13 (1) ◽  
pp. 168-193
Author(s):  
Kym Bird

The initial phase of women's drama in Canada coincides with the first wave of 19th-century Canadian feminism and the Canadian women's reform movement. At the time, a variety of women wrote and staged plays that grew out of their commitment to the political, ideological and social context of the movement. The 'Mock Parliament,' a form of theatrical parody in which men's and women's roles are reversed, was collectively created by different groups of suffragists in Manitoba, Ontario, Alberta and British Columbia. This article attempts to recuperate these works for a history of Canadian feminist theatre. It will argue that the 'dual' conservative and liberal ideology of the suffrage movement informs all aspects of the Mock Parliament. On the one hand, these plays critique the division of gender roles that material feminism wants to uphold; they are testimony to the strength of a woman's movement that knew how to work as equal players within traditionally structured political organizations. On the other hand, they betray the safe, moderate tactics of an upper and middle-class, white womanhood who wanted political representation but no structural social change. These opposing tensions are inherent in theatrical parody which is both imitative and critical.


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