The Transformation of Adultery in France at the End of the Middle Ages

2014 ◽  
Vol 32 (3) ◽  
pp. 491-524 ◽  
Author(s):  
Sara McDougall
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Royal Courts ◽  
The Town ◽  
The Middle Ages

In 1522, Marie Quatrelivres, accused of adultery by her husband and found guilty, was condemned to be beaten with sticks on three Fridays and afterwards enclosed in a convent. The court allotted her husband 2 years to decide if he wanted to take her back. If he did not choose to reconcile with her, she was to be enclosed for life and lose all of her property. So wrote eminent jurist Jean Papon (1505–1590) in his collection of notable cases heard before the royal courts of France. Papon described a handful of other sixteenth century adultery cases similarly decided, and then cited a contemporary and fellow eminent jurist, Nicolas Bohier, as having stated that another common punishment for adultery in France was to cut off an adulterous woman's hair, tear her clothes, and parade her in shame throughout the town or city in which she lived.

Husby in Angeln – Ein königlicher Hof der späten Wikingerzeit?

2014 ◽  
Vol 89 (2) ◽  
pp. 371-389
Author(s):  
Thorsten Lemm
Keyword(s):  
Middle Ages ◽  
Iron Age ◽  
Geographical Location ◽  
Central Position ◽  
Place Names ◽  
Royal Courts ◽  
Moyen Âge ◽  
Moyen Age ◽  
Viking Period ◽  
The Middle Ages

Zusammenfassung: Seit langem nehmen in Norwegen und Schweden Ortschaften und Höfe mit dem Namen Huseby o. ä. zentrale Punkte in der Frühgeschichtsforschung ein. Sie werden dort als seit jeher bedeutende Orte interpretiert, die in der späten Wikingerzeit oder am Übergang zum Mittelalter zu königlichen Höfen aufstiegen und in diesem Zuge mit der standardisierten Bezeichnung *húsabýr versehen wurden. Die dadurch ersetzten ursprünglichen Ortsnamen sind nur selten überliefert. Die Huseby-Orte Alt-Dänemarks fanden in der Forschung hingegen nur wenig Beachtung. Die vorläufigen Ergebnisse der in den letzten Jahren durchgeführten Kontextanalysen und archäologischen Prospektionen erlauben es nun, das einst in dänischem Reichsgebiet gelegene Husby in Angeln in eine Reihe mit den bedeutenden Huseby-Orten Schwedens und Norwegens zu stellen. Archäologische Funde, allen voran die Entdeckung eines Siedlungslatzes mit zahlreichen Metallobjekten, die verkehrsgeografische Lage, Flurnamen in der Umgebung und eine romanische Kirche mit wahrscheinlich hölzernem Vorgängerbau zeichnen für Husby das Bild eines in der jüngeren Germanischen Eisenzeit, in der Wikingerzeit und im Mittelalter (über-)regional bedeutenden Ortes. Résumé: En Norvège et en Suède les localités ou habitats portant le nom d’H useby ont depuis longtemps occupé une place de choix en recherche protohistorique. Là, on les a toujours considérés comme des localités importantes, et ces endroits s’élevèrent au rang de cours royales au courant de l’époque viking tardive ou au début du Moyen Age ; de ce fait ils ont acquis la dénomination standard de*húsabýr. Les toponymes d’origine que ces nouvelles dénominations ont remplacés ne survivent que fort rarement. Cependant très peu d’enquêtes ont porté sur les toponymes Huseby que l’on rencontre dans l’ancien Danemark. Les résultats préliminaires d’études contextuelles et de prospections de terrain effectués au cours des dernières années nous permettent de ranger le site d’Husby en Anglie (Angeln), qui faisait anciennement partie du royaume danois, dans la série des sites importants portant le nom d’Huseby en Suède et en Norvège. Les données archéologiques, en particulier la découverte d’un habitat contenant de nombreux objets en métal, sa situation géographique, les noms des parcelles aux alentours et la présence d’une église romane avec probablement un précurseur en bois indiquent qu’Husby jouait un rôle (supra)régional significatif pendant l’âge du Fer germanique tardif, l’époque viking et le Moyen Age. Abstract: Settlements or farmsteads bearing the name Huseby or similar have occupied a central position in protohistoric research in Norway and Sweden for a long time. There they have always been interpreted as significant places, which rose to being royal courts in the Late Viking period or at the beginning of the Middle Ages and in the process were given the standard denomination of *húsabýr. The original place-names that these new denominations replaced rarely survive. Research has however paid little attention to the Huseby place-names of ancient Denmark. Preliminary results from contextual studies and archaeological surveys conducted over the last few years allow us to now align the site of Husby in Anglia, which once lay in the Danish realm, with the important Huseby sites of Sweden and Norway. Archaeological finds, especially the discovery of a settlement containing numerous metal objects, its geographical location, field names in its surroundings, and a Romanesque church with a probable timber precursor indicate that Husby was a significant (supra-) regional place in the later Germanic Iron Age, the Viking period and the Middle Ages.

Protestant Rivalry — Metaphysics and Rhetoric in Germany c. 1590–1620

1990 ◽  
Vol 41 (1) ◽  
pp. 24-43 ◽  
Author(s):  
Kristian Jensen
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Modern Times ◽  
Early Modern Times ◽  
The Middle Ages

One of the most remarkable changes to take place at German Protestant universities during the last decade of the sixteenth century and the first twenty years of the seventeenth century was the return of metaphysics after more than halfa century of absence. University metaphysics has acquired a reputation for sterile aridity which was strengthened rather than diminished by its survival in early modern times, when such disciplines are supposed deservedly to have vanished with the end of the Middle Ages. Nevertheless, this survival has attracted some attention this century. For a long urne it was assumed that German Protestants needed a metaphysical defence against the intellectual vigour of the Jesuits. Lewalter has shown, however, that this was not the case.

Receiving the Ars Poetica

2019 ◽  
pp. 244-272
Author(s):  
Jennifer Ferriss-Hill
Keyword(s):  
Sixteenth Century ◽  
Human Nature ◽  
Middle Ages ◽  
Reception History ◽  
Artistic Process ◽  
Literary Achievement ◽  
Ars Poetica ◽  
Made In ◽  
The Middle Ages ◽  
Making Art

This epilogue traces the themes and concerns of the previous chapters throughout the Ars Poetica's considerable reception history. If the Ars Poetica's poetic qualities have not always been clear to scholars of literature, they seem to have been more evident to the practicing writers who, inspired by Horace's poem, wrote artes poeticae of their own. Indeed, practicing poets have long discerned what many literary scholars have not: that the poem's value lies not so much in its stated contents as in its fine-spun internal unity; in its interest in human nature and the onward march of time; in the importance of criticism—both giving and receiving it—to the artistic process; and in the essential sameness of writing, of making art, and of living, loving, being, and even dying. The argument made in this study for reading the Ars Poetica as a literary achievement in its own right may therefore be viewed as a return to the complex, nuanced ways in which it was already read in the Middle Ages, through the sixteenth century, and into the twenty-first. The authors of the later works examined in this chapter read the Ars Poetica as exemplifying and instantiating the sort of artistry that it opaquely commands, and they reflected this in turn through their own verses.

Major, John (1467–1550)

2018 ◽  
Author(s):  
Joel Biard
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
Fourteenth Century ◽  
William Of Ockham ◽  
The Middle Ages

John Major was one of the last great logicians of the Middle Ages. Scottish in origin but Parisian by training, he continued the doctrines and the mode of thinking of fourteenth-century masters like John Buridan and William of Ockham. Using a resolutely nominalist approach, he developed a logic centred on the analysis of terms and their properties, and he applied this method of analysis to discourse in physics and theology. Although he came to oppose excessive dependence on logical subtlety in theology and maintained the authority of Holy Scripture, Major’s work was stubbornly independent of the growing influence of humanism in Europe. Later, he would be regarded as representative of the heavily criticized ‘scholastic spirit’, being referred to disparagingly by Rabelais as well as by later historians such as Villoslada (1938), but at the beginning of the sixteenth century, his teaching influenced an entire generation of students in the fields of logic, physics and theology.

English Books of Martyrs and Saints of the Late Sixteenth and Early Seventeenth Centuries

1994 ◽  
Vol 22 (1) ◽  
pp. 7-25 ◽  
Author(s):  
J. T. Rhodes
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
The Status ◽  
Special Case ◽  
The Middle Ages

Martyrs were the first saints and some were among the most popular saints of the Middle Ages. Because it was the manner of theirdeaththat won them their place in heaven, martyrs were a special case; unlike other saints, evidence of heroic virtue in life and miracles were not required. Like the early martyrs, many sixteenth-century English martyrs were immediately recognized as saints by their co-religionists, without reference to judicial processes. But the status of martyr was not popularly accorded automatically to Catholics who died on account of their faith. Despite Southwell's ‘Epitaph’: ‘A Queen I liu'd, now dead I am a Saint/Once MARIE calde; my name now Martir is’, Mary, Queen of Scots, was not generally acclaimed as a martyr, even by Catholics.

The vocacyon of Johan Bale and Early English Autobiography

1971 ◽  
Vol 24 (3) ◽  
pp. 327-340 ◽  
Author(s):  
Leslie P. Fairfield
Keyword(s):  
Sixteenth Century ◽  
Middle Ages ◽  
The Self ◽  
Human Personality ◽  
The Past ◽  
New Ideas ◽  
Early English ◽  
Sub Specie Aeternitatis ◽  
The Middle Ages

Sixteenth-Century Englishmen were not frequently given to self-scrutiny—at least not in writing. This was a disinclination which they shared with their medieval forbears, since autobiography was not a very common form of literary activity in the Middle Ages. Monastic self-analysis, sub specie aeternitatis and guided by the standard categories of virtues and vices—yes. Coherent study of the self, for its own sake and in all its quirks and idiosyncracies—scarcely ever. In the early sixteenth century, the murmur of new ideas from Italy did begin to touch England: a sense of distance and of difference between the present and the past, and an awakened appreciation for the discrete, the singular in human personality.

Music, Architecture, Proportion and the Renaissance Way of Thinking

2020 ◽  
pp. 1-16
Author(s):  
Vasco Zara
Keyword(s):  
Sixteenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Unified Theory ◽  
The World ◽  
Universal Truth ◽  
Way Of Thinking ◽  
The Middle Ages

During the Renaissance, the language of proportion became a unified theory capable of encompassing the understanding of the world within a coherent theological, philosophical and artistic framework. Music, with its harmonic paradigm, plays a key role in this construction. From the fifteenth century through to the end of the sixteenth century, architects and architectural theorists made reference, both in new treatises and commentaries to Vitruvius, to musical matters, transforming architecture into the summa of knowledge. The affinity to music was grounded on both a common mathematical and rhetoric gnosiology. Formerly conceived of as ideal, numbers became eloquent, reinforcing the quantitative paradigm of proportion with its qualitative one. The language of proportion as a compositional tool reveals the shift between the Middle Ages and the Renaissance: while the Medieval tèchne based on modular thinking provides beauty and universal truth using the technique of repetition, the Humanist paradigm of variety produces pleasure and individual truth – a condition typical of the premodern.

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