scholarly journals Familial Cerebral Aneurysms

ABSTRACT:Familial cerebral aneurysms are currently the subject of burgeoning interest. We review the pertinent, recent reports on this topic in the light of our study of 17 families with familial cerebral aneurysms. The prevalence of familial cerebral aneurysms ranges from 5-28%. The sex distribution displays a female bias. Mothers are more often affected than fathers and daughters more than sons. There is no site predilection for familial cerebral aneurysms but they tend to occur at the same (or mirror) site within families. The age at rupture of familial cerebral aneurysms is younger, especially in females, than for sporadic aneurysms. They tend to rupture within the same decade in families, and within five years of each other in identical twins. The size of ruptured familial cerebral aneurysms appears to be smaller, especially in women, than sporadic aneurysms. The pattern of inheritance is unknown. A poor outcome of rupture is more frequent in familial cerebral aneurysms cases than in sporadic ones. Angiographic screening of family members at risk, especially first degree relatives, appears justified.

2014 ◽  
Vol 33 (2) ◽  
pp. 124-129 ◽  
Author(s):  
Angela Ghesquiere ◽  
Julie Thomas ◽  
Martha L. Bruce

1997 ◽  
Vol 99 ◽  
pp. S51-S52
Author(s):  
T. Yagishita ◽  
T. Horikoshi ◽  
N. Miyazawa ◽  
T. Kakizawa ◽  
T. Hosaka ◽  
...  

2019 ◽  
Vol 9 ◽  
pp. 187-205
Author(s):  
Jolanta Dybała ◽  
Krzysztof Jagusiak ◽  
Michał Pawlak

Titus Flavius Clemens was a philosopher and Christian theologian from the period of the 2nd–3th century. The aim of this paper is to present his view on the subject of wine and his recommendations on wine consumption as described in his work entitled Paedagogus. In this work Titus Flavius Clemens focuses primarily on the moral side of drinking wine. He is a great supporter of the ancient principle of moderation, or the golden mean (μεσότης). We also find its traces in his recommendations regarding the drinking of wine. First of all, he does not require Christians to be abstinent. Although he considers water as the best natural beverage to satisfy thirst, he does not make them reject God’s wine. The only condition he sets, however, is to maintain moderation in drinking it. He recommends diluting wine with water, as the peaceful Greeks always did, unlike the war-loving barbarians who were more prone to drunkenness. On the other hand, Titus Flavius Clemens warns the reader against excessive dilution of wine, so that it does not turn out to be pure water. He severely criticizes drunkenness, picturesquely presenting the behavior of drunks, both men and women. Wine in moderation has, in his opinion, its advantages – social, familial and individual. It makes a person better disposed to himself or herself, kinder to friends and more gentle to family members. Wine, when consumed in moderation, may also have medicinal properties. Clemens is well aware of this fact and in his work he cites several medical opinions on the subject. Unfortunately, in Paedagogus we find little information about wine as a food product / as an everyday bevarage. The input on the subject is limited to the list of exclusive, imported wines. What is worth noting, Titus Flavius Clemens appears to be a sommelier in this way.


Author(s):  
Caitriona Noonan ◽  
Amy Genders

Research commissioned by Ofcom categorises arts television as a genre ‘at risk’ of disappearing as relatively small audiences are unable to offset increased production costs. A decline is also evident in Ofcom's own research which finds that in the five years to 2011, spending on arts programming by the five main terrestrial broadcasters fell by 39 per cent. This decline is the confluence of a number of factors. Decreases in commissioning and production budgets mean fewer resources for producers. Within specialist factual genres such as arts, this can have a limiting effect on the coverage of the subject, access to expertise, and the aesthetics of the final programme. Without a deliberate strategy to save it, the downward trajectory of arts content on British public service broadcasting is unlikely to be reversed.


2020 ◽  
pp. 105345122094437
Author(s):  
Marney S. Pollack ◽  
Alexandra Shelton ◽  
Erin Clancy ◽  
Christopher J. Lemons

Several strategies that demonstrate promise are available for educators to improve reading comprehension outcomes for students. However, some students, including students with and at risk for learning disabilities, require more intensive supports to develop proficiency in reading comprehension. To support these students, teachers must intensify instruction. This article describes an intensive main idea identification strategy, sentence-level gist, for teachers to use with students with persistent reading comprehension difficulties in the co-taught classroom. The sentence-level gist strategy requires students to determine the subject and important words in each sentence and then synthesize this information to write a main idea statement for a section of a text.


Author(s):  
Corinne May-Chahal ◽  
Emma Kelly

This chapter reviews what is known about child sexual abuse media, with a particular focus on the abuse of young children (those under the age of 10). Young children are seldom the subject of research on sexual violence, yet the online-facilitated sexual abuse of these children is known to exist. In the past, child sexual abuse has been described as a hidden phenomenon that is made visible through a child's disclosure or evidence in and on their bodies. Online child sexual victimisation (OCSV) experienced by young children is still hidden in this traditional sense but at the same time highly visible through images that are both detached from the child yet traumatically attached through their creation and continued circulation throughout childhood. Indeed, most of what can be known about OCSV and younger children is through analyses of images harvested online and analyses of law enforcement and non-governmental organisation (NGO) image databases. These sources suggest that OCSV involving young children is different from that experienced by those who are older. It more often involves parents, carers, and family members; it is legally and developmentally impossible for children to consent to it; and images and videos of the abuse are more likely to be trafficked.


1990 ◽  
Vol 36 ◽  
pp. 379-418 ◽  

Juda Hirsch Quastel, who contributed for more than 60 years to the growth of biochemistry, was born in Sheffield, in a room over his father’s rented sweet shop on the Ecclesall Road. The date was 2 October 1899, and his parents, Jonas and Flora (Itcovitz) Quastel, had lived in England for only a few years. They had emigrated separately from the city of Tamopol in eastern Galicia, which was then within the Austro-Hungarian Empire; it has since, after a period under Polish rule, become part of the Ukrainian Republic of the Soviet Union. Tamopol at the end of the 19th century was a city of some 30 000 and the centre of an agricultural district. Its inhabitants were ethnically mixed, but about half of them were Jews, many of whom under the relatively benevolent Austrian regime were fairly prosperous. Quastel used to recall how his father and grandfather had held the Emperor Franz Joseph in great respect. His grandfather, also Juda Hirsch (married to Yetta Rappoport), had at one time worked as a chemist in a brewery laboratory in Tamopol. The parents of the subject of this biography had been in commerce there, and were not poor; but today’s family members know little about the life of Jonas and Flora in Tamopol, or about the reasons that persuaded them, like many of their neighbours, to emigrate to the West. An uncle had already gone to England, and perhaps had encouraged them to follow because of the greater opportunities. In England they lived at first in London’s east end, where they worked in garment factories; but their move to Sheffield, and to Jonas’s modest entrepreneurship, had been completed in the late 1890s. It was there that Juda Hirsch and his four younger siblings (Charles, Doris, Hetty and Anne) were born.


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