Legal Pluralism in the Pacific: Solomon Island's World War II Heritage

2013 ◽  
Vol 20 (1) ◽  
pp. 1-21
Author(s):  
Craig Forrest ◽  
Jennifer Corrin
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
Solomon Islands ◽  
Legal Pluralism ◽  
Customary Law ◽  
World War ◽  
High Court ◽  
The Pacific ◽  
The Common ◽  
Pacific Island Nations

AbstractThe country of Solomon Islands, like most Pacific island nations, has a legally pluralistic regime. That is, customary law operates in parallel with the common law, a legacy of Solomon Islands' colonial past. Legal pluralism raises significant difficulties, including in the way cultural heritage is protected and managed. To date, the courts have rarely been called on to deal with such issues, but in 2010 the High Court had to examine legislation designed to regulate the recovery and export of World War II relics. This seemingly innocuous case raised a number of issues concerning the rights of different stakeholders to this material. Moreover, it raised a foundational question as to whether these relics might be considered cultural heritage, and if so, just whose heritage it was. A consideration of this case and the legislation that applies to this heritage serves to illustrate some of the difficulties that arise in protecting cultural heritage within pluralistic legal systems.

scholarly journals China’s Growing Influence in the Pacific Islands and Its Implications on Climate Change

2021 ◽  
Vol 04 (02) ◽  
Author(s):  
Dr. Kankana Debnath ◽  
Keyword(s):  
Climate Change ◽  
World War Ii ◽  
Pacific Islands ◽  
Asia Pacific ◽  
World War ◽  
Regional Powers ◽  
The Pacific ◽  
Paris Climate Agreement ◽  
Pacific Island Nations ◽  
First Time

The geostrategic value of the Pacific region has started to gain momentum for the first time since the end of World War II. The region is consisting of Melanesia, Micronesia, Polynesia, and Australasia. The center of global geostrategic fulcrum has moved to the Asia-Pacific with China’s growing strategic and economic interest in the region. Pacific Island nations that consider themselves on the front lines of climate change had hoped the U.S. and other regional powers like Australia would stay committed to the global deal to cut emissions and help populations confront the rising seas around them. But they didn’t and as a result the island nations turned towards China, as Beijing has vowed to stay in the Paris Climate Agreement. The paper has dealt with the change in power play in the region on the perspective of climate change and has focused on the future of the regional equation with China.

scholarly journals Remapping Country Music in the Pacific

2020 ◽  
Vol 32 (2) ◽  
pp. 162-177
Author(s):  
Mari Nagatomi
Keyword(s):  
World War Ii ◽  
Country Music ◽  
World War ◽  
Japanese Men ◽  
The Pacific ◽  
The Us ◽  
The Common ◽  
Post War ◽  
Ideological Context ◽  
Do So

Studies that introduced country musicians outside the US have expanded our views on the creators of American country music. They have, however, reinforced our notion that non-US country musicians merely imitate the American “original.” More recent studies have advanced the field by asking how non-US actors use country music to manipulate the borders between their countries and the US by playing country music. Yet they emphasize that non-US actors exclusively encounter US culture through country music. This paper pushes the field forward to mapping country music onto post-war Japan, locating it within a Japanese domestic context, and showing how non-US actors used country to control the ideological context created there. By doing so, it rejects the common perception that the Japanese merely imitated the “authentic” American country music. Japanese men enjoyed American country music not simply because it was American, but precisely because they could make it their own. This paper examines why certain male musicians played country music as they recovered from defeat in World War II between 1945 and the mid-1950s. To do so, it illustrates how men—country musicians and their critics alike—performed and discussed country music during this period. Ultimately, this paper argues that country musicians played country to embody an alternative masculinity that could serve as both a deviation and critique of the expectations and direction of mainstream Japanese society.

Charles de Gaulle and European Community

2020 ◽  
Vol 2020 (10-3) ◽  
pp. 70-81
Author(s):  
David Ramiro Troitino ◽  
Tanel Kerikmae ◽  
Olga Shumilo
Keyword(s):  
World War Ii ◽  
European Community ◽  
World War ◽  
Charles De Gaulle ◽  
The United Kingdom ◽  
History Of ◽  
The Common ◽  
Post War ◽  
De Gaulle

This article highlights the role of Charles de Gaulle in the history of united post-war Europe, his approaches to the internal and foreign French policies, also vetoing the membership of the United Kingdom in the European Community. The authors describe the emergence of De Gaulle as a politician, his uneasy relationship with Roosevelt and Churchill during World War II, also the roots of developing a “nationalistic” approach to regional policy after the end of the war. The article also considers the emergence of the Common Agricultural Policy (hereinafter - CAP), one of Charles de Gaulle’s biggest achievements in foreign policy, and the reasons for the Fouchet Plan defeat.

Before the summit: News media framing, scripts and the flag-raising at Iwo Jima

2021 ◽  
pp. 175063522199094
Author(s):  
Matthew Pressman ◽  
James J Kimble
Keyword(s):  
World War Ii ◽  
Government Policy ◽  
News Media ◽  
News Coverage ◽  
Media Framing ◽  
Pacific Island ◽  
World War ◽  
The Pacific ◽  
Cognitive Scripts ◽  
New Interpretation

Drawing upon media framing theory and the concept of cognitive scripts, this article provides a new interpretation of the context in which the famous World War II photograph ‘Raising the Flag on Iwo Jima’ appeared. This interpretation is based primarily on an examination of American newspaper and newsreel coverage from the Pacific island battles prior to Iwo Jima. The coverage – especially the pictorial coverage – often followed a three-step sequence that showed US forces proceeding from a landing to a series of skirmishes, then culminating with a flag-raising image. This created a predictable cognitive script. That script, combined with other framing devices found in the news coverage (such as metaphors and catchphrases), conveyed the misleading message that the Allies’ final victory over Japan was imminent in early 1945. The Iwo Jima photo drove home that message more emphatically than anything else. This circumstance had profound implications for government policy at the time and, in retrospect, it illustrates the potency of media framing – particularly in times of crisis or war.

The public image of women in post-Taliban Afghanistan

2021 ◽  
pp. 44-49
Author(s):  
Dr Rose Fazli ◽  
Dr Anahita Seifi
Keyword(s):  
World War Ii ◽  
Political Development ◽  
Public Image ◽  
World War ◽  
Afghan Women ◽  
The Public ◽  
The Common ◽  
The One ◽  
The Relationship ◽  
Afghan Woman

The present article is an attempt to offer the concept of political development from a novel perspective and perceive the Afghan Women image in accordance with the aforementioned viewpoint. To do so, first many efforts have been made to elucidate the author’s outlook as it contrasts with the classic stance of the concept of power and political development by reviewing the literature in development and particularly political development during the previous decades. For example Post-World War II approaches to political development which consider political development, from the Hobbesian perspective toward power, as one of the functions of government. However in a different view of power, political development found another place when it has been understood via postmodern approaches, it means power in a network of relationships, not limited to the one-way relationship between ruler and obedient. Therefore newer concept and forces find their way on political development likewise “image” as a considerable social, political and cultural concept and women as the new force. Then, the meaning of “image” as a symbolic one portraying the common universal aspect is explained. The Afghan woman image emphasizing the historic period of 2001 till now is scrutinized both formally and informally and finally the relationship between this reproduced image of Afghan women and Afghanistan political development from a novel perspective of understanding is represented.

scholarly journals Antonio Morassi, Giulio Carlo Argan, Roberto Longhi e la riscoperta del Caravaggio di casa Balbi a Genova (1939-1952)

2020 ◽  
Vol 1 ◽  
pp. 351-369
Author(s):  
Giulio Zavatta
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
Saint Paul ◽  
World War ◽  
Published Report ◽  
The World

Antonio Morassi’s archive and photographic library kept in the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice preserves a series of documents relating to the rediscovery of the Caravaggio of Casa Balbi, which took place during the World War II. Antonio Morassi had a look to the Conversion of Saint Paul in the Genoese palace of Balbi and studied it to publish it. The picture that Morassi sent to the publishers was however showed to Giulio Carlo Argan, who was also writing a monograph about Caravaggio. Argan pledged to acknowledge the discovery to Morassi. But, Argan published report about the painting in an article in 1943. However, Roberto Longhi intervened, denying that it was a Caravaggio pain- ting. Morassi, who discovered this painting, published it on the Emporium magazine only in 1947, after World War II, is therefore not often recognized as the discoverer of this masterpiece.

The Melting Pot of the Pacific

2013 ◽  
Author(s):  
Ellen D. Wu
Keyword(s):  
United States ◽  
World War Ii ◽  
Indigenous Population ◽  
Ethnically Diverse ◽  
Asian Population ◽  
The United States ◽  
World War ◽  
Melting Pot ◽  
The Pacific ◽  
Racial Harmony

This chapter deals with the concept of Hawaiʻi as a racial paradise. In the 1920s and 1930s, intellectuals began to tout the islands' ethnically diverse composition—including the indigenous population, white settler colonists, and imported labor from Asia and other locales—as a Pacific melting pot free of the mainland's social taboos on intermingling. After World War II, the association of Hawaiʻi with racial harmony and tolerance received unprecedented national attention as Americans heatedly debated the question of whether or not the territory, annexed to the United States in 1898, should become a state. Statehood enthusiasts tagged the islands' majority Asian population, with its demonstrated capability of assimilation, as a forceful rationale for admission.

Sign in / Sign up

Export Citation Format

Share Document