Australia

2018 ◽  
Author(s):  
Katherine Bode
Keyword(s):  
Multinational Corporations ◽  
Publishing Industry ◽  
Book Publishing ◽  
Social Changes ◽  
History Of ◽  
The 1950S ◽  
Australian Literature

This chapter on the history of book publishing in Australia divides Australian novel publishing since 1950 into three periods: the 1950s and 1960s, the 1970s and 1980s, and the 1990s to the present. During the 1950s and 1960s, British companies dominated the publication of Australian novels and publishing decisions were predominantly made overseas, but the period also witnessed a ‘local publishing boom’, driven by the belief in the importance of Australian literature and publishing. The 1970s and 1980s saw the growth of a vibrant local publishing industry, supported by cultural nationalist policies and broad social changes. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and — along with the increasing globalization of publishing — enabled the entry of large, multinational corporations into the market. This latter trend, and the processes of globalization and deregulation, continued in the 1990s and beyond.

scholarly journals Book publishing in Canada, 1945-2010: ownership and control of the Canadian market

2021 ◽  
Author(s):  
Jordana Lobo-Pires
Keyword(s):  
Publishing Industry ◽  
Government Intervention ◽  
Book Publishing ◽  
Canadian Market ◽  
History Of ◽  
And Control ◽  
The Impact

"This essay sets out to trace the structure of the Canadian publishing industry in light of the policies that have allowed and enabled the survival of an indigenous Canadian publishing industry. Specifically, it explores the history of government intervention in the Canadian publishing industry through the Investment Canada Act in its three formualations: Federal Investment Revenue Agency Act (FIRA), enacted from 1974 to 1985; the Baie Comeau policy, from 1985 to 1992; and the Revised Investment Canada Act, from 1992 to the present. The Investment Canada Act in each of these formulation was the crucial policy designed to protect and encourage Canadian ownership of the publishing industry. This study then assesses the impact of these policies on the ownership and size of Canadian publishers"--From the introduction, page 3.

scholarly journals Publications of the Don Historical Commission

2012 ◽  
pp. 50-55
Author(s):  
Olga P. Boldyreva
Keyword(s):  
Publishing Industry ◽  
Book Publishing ◽  
Book Publishing Industry ◽  
History Of

On the Don Historical Commission established by Cossack chieftain A. Bogaevsky in exile. On the basis of the archival materials a brief excursion into the history of the Commission is made, the author estimates the Commission's contribution to the book publishing industry.

scholarly journals Editions on the History of Alphabets for Students of the Book Publishing Industry

2015 ◽  
pp. 66-69
Author(s):  
N. G. Kuzmina
Keyword(s):  
Publishing Industry ◽  
Book Publishing ◽  
Book Publishing Industry ◽  
School Teachers ◽  
Book Printing ◽  
Relevant Today ◽  
Educational Literature ◽  
History Of ◽  
Speech Correction ◽  
First Time

Problems of literacy, correctness of speech, correction of errors in printed editions, which rose a hundred years ago, are relevant today. For the first time there are examined the textbooks published for students and professionals in book printing. The main substantive aspects of the article are the role and importance of these textbooks. At the turn of XIX-XX centuries in St. Petersburg there were several schools of book printing, where in the classroom the students got acquainted with the basic techniques of typesetting works. There was a need of publishing the special literature. The authors of textbooks have become school teachers. The article analyzes the following editions: R. Nippert «ABC Books of Eastern and Western Languages» (SPb., 1859), A.Serkov «Quick Start Guide for Compositors of Typographic Art» (St. Petersburg., 1861), G. Kerbach «Slavic Alphabet» (SPb., 1894), G. Schroeder «On the History of Alphabets» (SPb., 1896). Publications on the history of alphabets made an enormous contribution to the expansion of knowledge on book printing in Russia and formed the basis for the subsequently developed special educational literature on the art of typesetting, book printing and decorating books.

Features of the Publishing Industry Transformation

2021 ◽  
pp. 117-128
Author(s):  
Vladimir V. Kharitonov ◽  
Keyword(s):  
Publishing Industry ◽  
Book Industry ◽  
Book Publishing ◽  
Economic Incentives ◽  
The Internet ◽  
Book Production ◽  
Industry Standards ◽  
Digital Books ◽  
History Of ◽  
Digital Book

There are three stages in the technological history of the modern book industry as a scalable and mass production of books. The main attention is paid to the history of digital books, the beginning of which is associated not so much with the beginning of digital book production, but with the advent of digital distribution. On the technical side, this meant developing common industry standards for the digital book, building a distribution infrastructure based on the Internet, and gaining broadband access to it for the mass consumer. Equally significant were the cultural shifts that accompanied or resulted from this technical transformation. The digitalization of the book itself did not have a significant impact on the industry before the ubiquity of the Internet, since the sphere of existence of digital books was limited to a small number of qualified users. Everything changed in the first two decades of the 21st century, when the laws of the “attention economy” came into force and the mechanism of competition for the user’s time by content was activated. A digital book, on the one hand, is becoming more accessible; on the other hand, the time spent on reading books is being reduced. The development of computer technologies and the Internet, in addition to removing the barrier to access to content, removes a significant number of barriers to content publication. It is important to note that the publishing filter in the context of open publication also ceases to work in legal terms, and its disappearance led, in particular, to the emergence and rapid growth of fan fiction literature, which is in the “gray” zone of copyright. The spread of the Internet, of course, creates not only problems, but also opportunities for publishers, in particular, by changing communication with readers. The Internet has made possible not only direct communication with the reader and reader communities, but also a much more effective prompt response to readers’ requests, including those supported by compelling economic incentives. The changes that are taking place in the book industry at the third stage of technological transformation have a very heterogeneous effect on publishers in different countries, depending on the degree of market development, Internet penetration, and readers’ digital content habits. The main point is that these changes take place in very different ways in different types of book publishing. Obviously, “book”, whatever its definition one gives, is just a convenient collective format for completely different texts, materialized or embodied in digital form in different ways. At the same time, the functional purpose of the text and the way the reader treats it determine the trajectory along which the industrial niche corresponding to certain types of publications will develop, in which direction it will evolve.

Neoliberal Times

2011 ◽  
Vol 35 (3) ◽  
pp. 381-422 ◽  
Author(s):  
John Krinsky
Keyword(s):  
New York ◽  
Social Power ◽  
Labor Relations ◽  
Institutional Development ◽  
Welfare States ◽  
Social Changes ◽  
Market Mechanisms ◽  
History Of ◽  
The 1950S

Recent interpretations of the neoliberal transformation of welfare states emphasize the formative role of crises in which old institutions are rolled back to make way for the “rollout” of neoliberalism’s program of austerity, markets, and privatization. Policy scholars and social historians argue, however, that major social changes combine long-term institutional development, sudden pivots, and cyclical trends. This article draws on a case study of municipal employee labor relations in New York City to examine the temporality of neoliberal transition. It acknowledges that actual neoliberalism involves a mix of policies that depart from its market-liberal ideal type and that include elements of statist, communitarian, and/or corporatist policies. Thus the article engages a puzzle: if paths to neoliberalism are not always sudden and are populated by policies that are not necessarily driven by neoliberal assumptions, how should we understand what neoliberalism is and how it develops? The article traces the history of municipal labor relations from the 1950s through the present to show that the transition to neoliberalism was characterized by the transition from a contentious corporatism that took shape in the 1950s and went through a neocorporatism forged in the fiscal crisis of the 1970s and that kept corporatist institutions in place while undermining their social power and laying the groundwork for neoliberal policies from the 1990s forward. The article shows how longer-term trajectories and shorter-term crises intertwine to produce a neoliberalism better understood as a repertoire of governance than as an undifferentiated set of policy preferences for market mechanisms.

scholarly journals University Art History in Slovakia after WWII and its Sovietization in 1950s

2019 ◽  
pp. 161-190
Author(s):  
Katarina Kolbiarz Chmelinová
Keyword(s):  
Art History ◽  
The Political ◽  
Social Changes ◽  
History Instruction ◽  
New Rhetoric ◽  
History Of Art ◽  
History Of ◽  
The 1950S ◽  
Post War ◽  
The University

In post-WWII Slovakia, art history was available only as a university field of study at Bratislava University (in 1954 regaining its name Comenius University) at the Seminár pre dejiny umenia / Seminar of Art History, a separate part of the Faculty of Arts of the university, where art history had been taught as an independent discipline since 1923 before its conversion to a department. Post-war changes in state structures and the new political system radically affected Slovak society and the education system in the country. This article is the very first attempt to present in detail the extent and character of changes in university art history instruction in the part of the socialist era of the Czechoslovak Republic. It is based on the study and comparison of previously unprocessed sources from various university and state archives and their classification in the context of known historical facts. This contribution represents an in-depth probe into the post-war efforts to build a new university foundation and system of art history instruction in Slovakia within the Czechoslovak Republic, and its Sovietization as well. The text analyzes the university environment, the curriculum, the study program of art history and the relevant changes resulting from political pressure from 1945 to 1960. They were the consequence of two directly related, significant moments in the history of Slovakia: the establishment of the Third Czechoslovak Republic in 1945 and the communist coup in 1948, which was followed by the most totalitarian period in the history of the state. The article also discusses the personal changes in the art history staff forced by the political situation (J. Dubnický, V. Wagner, V. Mencl, A. Güntherová-Mayerová, R. Matuštík, T. Štrauss, K. Kahoun). After a brief presentation of the situation in Czechoslovakia at the time, the article first deals with the ad hoc activities and efforts of scientists seeking to maintain art history studies in Slovakia at the university level immediately after the end of the war. The central issue in the article is the changes in the way of teaching resulting from the political upheaval in February 1948. Against the background of political and social changes, the new law on higher education (Act No. 58/1950), which forces significant organizational transformations, is discussed. As part of the process of Sovietization of university education in Slovakia, the modified Seminar of Art History lost its independent status for a long time, and its staff was largely replaced. At the same time, throughout this period, there was a visible tendency to stabilize the teaching system and attempts to become independent again and to develop discipline, undertaken contrary to the imposed system. The 1950s, with their new rhetoric and propaganda optimism, appear to be a decade devoid of internal consistency. It started the most totalitarian period, which lasted until Stalin’s death in 1953, but was followed by a short thaw and then by a new wave of repression after 1957, which chose victims even at the beginning of the next decade. The article focuses on two sides of the 1950s – centralization and the dominant ideological control of the Communist Party, on one hand, and on the other, the obvious effort to unify and professionalize the teaching of the discipline. The factual material presented here shows the scale of changes interpreted in the context of the political and social changes of that time. The case study provides an analysis of system efforts made in the 1940s and 1950s to establish new principles of university teaching for the history of art in Slovakia as part of the Czechoslovak Republic. It aims to broaden the factual basis and existing overview of knowledge of art history in Slovakia and supplement existing studies on the history of art history in the country (J. Bakoš, I. Ciulisová, B. Koklesová).

scholarly journals Book publishing in Canada, 1945-2010: ownership and control of the Canadian market

2021 ◽  
Author(s):  
Jordana Lobo-Pires
Keyword(s):  
Publishing Industry ◽  
Government Intervention ◽  
Book Publishing ◽  
Canadian Market ◽  
History Of ◽  
And Control ◽  
The Impact

"This essay sets out to trace the structure of the Canadian publishing industry in light of the policies that have allowed and enabled the survival of an indigenous Canadian publishing industry. Specifically, it explores the history of government intervention in the Canadian publishing industry through the Investment Canada Act in its three formualations: Federal Investment Revenue Agency Act (FIRA), enacted from 1974 to 1985; the Baie Comeau policy, from 1985 to 1992; and the Revised Investment Canada Act, from 1992 to the present. The Investment Canada Act in each of these formulation was the crucial policy designed to protect and encourage Canadian ownership of the publishing industry. This study then assesses the impact of these policies on the ownership and size of Canadian publishers"--From the introduction, page 3.

BOOK PUBLISHING IN UKRAINE: THE FACTORS OF EVELOP

2016 ◽  
Author(s):  
Victor Shpak
Keyword(s):  
Information Society ◽  
Publishing Industry ◽  
Book Industry ◽  
Book Publishing ◽  
Advanced Technology ◽  
Information Space ◽  
New Information ◽  
Information And Communication ◽  
National Information

This article is devoted to analysis of the modern problems of book publishing in the context of national information space. Development of the Ukrainian state is impossible without development of national book publishing, which is a part of its information space. In Ukraine, as one of the post-Soviet states, the formation of new information and communication system is based on its own information tradition, mentality and features of spiritual culture of the Ukrainians. It plays an important role in shaping culture, spirituality, comprehensive vision and consciousness of the nation. They were and they are a source of knowledge and the most effective way of its transfer. The transience of processes occurring the era of information society, radical socio-economic reforms, sectoral technological revolution requires the continuous scientific researches and analysis, identifying the trends in publishing industry as one of the most important factors in the state’s democratic progress. The author summarizes the development of book publishing of Ukraine and shows its role and place in the modern information society. The study of the modern book publishing is impossible without digression into the past, without finding out the roots of studying of the analysis object. The specific problems of the book industry are identified. It is concluded that in the modern Ukraine the publishing business has intensified, although the positive changes are taking place very slowly: the appropriate economic conditions for development of the publishing industry have not been created, the equipment are outdated; editorial, publishing and printing equipment of domestic manufacture are nonavailable; introduction of advanced technology are low; purchasing ability of the population is low; the sales network of printed products has been destroyed and so on. The businesses are becoming increasingly uneconomical. We propose some measures to improve this situation, strengthening the role of industry in the national information space. The key to improve the situation may be systematic and persistent efforts of the Ukrainian government to support the industry.The reason is that a comprehensive study requires from the performers not only historical knowledge, but also economic, managerial, psychological, political efforts and so on. The most important thing that the society and the state should need is the component of doctrine of information security in the context of the national security

Frontiers of Visibility

Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma
Keyword(s):  
Twentieth Century ◽  
Current Understanding ◽  
Machine Age ◽  
History Of ◽  
Three Stages ◽  
The 1950S ◽  
The 1960S ◽  
Popular Images ◽  
Cinematic Technology

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.

Sign in / Sign up

Export Citation Format

Share Document