Perspectives in the History of Econometrics: A Review Essay of R. J. Epstein: A History of Econometrics

1990 ◽  
Vol 6 (2) ◽  
pp. 151-164 ◽  
Author(s):  
Mary S. Morgan

Only in the last few years has the history of econometrics become established as an accepted field of research, with its own doctoral students and sessions at professional meetings. Yet, the first written histories of econometrics appeared as far back as the 1950s, when Carl Christ [4] reviewed the first 20 years' econometric work of the Cowles Commission and George Stigler [37] surveyed the early econometric analyses of consumer demand. Contributions in the intervening years have been sparse, with historical accounts such as Stigler [38], Humphrey [23], and Cargill [3] providing helpful landmarks, and additional insights coming from papers such as Gold-berger [16] and Griliches [17]. Now we have a new monograph on the history of the Cowles Commission by Hildreth [22], a number of journal articles, and Roy Epstein's 1987 book, A History of Econometrics, as further contributions to this small but rapidly expanding field.

2019 ◽  
Vol 81 (4) ◽  
pp. 673-688 ◽  
Author(s):  
Jeffrey R. Collins

Near the start of her fascinating new book The Lost History of Liberalism, Helena Rosenblatt dryly observes that “available histories of liberalism are seldom helpful” (2). The point is well taken: the historiography of liberalism—largely written as intellectual history—is not particularly coherent, and has only sporadically adopted sound historical methodology. The genre emerged relatively late. The proliferation of the language of liberalism in the nineteenth century, not least in party politics, did not produce theoretically informed historical accounts of particular note. A historiography of liberalism really only developed in response to the perceived “crisis of liberalism” of the early twentieth century. Guido de Ruggiero's 1925 The History of European Liberalism was written in a Hegelian idealist tradition, according to which liberalism was an “organic development of freedom coinciding with the organization of human society and its progressively higher and more spiritual forms.” Coming from a different direction was Harold Laski's The Rise of European Liberalism: An Essay in Interpretation, published in 1936. Laski's liberalism was as much a “habit of mind” as a set of doctrines, with a complex history making both “clarity difficult” and “precision unattainable.” An essentialized understanding of liberalism was nevertheless still at work. Laski's liberalism was that the individualist, utilitarian mode of thought necessary to an emerging capitalist society. “The liberal creed, in a word,” he wrote, “is a doctrine woven from the texture of bourgeois need.”


2018 ◽  
Vol 11 (1-2) ◽  
pp. 279-295
Author(s):  
Mohammed Aref

This review essay introduces the work of the Egyptian scientific historian and philosopher Roshdi Rashed, a pioneer in the field of the history of Arab sciences. The article is based on the five volumes he originally wrote in French and later translated into Arabic, which were published by the Centre for Arab Unity Studies and which are now widely acclaimed as a unique effort to unveil the achievements of Arab scientists. The essay reviews this major work, which seems, like Plato’s Republic to have “No Entry for Those Who Have No Knowledge of Mathematics” written on its gate. If you force your way in, even with elementary knowledge of computation, a philosophy will unfold before your eyes, described by the Italian astronomer Galileo Galilei as “written in that great book which ever lies before our eyes—I mean the universe—but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written. This book is written in the mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.” The essay is a journey through this labyrinth where the history of world mathematics got lost and was chronicled by Rashed in five volumes translated from the French into Arabic. It took him fifteen years to complete.


2010 ◽  
Vol 4 (1-2) ◽  
pp. 213-227
Author(s):  
Rosemary Hicks

A review essay devoted to Islam and the Blackamerican: Looking Toward the Third Resurrection by Sherman A. Jackson. Oxford University Press, 2005. 256 pages. Hb. $29.95/£22.50, ISBN-13: 9780195180817.


Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.


Author(s):  
Travis D. Stimeling

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.


This issue of the history of universities contains, as usual, an interesting mix of learned articles and book reviews covering topics related to the history of higher education. The volume combines original research and reference material. This issue includes articles on the topics of Alard Palenc; Joseph Belcher and Latin at Harvard; Queens College in Massachusetts; and university reform in Europe. The text includes a review essay as well as the usual book reviews.


Author(s):  
Katherine Bode

This chapter on the history of book publishing in Australia divides Australian novel publishing since 1950 into three periods: the 1950s and 1960s, the 1970s and 1980s, and the 1990s to the present. During the 1950s and 1960s, British companies dominated the publication of Australian novels and publishing decisions were predominantly made overseas, but the period also witnessed a ‘local publishing boom’, driven by the belief in the importance of Australian literature and publishing. The 1970s and 1980s saw the growth of a vibrant local publishing industry, supported by cultural nationalist policies and broad social changes. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and — along with the increasing globalization of publishing — enabled the entry of large, multinational corporations into the market. This latter trend, and the processes of globalization and deregulation, continued in the 1990s and beyond.


Author(s):  
Laura U. Marks

In the twentieth-century Arabic-speaking world, communism animated anticolonial revolutions, workers’ organizations, guerrilla movements, and international solidarity. The communist dream was cut short by Arab governments, deals with global superpowers, the rise of religious fundamentalism, and historical bad luck. But recently a remarkable number of Arab filmmakers have turned their attention to the history of the radical Left. Filmmakers from Iraq, Syria, Lebanon, Palestine, Egypt, Algeria, Tunisia, and Morocco have been urgently seeking models for grassroots politics in the labor movements, communist parties, and secular armed resistance of earlier generations. This coda explores two strata of communist audiovisual praxis: the radical cinema that supported labor movements and guerrilla actions from the 1950s to the 1980s, and recent films that draw on that earlier movement. The coda argues that the Arab audiovisual archive holds flashes of communism that have been neither fulfilled nor entirely extinguished. The new films release their unspent energy into the present, diagnosing earlier failures of Arab communism and making plans for new forms of solidarity.


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