Catching a Market: The Publishing History of Catch-22

Prospects ◽  
1992 ◽  
Vol 17 ◽  
pp. 475-525
Author(s):  
Jonathan R. Eller

September of 1961 brought welcome relief from the Berlin Crisis in the Oform of two distinctly American recreations: the World Series and the fall book season. As always, both seemed to focus on New York City, and the New York media brought excitement and suspense to fit both seasons: excitement – as Roger Maris attempted to break Babe Ruth's record of sixty home runs – and suspense, as Simon & Schuster ran eye-catching but mysterious ads for a new novel, revealing nothing more than the title – Catch-22. Everyone knew what Maris's quest meant, but no one seemed to know what “CATCH-22” meant.

2015 ◽  
Vol 3 (1) ◽  
pp. 16-24
Author(s):  
Jahanzeb Mughal

The world has become a global village and all nationals have got opportunity to visit various parts of the world due to advancement of travelling and communication technologies for the purpose of trade, education, business or trade. Somehow, the main reason to travel for majority of population stands to earn a good earning that is creating trouble for many nations and France is among top of the list. France has emerged as a multi-cultural nation and many of its societies have been based on multi-cultural intruders. The country is thinking to tackle the issue but all in vein and inacceptable by the concerned. The illegal immigrants are demanding to be issued permanent residence of France and identification cards as per the country rules but most injured nation stands the Muslim societies. The whole Europe looks at Muslims with an eye of hatred and consider them threat to their safety especially after the 9/11 attacks on twin-towers of New York City. Our article depicts highlight on the history of establishment of France as a Multi-cultural nation and the challenges it is being faced with.


2006 ◽  
Vol 13 (1-2) ◽  
pp. 1-5 ◽  
Author(s):  
Daniel H. Bays

AbstractForty years ago, in late December 1968, John K. Fairbank, the longtime dean of American China scholars, gave a memorable presidential address to the annual meeting of the American Historical Association (AHA) in New York City. In it, he urged his fellow historians to take up a task expressed in the title of his address, “Assignment for the 1970s: The Study of American–East Asian Relations.” Although he spoke amid academic upheaval over the Vietnam War, his address made it clear that he was mainly referring to China and Sino-American relations. He described China as .a uniquely large and compact section of mankind…too big and too different to be assimilated into our…culture.. He also argued that .China is too weak to conquer the world but too large to be digested by it.


1982 ◽  
Vol 23 (2) ◽  
pp. 240-243
Author(s):  
Judith Pratt

The New York Dramatic News was one of the numerous theatrical papers that sprang up in New York City during the last few decades of the nineteenth century. Although it never attained the status of the New York Clipper, or the Dramatic Mirror, it is useful for research in popular entertainment. My inquiry into the paper began as a search for the 1895 and 1896 volumes of the Dramatic News, New York Dramatic News, or Leander Richardson's Dramatic News, as it was variously referred to by my sources. During this inquiry, I discovered that the bibliographical information on this newspaper is incorrect.


2020 ◽  
Vol 73 (3) ◽  
pp. 66-78
Author(s):  
Vince Schleitwiler ◽  
Abby Sun ◽  
Rea Tajiri

This roundtable grew out of conversations between filmmaker Rea Tajiri, programmer Abby Sun, and scholar Vince Schleitwiler about a misunderstood chapter in the history of Asian American film and media: New York City in the eighties, a vibrant capital of Asian American filmmaking with a distinctively experimental edge. To tell this story, Rea Tajiri contacted her artist contemporaries Shu Lea Cheang and Roddy Bogawa as well as writer and critic Daryl Chin. Daryl had been a fixture in New York City art circles since the sixties, his presence central to Asian American film from the beginning. The scope of this discussion extends loosely from the mid-seventies through the late nineties, with Tajiri, Abby Sun, and Vince Schleitwiler initiating topics, compiling responses, and finalizing its form as a collage-style conversation.


Sign in / Sign up

Export Citation Format

Share Document